As an adorable little piece of dreamy, haunted house slasher (and as you can guess from its poster, body horror), Dolls is one of the lesser of the two films directed by the late Stuart Gordon back in 1986 (the other being From Beyond), and suffered commercially for that matter. it's a shame because the spooky deg of the house was intricately detailed, and the visual effects looked just as impressive. I also liked the overall fairytale structure of the…

It's one of those stylistically gripping psychological horrors that are actually dressed as a murder mystery (maybe because that's the thing that's been selling for a long time now, or maybe it's intentional, or maybe both, because it does look like what a Oz Perkins movie would normally look like), and it's able to hold it's own in most scenes to tell the story it wants to say and simultaneously set the foundations for that finale that kinda doesn't feel…

As a delicately tragic character, and family study, Antena felt special. there's an obscure dim of light that hangs around it's suffocating presence that helps with the better understanding of the characters and the mysteries surrounding the one incident that has left them hollow. and as that light gets brighter towards the end, it gets harder to deny the greatness that it employs in the sheer overwhelming power of letting go, taking its heavy toll head on, and moving forward.…