The first sip is captivating.
The second sip is confusing.
The third sip is challenging.

Being so fukkin proud of my very own cinema‘s subwoofer ♥️

Hard watch (hate singing in movies) for me. Has it‘s ups and downs.

Rewatch at Scala Programmkino Lüneburg. Still my fav 2024.

Now that almost a week has ed, I've devalued the film again by half a point. Unfortunately, we have here one of those representatives of the typical "heart-warming modular melodrama with a good ending" a la Green Book & Co, which also uses its modular elements accordingly in order to squeeze a little tear out of the viewer's eye here and there. Unfortunately, it does this very obviously and also feels far too long. It didn't really reach me, but I'm probably not the target group either.

So weit weg von Pixar in Sachen Storytelling und Optik, dass es fast schon schmerzt. Hier wird nicht fein gestrickt, hier wird mit der Bratpfanne draufgehauen.

So cute and charming and also melancholic. Rich of so many details that bring the New York of the 80s to life.

What a lovely piece. So many charming details ❤️75 instead of 100 minutes would have been perfect!

„Aber wo sollen denn dann Schwein, Esel und Huhn leben?“

Was für ein leiser, wunderschöner, tragischer, zärtlicher und harter Film.

Everyone has this one creepy relative in the family.

First Time watch, with an introduction by Jens Wawrczeck who read from his book „How To Hitchcock“ before the film.

Aki Kaurismäki's latest work is surprisingly positive! Nevertheless, a typical Kaurismäki film from front to back, which strongly follows his proletarian trilogy. The set designs, the characters and the music are once again great - and with Maustetytöt there was even (at least for me) a new musical discovery.

Ich hab die ganze Zeit darauf gewartet, dass das Känguru ins Bild hüpft. Ich hol mir jetzt drei Bier aus dem Kolinski in Altona.

Ich hab mir viel mehr versprochen und hatte auch mehr erwartet, leider ist das Ganze einfach zu seicht und klamaukig geraten.