Hits the right spots for me as a bad vibes all around neo-noir

Now we're talking.

Like a cross between Nakajima's Aesthetics of a Bullet and The King of Minami, played as a dark farce with humor that's too genuine to be common irony

This could have been a great opportunity to parody and critique global capitalism - Instead we got a horny Pringle guy.

This is what is called in academia "funny as fuck."