they/them
i dropped out of film school twice

1999
the straight story occupies a unique & paradoxical position within lynch’s oeuvre, serving as both an outlier and a reinforcement of his thematic preoccupations. produced under the ostensibly incongruous aegis of disney, the film trades in lynch’s characteristic surrealism for a mode of restrained, humanist realism — yet it remains unmistakably his. the linear narrative serves as a vehicle for an inquiry into aging, memory & moral reconciliation, rendered with an aesthetic delicacy that belies its narrative simplicity. the oppressive sound & deliberate…