Aki Kaurismäki's latest work is surprisingly positive! Nevertheless, a typical Kaurismäki film from front to back, which strongly follows his proletarian trilogy. The set designs, the characters and the music are once again great - and with Maustetytöt there was even (at least for me) a new musical discovery.

Sundown caught me with no trailer sent before and no infos read. So - do the same, don't watch the trailer and don't read anything about Sundown, just watch it - in your cinema of your choice. Love it!

Coup ist so wundervoll trocken-hanseatisch mit einem lakonischen Humor, der einfach so großartig ist, das ein einmaliger Kinobesuch definitiv nicht genug ist!

A unique experience.
One scene full of pure horror that I will never be able to erase from my mind: Cutting toothnails shown in macro…

Döner for one, pasta for the rest. One last Generation-Y dinner with friends(?) in Hannover, depression and laughter so close. Clearing books off the shelf is more than just saying goodbye.

Ich hab die ganze Zeit darauf gewartet, dass das Känguru ins Bild hüpft. Ich hol mir jetzt drei Bier aus dem Kolinski in Altona.

Ich hab mir viel mehr versprochen und hatte auch mehr erwartet, leider ist das Ganze einfach zu seicht und klamaukig geraten.

Now that almost a week has ed, I've devalued the film again by half a point. Unfortunately, we have here one of those representatives of the typical "heart-warming modular melodrama with a good ending" a la Green Book & Co, which also uses its modular elements accordingly in order to squeeze a little tear out of the viewer's eye here and there. Unfortunately, it does this very obviously and also feels far too long. It didn't really reach me, but I'm probably not the target group either.

Hilarious cop buddy movie parody, love it!
Die hard through lethal weapons in the heat of the streets of rage-javik!

So cute and charming and also melancholic. Rich of so many details that bring the New York of the 80s to life.

Everyone has this one creepy relative in the family.

First Time watch, with an introduction by Jens Wawrczeck who read from his book „How To Hitchcock“ before the film.

A wild mix of everything! Love it (I usually hate movies in which characters sing).
Thanks, Axel Ranisch, for another great movie!

Another great movie made by Julia Ducournau. After the fantastic Raw here is another one that should be shown and watched on the big screen in the cinemas.

Still trying to find out which hardcore techno/gabba track was played in the firefighter moshpit dancing scene. Does anyone know?