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Happy Death Day meets The Cabin in the Woods with a dash of Silent Hill, but it’s not anywhere near as successful. Until Dawn isn’t only a complete deviation from the hit video game, taking its title entirely for marketing purposes. It’s incredibly flat. The creatures are uninspired. The characters are all throwaway. I appreciate the use of gory practical effects, but this is a massive disappointment — both as an adaptation and a standalone film.

Watched on Wednesday May 21, 2025.

The Life of Chuck is a sentimental swing that marries Mike Flanagan & Stephen King’s talents in peculiar ways. Way overly narrated, but the performances are strong and the revelations are inspired. One act of its three-act structure outweighs the other two.

The Ugly Stepsister is a period piece trapped outside of time with a patriarchal tale of female body image & beauty standards that is, unfortunately, as old as time itself. Emilie Blichfeldt flips the Cinderella fairytale on its head, dumping buckets of gory nastiness all over it.

Lea Myren is a commanding force, as her Elvira’s internal beauty rots in relation to her external charm. We know where this story is going, but it’s no less stomach-churning. The skin-deep commentary somewhat holds it back in an otherwise captivating fairytale that you just can’t look away from.

Bring Her Back fails to scare or fully resonate emotionally, falling short of the thrills we know these filmmakers are capable of. It’s a reductive take on trauma and grief, especially compared to sharper recent psychological horror dramas that unpack these themes with greater nuance. The Philippous tap into a more personal place than they did with Talk to Me, but the slow, familiar build-up and predictable reveals make it feel more generic than haunting. The ending is rather affecting, and I can’t help but think how much better this would land if it found that arresting rhythm sooner. It isn’t a terrible sophomore effort, although it does feel underwhelming.

My review via Guy at the Movies.

Warfare strips the war movie down to the bones. Its simplicity is a strength and a shortcoming — yes, it sheds a propaganda core we’ve come to expect, but it lacks characterization. Alex Garland & Ray Mendoza craft a nightmarish experience that doesn’t capture much outside of “war is bad,” although its tremendous use of direction, sound design, and a claustrophobic set make this worth checking out. It sidelines the innocent bystanders, who deserve greater agency in their trauma. However, I’m not so sure that Garland is the filmmaker to do it.

The Final Reckoning is just short of three hours, including an hour of punishing exposition. It’s surprisingly the least action-packed installment of the bunch, but it’s a great time at the movies when it’s firing on all cylinders. The potential end of a film franchise running nearly 30 years should feel more emotionally rewarding than this. However, McQuarrie and Cruise know exactly what gets the adrenaline pumping. We’ll have to wait and see if Mission: Impossible 9 happens, and if it will turn this series back toward the light.

My full review via Guy at the Movies.

Beautiful costumes. Gorgeous sets. A mixed bag of skits that feel like they belong to a sketch show. From physical comedy to choreographed dance numbers, Ziegfeld Follies is moderately entertaining — in doses. It stretches on for a little too long, and the weaker sketches didn’t need to be there.

Death can tear a family apart. In Bloodlines, it brings them closer together. Now, whether they can cheat the primal entity to continue their legacy is another question entirely. Final Destination fans love this franchise for the innovative way these victims meet their demise. This installment is no less predictable than its predecessors, but it does find a fun way to apply its nostalgic formula to a new scenario with tons of bloodshed. It also gives the late Tony Todd an affecting farewell.

My full review via Guy at the Movies.

Rome, Open City is one of the few beacons of robust filmmaking in the infamous 11-way tie for the Palme d’Or at the Cannes Film Festival. I preferred Part One to Part Two, but that’s easy to forgive when there is so much power to the dynamics of these characters. Good performances across the board and a real gut punch of an ending.

The Last of Us Part II’s narrative structure (and part of its messaging) combined with The Beasts’ dread-inducing animosity between rural neighbors. Character arcs are limited in scope, but there is an undeniable depth to both POV characters. Christopher Abbott and Barry Keoghan bring a subtle intensity. The pacing is a bit uneven (not necessarily helped by the structure). However, its bleak look at forgiveness and desperation show how time doesn’t necessarily heal all wounds. Some are forever.

This is what people have been hyping up?! Murder Death Koreatown injects a cringe, Tina Belcher-sounding man with “main character syndrome” into a real-life crime story. Beyond its disrespect toward the dead, you can’t help but laugh at the sheer lunacy of it all. 

I get that’s the point of this found-footage disaster, but what are we really getting at here? The simplistic, yet deeply haunting score is the most effective piece of the puzzle here. The scariest thing about the whole thing is that people like this exist in the world of far-fetched conspiracy theories.

It would be easier to stomach if it wasn’t so poorly executed.

Pastoral Symphony is fairly pedestrian melodrama. About as ableist, misogynistic, and religiously odd as expected. It ALMOST has something interesting to say about the destruction of the male gaze, but it never quite gets there. A lot of this movie is talking down to its female lead and “dumbing down” its pathos for the audience. It’s far from the worst Palme d’Or (known as the Grand Prix at the time) winner, but it’s hardly worthy of the title — 11-way tie or not.

I nearly died of second-hand embarrassment watching Drop. Consistently delivers on 2000s-era cringe with a present-day tech spin. The theme on abuse runs skin deep, pairing dark subject matter with a wacky premise. It isn’t scary, thrilling, or (intentionally) funny. Christopher Landon’s movie falls in between the cracks, failing to find an identity. And that last 20 minutes — yikes.

A melodrama that is most interesting when it’s an examination of power and authority, but it’s in characterization and relationship dynamics. We all know that teacher who has no business being an educator — Torment takes that to the next level. However, it grows less compelling the deeper it settles into melodramatic romance and family drama. Decent but unremarkable.

Throwaway characters in a filler plot. It all feels so weightless. There is one particular action set piece that once again boasts Gareth Evans’ brutal splendor, even though the unnecessary shaky cam frequently makes a busy frame that much more frustratingly difficult to follow. From the weird CGI vehicles to the repetitive gun fights, Havoc makes one odd choice after another as if it’s simply moving through the motions.

A genre satire falls short when it repeats the very clichés it’s trying to parody. Clown in a Cornfield is entertaining in spots but lacks creativity in storytelling and the kills of paper-thin teen characters. It follows in the predictable footsteps it accuses other movies of a little too closely for far too long before it finds a flow that works. However, an exposition-heavy climax halts that momentum. This horror flick is best served chaotic when it takes the initiative to let its freak flag fly. 

My full review via Guy at the Movies.

Men Without Wings s the choir of well-made, albeit overall unmoving war movies. Its anti-war sentiments, double-crossing espionage, and hints of something more intimately emotional are impactful on their own. All together, they’re a bit less impressive. It’s fine.

HGTV meets Paranormal Activity isn’t a bad pitch, and it does successfully shock in the last few moments. However, it’s a stylistic clash that can’t settle on a tone of what this movie should be. There aren’t enough scares captured to keep the viewer invested in what is otherwise the pregnancy journey of two grating individuals. Nevertheless, Delivery: The Beast Within succeeds in fragments. Ignore the stupid movie title.

Criticizing the acting of a low-budget found footage movie feels strange, but it’s so stiff in Chateau that it ought to be called out. The unsettling location is underutilized and some of the scares are good in concept, albeit terrible in execution. There’s a lot of dull build-up to a rushed conclusion that could have gone full balls-to-the-wall.

There isn’t much about Red Meadows that sticks with you after the credits roll. It’s competent filmmaking with impressive visual techniques and a well-written ending. However, the emotions don’t weigh as heavy as they should.

I’m all for the concept of a campy horror flick with unicorns, but this is a chop. Another sloppy “eat the rich” satire with nothing new to say and no actual jokes in sight. A stellar ensemble cast gets bogged down by a stubbornly dull script that can’t seem to get out of its own way.

Maria Candelaria is simplistic in storytelling and character archetypes. There is good and evil, and nothing in between. The romance is well-drawn and the photography is beautiful. Even though it feels very surface-level, this is a melodrama that succeeds in making you FEEL something.

Thunderbolts* leans on long-established anti-hero tropes, but it comes to life when it wears its heart on its sleeve. The action and comedy are average MCU material, recycling elements from previous installments while taking another step in establishing this new era of heroes. It’s still difficult to imagine what the future will look like. Let’s just hope it doesn’t lose the characters and their motivations along the way.

My full review via Guy at the Movies.

Homophobic & transphobic to its core, Atrocious leads with shock value that succeeds in reaching a high level of disgust. When it comes to the gross-out factor, it peaks in its first tape. The cop’s story feels like an after thought, leading to a truly stupid ending. Nobody is watching this for anything but its boundary-pushing brutality, but even either that in mind, this is pretty dull.

The Blackwell Ghost feels more like a traditional movie than its predecessors, straying far away from its initial somewhat charming grit. The puzzles are far too predictable and the shoehorned paranormal details are a complete afterthought. I won’t stop watching these, but this main character gets dumber by the installment.

We have officially pivoted away from the supernatural into full-blown crime thriller. The central character went from likable, yet dumb in the early installment to utter moron in these later entries. The creepy home invasion elements are effective, but we keep venturing farther and farther away from relevance.

The Blackwell Ghost 6 isn’t about its titular spirit OR the pivot to a Florida serial killer haunt. No. It largely pivots away from horror and creepy vibes and into sentimental territory over a character who hasn’t really been actively involved since the first installment. Not only does it fail to be scary, it feels like it doesn’t belong to any part of this fragmented franchise.

The Blackwell Ghost slides back into the same song and dance. It still lands some creepy and effective moments, even though it’s still just a bunch of knocking and phone calls. The mystery component is fairly predictable and it grows frustrating to see the protagonist insist on staying in a house he refuses to explore. He would rather listen to loud knocking for hours on end without putting any actual effort into solving the mystery.

More of the same. The Blackwell Ghost goes from ghost hunting to serial killer mystery with paranormal elements. More loud knocking and late-night phone calls, but there’s more of a payoff to the scares. I’m not sure this franchise really knows what it wants to be, although this Lightfoot installment feels like it’s starting to find its footing in this new direction. We’ll see if it finds a way to capitalize on that.

The Blackwell Ghost 3 should have changed titles and poster art, because it has nothing to do with the first two films. The subtle, creepy vibes of its predecessors are mostly gone. The true crime narrative is interesting, but the scares are reduced to only two gimmicks — loud banging on the back door and a mysterious phone call in the middle of the night with no one on the other end of it. Each time you think the tension is going somewhere, it doesn’t. That hallway is the creepiest thing about the entire film, and it isn’t fully utilized.

A small but not substantial drop in quality from the first one. The added bit about a buried treasure in the backyard is eerie, but it’s disappointingly dropped without any further mention. What happened to its contents? Did he just…keep them?

The paranormal happenings aren’t as creepy as in its predecessor, and I couldn’t help but laugh at the filmmaker’s reflection on his relationship to the spirit of a serial child murderer.

We’ve seen this type of movie a million times and The Blackwell Ghost doesn’t really try to do anything that sets it apart. There are a couple of tension-filled moments that don’t really lead anywhere. The pay-off to all of that waiting is for nothing. Fortunately, Turner Clay isn’t as obnoxious as the typical central character in these things. Meh.

Tao Zhao kept me locked into an otherwise tepid slog that doesn’t really have much to say. Jia Zhang-ke’s reflection on the age of time in China paints a two-dimensional picture with a distant, uninterested romance. A significant piece of the puzzle is missing here that causes it to feel lacking. Visually and technically eye-catching, but it’s an otherwise flat drama.

Cold, calculating, and chillingly romantic. Black Bag has a firm handling on the genre with sizzling chemistry between Michael Fassbender and Cate Blanchett. It isn’t the most memorable film, but it never overstays its welcome. A tightly-threaded slice of suspense.

The Woman in the Yard moves the needle in the right direction for Blumhouse, in concept anyways — away from the standard, cheap jump-scare fare. However, it’s highly derivative of The Babadook, failing to utilize its central themes of trauma and depression in a unique fashion. Danielle Deadwyler’s performance is far more impressive than the script and filmmaking at work here.

Ne Zha plays with good and evil in interesting ways and sports neat animation, but it struggles to reconcile with the children animation tropes. The humor is flat, the storytelling feels watered down, and the world building is barely there — surprisingly long for what it is.

Narratively predictable but gnarlier than expected. Novocaine gets most of its adrenaline thanks to Jack Quaid’s “everyman” charm — nothing we haven’t seen from him in the past, but I enjoy his schtick.

The whole thing begins to crumble in the last 30 minutes and I can’t say the central romance really works. Even so, Novocaine entertains with its gruesome cringe.

The Last Chance is a below-average war drama that doesn’t really come alive until the end. Nothing about it is particularly gripping, although nothing stands out as being bad. It coasts through indifference until it finally tackles the single strand of authentic pathos. By then, it’s too late.

A predictable blend of The Menu, Midsommar, and Get Out. Ayo Edebiri’s talent is deserving of so much more than the rote characterization of Opus. It’s less morally obtuse than Blink Twice, but there isn’t anything biting or urgent about this cult thriller. I think we can let this type of movie lay dormant for a little while.

Dog Man is a cute, joke-per-second animated feature with charming animation, but it’s pretty limited by skewing the storytelling as young as it does. Adult pop culture references are scattered throughout, but it’s a shame that nothing pops. Forgettable, albeit harmless animated filmmaking for little kids.

I really wanted to love Wolf Man, especially since the 1941 classic is my personal favorite of the Universal Monsters collection. Unfortunately, Leigh Whannell doesn’t capture what made his Invisible Man remake work — a unique identity packed with thrills.

This Wolf Man is as generic as werewolf movies come, occasionally touching on patches of flair without fully embracing them. This iteration of werewolf lore is exceedingly inferior, letting go of the original story’s sense of tragedy that is so intertwined with its premise (until the last few minutes — far too late).

The cinematography is dark and lifeless, making it difficult to appreciate the direction of action on the screen.

A disappointment.

Neecha Nagar is far from the worst film to earn the top prize at Cannes (even if it shared the honor with several other films), but it’s a forgettable one. The music numbers are the most interesting component, yet they don’t fit in the narrative. The acting is wooden across the board in an otherwise mediocre piece of social commentary.

The Turning Point is about as dull and uninteresting as a war movie could be. Politically lethargic with non-existent characterization. I struggled to stay awake during this one.

I grew up playing (and loving) the Sonic games, but I’ll never understand why adults love these movies. The dark-sided cringe that is Jim Carrey’s Robotnik continues to ruin this franchise, shifting the focus way too far into flat-lining humor. The nostalgic side of me is pumped to see Shadow and Sonic on the screen together, but it isn’t enough to save this disaster ours trilogy that doesn’t understand its characters or their universe to capitalize on them.

A bloated Western that regularly comes to a screeching halt. Cecil B. DeMille’s Western has sufficient world-building breadth, but it lacks the depth to bringing it to life. Barbara Stanwyck and her atrocious Irish accent are distractions that frequently cheapen the character’s journey.

Baby Invasion is more coherent than Aggro Dr1ft, but it similarly doesn’t go anywhere. An eat-the-rich premise with a fantastical, nihilistic spin that disassociates its violence from reality. The murders are practically removed from the film, obliterating the impact. I’m convinced Harmony Korine didn’t even look at what a Twitch chat is like before making this. All of those ugly graphics and overlays mixed with a poorly-executed plot make this frustrating and grating.

More dramatically haunting than it is scary, thrilling, or profound. Steven Soderbergh’s conflict isn’t very satisfying, nor does it feel like it’s trying to be. A very human-centric POV, despite it being supernatural in nature. We relate to this nameless, speechless character more than anyone else in this fractured family dynamic. 

The focus shift away from family drama & mortality isn’t a smart one. Soderbergh wants to connect the dots between past and present too late in the game, long after I lost interest in the a narrative it chooses to invest in. The atmospheric ghost story looming over a family on the edge of complete collapse is far more interesting than where it ends up.

A formidable performance from Robert Pattinson breathes a lung-full of life into Mickey 17. It’s a heavy-handed sci-fi political vehicle that doesn’t really embrace the base concept, morphing into a blockbuster that grows less interesting as it progresses. Mark Ruffalo is as embarrassingly bad as Pattinson is phenomenal. There is clear cinematic prowess behind Bong Jon Ho’s vision, but it’s clouded by layers and layers of narrative fluff that only serves the purpose to preach (even though I do agree with its message).

The Divide is chaotic in its character juggling act, yet unimpressive and overly simplistic in its thematics. Valeria Bruni Tedeschi Is the powerhouse that anchors this screechy whirlwind. Catherine Corsini manages to volley between dramatic intensity and silly antics with ease, but the depth of characterizations and narrative get lost in the shuffle.

1. The Umbrellas of Cherbourg
2. Parasite
3. Taxi Driver
4. La Dolce Vita
5. Pulp Fiction
6. Paris, Texas
7. Apocalypse Now
8. Blue Is the Warmest Color
9. The Conversation
10. Anora

...plus 78 more. View the full list on Letterboxd.

1. Final Destination
2. Final Destination 5
3. Final Destination Bloodlines
4. Final Destination 3
5. Final Destination 2
6. The Final Destination

1. Avengers: Endgame
2. Iron Man
3. Thor: Ragnarok
4. Black Panther
5. Guardians of the Galaxy Vol. 3
6. The Avengers
7. Spider-Man: No Way Home
8. Doctor Strange in the Multiverse of Madness
9. Guardians of the Galaxy
10. Black Panther: Wakanda Forever

...plus 26 more. View the full list on Letterboxd.

All Queer Palm winners from the Cannes Film Festival, ranked.*

*Except for The Lives of Thérèse, which I’ve tirelessly searched for and can’t find.

1. Portrait of a Lady on Fire
2. Stranger by the Lake
3. Joyland
4. Laurence Anyways
5. Monster
6. Carol
7. BPM (Beats per Minute)
8. Pride
9. Girl
10. Beauty

...plus 3 more. View the full list on Letterboxd.

1. Friday the 13th Part 2
2. Friday the 13th
3. Friday the 13th: The Final Chapter
4. Friday the 13th Part VI: Jason Lives
5. Friday the 13th Part III
6. Friday the 13th
7. Freddy vs. Jason
8. Friday the 13th Part VII: The New Blood
9. Friday the 13th: A New Beginning
10. Jason Goes to Hell: The Final Friday

...plus 2 more. View the full list on Letterboxd.

1. The Apartment
2. Parasite
3. All About Eve
4. Casablanca
5. Moonlight
6. The Godfather Part II
7. The Godfather
8. The Bridge on the River Kwai
9. It Happened One Night
10. All Quiet on the Western Front

...plus 87 more. View the full list on Letterboxd.

Read my full breakdown via Guy at the Movies.

1. Anora
2. Challengers
3. The Substance
4. No Other Land
5. The Beast
6. Black Box Diaries
7. The Seed of the Sacred Fig
8. Do Not Expect Too Much from the End of the World
9. Nosferatu
10. How to Have Sex

...plus 10 more. View the full list on Letterboxd.

1. Puppet Master III
2. Puppet Master II
3. Puppet Master
4. Puppet Master: The Littlest Reich
5. Puppet Master 4
6. Puppet Master 5
7. Curse of the Puppet Master
8. Puppet Master vs Demonic Toys
9. Puppet Master: Doktor Death
10. Puppet Master: Axis of Evil

...plus 5 more. View the full list on Letterboxd.

1. Call Me by Your Name
2. Challengers
3. Suspiria
4. A Bigger Splash
5. Queer
6. Bones and All
7. I Am Love
8. The Protagonists
9. Melissa P.

1. Alien
2. Blade Runner
3. Thelma & Louise
4. The Last Duel
5. Prometheus
6. Black Hawk Down
7. Matchstick Men
8. Gladiator
9. Alien: Covenant
10. Hannibal

...plus 19 more. View the full list on Letterboxd.

1. Pain and Glory
2. Talk to Her
3. All About My Mother
4. The Skin I Live In
5. Women on the Verge of a Nervous Breakdown
6. Bad Education
7. Law of Desire
8. Tie Me Up! Tie Me Down!
9. Broken Embraces
10. Live Flesh

...plus 13 more. View the full list on Letterboxd.

1. Anora
2. Tangerine
3. Red Rocket
4. The Florida Project
5. Starlet
6. Take Out
7. Prince of Broadway
8. Four Letter Words

1. V/H/S
2. V/H/S/2
3. V/H/S/85
4. V/H/S/94
5. V/H/S/Beyond
6. V/H/S/99
7. V/H/S: Viral

1. Signs
2. The Sixth Sense
3. Unbreakable
4. Old
5. Split
6. Knock at the Cabin
7. Trap
8. The Visit
9. The Village
10. Glass

...plus 6 more. View the full list on Letterboxd.

1. Alien
2. Aliens
3. Prometheus
4. Alien: Covenant
5. Alien: Romulus
6. Alien³
7. AVP: Alien vs. Predator
8. Alien Resurrection
9. Aliens vs Predator: Requiem

• Poor Things
• May December
• The Taste of Things
• All of Us Strangers
• The Beasts
• Perfect Days
• The Blue Caftan
• Spider-Man: Across the Spider-Verse
• Past Lives
• ages

...plus 10 more. View the full list on Letterboxd.

1. Vivre Sa Vie
2. Pierrot le Fou
3. Breathless
4. Masculin Féminin
5. Weekend
6. Band of Outsiders
7. Every Man for Himself
8. Alphaville
9. A Woman Is a Woman
10. Year 90 Nine Zero

...plus 28 more. View the full list on Letterboxd.

1. The Empire Strikes Back
2. Star Wars
3. Return of the Jedi
4. Rogue One: A Star Wars Story
5. Star Wars: Episode III – Revenge of the Sith
6. Solo: A Star Wars Story
7. Star Wars: Episode I – The Phantom Menace
8. Star Wars: The Force Awakens
9. Star Wars: The Last Jedi
10. Star Wars: Episode II – Attack of the Clones

...plus 1 more. View the full list on Letterboxd.

1. Poor Things
2. The Favourite
3. Dogtooth
4. The Lobster
5. The Killing of a Sacred Deer
6. Kinds of Kindness
7. Alps
8. Kinetta
9. My Best Friend

1. WALL·E
2. Toy Story 3
3. Toy Story
4. Toy Story 2
5. Inside Out
6. Up
7. Monsters, Inc.
8. Finding Nemo
9. Coco
10. The Incredibles

...plus 18 more. View the full list on Letterboxd.

1. Aliens
2. Terminator 2: Judgment Day
3. Titanic
4. The Terminator
5. Avatar: The Way of Water
6. The Abyss
7. Avatar
8. True Lies
9. Piranha II: The Spawning

1. The Apartment
2. Sunset Boulevard
3. Double Indemnity
4. Some Like It Hot
5. Witness for the Prosecution
6. The Lost Weekend
7. Ace in the Hole
8. Sabrina
9. Stalag 17
10. The Fortune Cookie

...plus 16 more. View the full list on Letterboxd.

1. Planet of the Apes
2. Dawn of the Planet of the Apes
3. War for the Planet of the Apes
4. Rise of the Planet of the Apes
5. Conquest of the Planet of the Apes
6. Escape from the Planet of the Apes
7. Kingdom of the Planet of the Apes
8. Beneath the Planet of the Apes
9. Battle for the Planet of the Apes
10. Planet of the Apes

1. The Grand Budapest Hotel
2. Isle of Dogs
3. Rushmore
4. The Life Aquatic with Steve Zissou
5. Moonrise Kingdom
6. Fantastic Mr. Fox
7. Bottle Rocket
8. The French Dispatch
9. The Wonderful Story of Henry Sugar and Three More
10. The Darjeeling Limited

...plus 2 more. View the full list on Letterboxd.

1. Faces
2. Opening Night
3. Love Streams
4. A Woman Under the Influence
5. Shadows
6. Gloria
7. Minnie and Moskowitz
8. Too Late Blues
9. A Child Is Waiting
10. The Killing of a Chinese Bookie

...plus 2 more. View the full list on Letterboxd.

1. High and Low
2. Ran
3. Seven Samurai
4. Rashomon
5. Throne of Blood
6. Ikiru
7. Kagemusha
8. The Hidden Fortress
9. Yojimbo
10. Sanjuro

...plus 20 more. View the full list on Letterboxd.

1. Paranormal Activity 3
2. Paranormal Activity
3. Paranormal Activity: The Marked Ones
4. Paranormal Activity 2
5. Paranormal Activity 4
6. Paranormal Activity: Next of Kin
7. Paranormal Activity: The Ghost Dimension

1. Harry Potter and the Prisoner of Azkaban
2. Harry Potter and the Deathly Hallows: Part 2
3. Harry Potter and the Goblet of Fire
4. Harry Potter and the Deathly Hallows: Part 1
5. Harry Potter and the Half-Blood Prince
6. Harry Potter and the Philosopher's Stone
7. Harry Potter and the Order of the Phoenix
8. Harry Potter and the Chamber of Secrets
9. Fantastic Beasts and Where to Find Them
10. Fantastic Beasts: The Crimes of Grindelwald

...plus 1 more. View the full list on Letterboxd.

1. Jurassic Park
2. The Lost World: Jurassic Park
3. Jurassic World
4. Jurassic Park III
5. Jurassic World: Fallen Kingdom
6. Jurassic World Dominion

1. Casino Royale
2. Dr. No
3. Goldfinger
4. Skyfall
5. From Russia with Love
6. No Time to Die
7. On Her Majesty's Secret Service
8. GoldenEye
9. The Spy Who Loved Me
10. You Only Live Twice

...plus 15 more. View the full list on Letterboxd.

1. Fast Five
2. Fast & Furious 6
3. Furious 7
4. The Fast and the Furious
5. The Fast and the Furious: Tokyo Drift
6. 2 Fast 2 Furious
7. The Fate of the Furious
8. Fast & Furious Presents: Hobbs & Shaw
9. F9
10. Fast X

...plus 1 more. View the full list on Letterboxd.

1. Halloween
2. Halloween III: Season of the Witch
3. Halloween 4: The Return of Michael Myers
4. Halloween II
5. Halloween II
6. Halloween
7. Halloween
8. Halloween H20: 20 Years Later
9. Halloween: The Curse of Michael Myers
10. Halloween 5: The Revenge of Michael Myers

...plus 3 more. View the full list on Letterboxd.

1. Hellraiser
2. Hellbound: Hellraiser II
3. Hellraiser
4. Hellraiser: Bloodline
5. Hellraiser III: Hell on Earth
6. Hellraiser: Inferno
7. Hellraiser: Hellseeker
8. Hellraiser: Deader
9. Hellraiser: Judgment
10. Hellraiser: Hellworld

...plus 1 more. View the full list on Letterboxd.

1. Scream
2. Scream 2
3. Scream 4
4. Scream VI
5. Scream
6. Scream 3

1. The Texas Chain Saw Massacre
2. The Texas Chainsaw Massacre
3. The Texas Chainsaw Massacre: The Beginning
4. The Texas Chainsaw Massacre 2
5. Leatherface: The Texas Chainsaw Massacre III
6. The Return of the Texas Chainsaw Massacre
7. Texas Chainsaw Massacre
8. Texas Chainsaw 3D
9. Leatherface

1. A Nightmare on Elm Street
2. A Nightmare on Elm Street 3: Dream Warriors
3. A Nightmare on Elm Street Part 2: Freddy's Revenge
4. New Nightmare
5. A Nightmare on Elm Street 4: The Dream Master
6. Freddy vs. Jason
7. A Nightmare on Elm Street: The Dream Child
8. Freddy's Dead: The Final Nightmare
9. A Nightmare on Elm Street

1. Predator
2. Prey
3. Predators
4. Predator 2
5. AVP: Alien vs. Predator
6. The Predator
7. Aliens vs Predator: Requiem

1. Zodiac
2. The Social Network
3. Se7en
4. Gone Girl
5. Fight Club
6. The Killer
7. The Curious Case of Benjamin Button
8. The Girl with the Dragon Tattoo
9. Panic Room
10. Mank

...plus 2 more. View the full list on Letterboxd.

1. Boogie Nights
2. Magnolia
3. There Will Be Blood
4. Licorice Pizza
5. The Master
6. Phantom Thread
7. Hard Eight
8. Punch-Drunk Love
9. Inherent Vice

• La La Land
• Whiplash
• Babylon
• First Man
• Guy and Madeline on a Park Bench

1. Melancholia
2. Breaking the Waves
3. Dancer in the Dark
4. Dogville
5. Europa
6. Nymphomaniac: Vol. I
7. Nymphomaniac: Vol. II
8. The House That Jack Built
9. Antichrist
10. The Idiots

...plus 7 more. View the full list on Letterboxd.

• The Worst Person in the World
• Oslo, August 31st
• Reprise
• Thelma
• Louder Than Bombs

1. Arrival
2. Blade Runner 2049
3. Sicario
4. Dune: Part Two
5. Dune
6. Enemy
7. Incendies
8. Polytechnique
9. Prisoners
10. August 32nd on Earth

...plus 1 more. View the full list on Letterboxd.

1. Inception
2. The Prestige
3. The Dark Knight
4. Memento
5. Oppenheimer
6. Interstellar
7. Batman Begins
8. Dunkirk
9. The Dark Knight Rises
10. Following

...plus 2 more. View the full list on Letterboxd.

1. Eyes Wide Shut
2. The Shining
3. Paths of Glory
4. Full Metal Jacket
5. A Clockwork Orange
6. The Killing
7. Lolita
8. Barry Lyndon
9. Spartacus
10. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

...plus 3 more. View the full list on Letterboxd.

1. Pulp Fiction
2. Inglourious Basterds
3. Kill Bill: Vol. 1
4. The Hateful Eight
5. Django Unchained
6. Kill Bill: Vol. 2
7. Jackie Brown
8. Reservoir Dogs
9. Death Proof
10. Once Upon a Time... in Hollywood

1. Taxi Driver
2. Alice Doesn't Live Here Anymore
3. GoodFellas
4. The King of Comedy
5. After Hours
6. The Wolf of Wall Street
7. Hugo
8. The Last Temptation of Christ
9. Raging Bull
10. The Departed

...plus 16 more. View the full list on Letterboxd.

1. Saw
2. Saw II
3. Saw VI
4. Saw X
5. Saw III
6. Saw IV
7. Saw V
8. Jigsaw
9. Spiral: From the Book of Saw
10. Saw 3D

1. Three Colours: Red
2. Dekalog
3. A Short Film About Love
4. A Short Film About Killing
5. Three Colours: Blue
6. Camera Buff
7. Three Colours: White
8. The Double Life of Véronique
9. The Calm
10. Blind Chance

...plus 5 more. View the full list on Letterboxd.

1. Wonder Woman
2. The Suicide Squad
3. Shazam!
4. Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
5. Aquaman
6. Zack Snyder's Justice League
7. The Flash
8. Blue Beetle
9. Man of Steel
10. Batman v Superman: Dawn of Justice

...plus 6 more. View the full list on Letterboxd.