Both Harry Melling and Alexander Skarsgård deserve real praise for throwing themselves into a film as bold and unflinching as Pillion. It’s easily one of the most sexually explicit titles I saw at Cannes this year—so much so that several people walked out of my screening. Director Harry Lighton, making his feature debut, approaches this queer BDSM relationship with honesty, curiosity, and a refusal to sanitize. There’s no soft lighting or euphemism here—just a clear-eyed attempt to explore what might…
