Matt Singer’s review published on Letterboxd:
Crams a lot into 68 seemingly placid minutes, including many provocative questions about art and repatriation, plus one of the cooler musical scores I’ve heard in any film in a while.
Watched 2024
Crams a lot into 68 seemingly placid minutes, including many provocative questions about art and repatriation, plus one of the cooler musical scores I’ve heard in any film in a while.