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  • It Ends with Us

  • Touch

  • The Bikeriders

  • Anora

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It Ends with Us

2024

Watched

By Stephanie Zacharek

A movie or book can address a serious, emotionally wrenching subject and still be a thing you can’t help snickering at, a dramatic pileup that leaves you muttering “Oh, come on!” under your breath. It Ends With Us, the film adaptation of Colleen Hoover’s ferociously popular 2016 novel, works hard to ping all the appropriate notes. This is after all, a story of domestic abuse, a more widely shared experience in real life than most of us…

Touch

2024

Watched

By Stephanie Zacharek

We make space in our brains for lots of things these days: Instagram influencers and TikTok stars, series binge-watching, obsessive attention to the news cycle. Sometimes, in that endless reshuffling of attention-grabbers, we lose sight of essential pleasures that have served humankind ably for centuries. When we look at the movie landscape, in particular, almost nobody sighs and says, “I wish we had more romantic melodramas,” because we’ve nearly forgotten they’re even a genre. With Touch—adapted from…

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Oppenheimer

2023

Watched

By Stephanie Zacharek

There may be times in Oppenheimer when you look at the screen and think, Oh brother! as Nolan razzle-dazzles us with impressionistic inset shots of psychotically whirling stars and billowing plumes of what looks like molten lava, all while the lead character expounds in voiceover on the nature of matter, the universe, and other stuff. But either despite its intense craft or because of it, Oppenheimer works. In telling the story of genius theoretical physicist and atomic-bomb…

Past Lives

2023

Watched

By Stephanie Zacharek

is it possible that there are different kinds of right for any one human being? Is it normal to wonder what might have been—to ponder what your life might be like if you’d chosen another partner—or is it a betrayal of the person who sleeps beside you every night?

Those are questions writer-director Celine Song’s extraordinary debut film Past Lives doesn’t so much answer as brush against, like the flutter of moth wings. Uncertainty is a kind of shadow character in this film, floating through it like a ghost.

Read the full review on TIME.

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