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Gene Hackman: 20 Essential Movies
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The Most-Anticipated New Movies of Summer 2025 35 films
There’s a lot to take in even if you don’t count the remakes, reboots, rom-coms, trad-coms, sequels, prequels, “requels,” and…
Val Kilmer: 10 Essential Movies 10 films
A Juilliard graduate, a movie star, an actor who could play anything from fantasy heroes to flyboy villains, bank robbers…
Gene Hackman: 20 Essential Movies 20 films
He played cocky cops, doomed detectives, corporate fat cats, kindly coaches, and any number of Grade-A All-American assholes — both…
Best Picture Oscar Winners of the 21st Century, Ranked 24 films
The Oscars have been around for almost 100 years now, celebrating a medium that was born in the last few…
50 Essential LGBTQ Movies 50 films
It’s grainy, faded, and, given the clip is now 125 years old, more than a little worse for wear. But…
10 Essential Werner Herzog Movies 10 films
For nearly 55 years, he’s chronicled the weird, the wild and the obsessed … and with two new films coming…
Recent reviews
‘Love Hurts’ — But It’s Not as Painful as Watching This Movie
Oscar-winner Ke Huy Quan deserves a much, much better starring vehicle than this limp, lazy action flick.
A stock riff on the ol’ former-killer-dragged-back-into-the-life scenario, this star vehicle for Quan couldn’t feel more D.O.A., even if the star himself gamely tries to inject life into it at every opportunity. The mix of behind-the-camera pedigree, name-above-the-title novelty and the actor’s newly minted ass-kicking persona should have made this a…
Is ‘Sinners’ a Western, Crime Thriller, Southern Gothic, or Monster Movie? Yes. Ryan Coogler’s messy but rollicking take on a vampire story blends and bends genres, but it never skimps on entertainment value.
Truthfully, "Sinners" might be more interesting before the vampires show up. Coogler has fun with the logistics of letting the wrong one in, as former friends and neighbors try to finagle an invitation they didn’t need before.
But if Sinners is messy, it’s sometimes pretty glorious, too. Coogler is swinging wide and far beyond the boundaries of franchise fare.
Full review: www.rollingstone.com/tv-movies/tv-movie-reviews/sinners-michael-b-jordan-ryan-coogler-1235307958/
‘The Shrouds’ Is David Cronenberg’s Most Personal Movie Since ‘The Fly’
Cronenberg is less interested in who done it and far more intrigued with the emotional contours of how one attempts to move on after a staggering loss — or, perhaps, why you’d want to when grief has become a key part of your identity, which is a far scarier thought he’d like you to muse on.
You can see shadows of his previous work — notably 1999’s eXistenZ, which…
Nicole Kidman delivers a no-holds-barred, everything-bared performance as a woman who finds sexual liberation through domination....It's a lot.
'Babygirl' is an exploration of a charged sexual relationship between a female CEO and her young, male intern that ends up finding freedom in sub-dom dynamics, this drama from Dutch filmmaker Halina Reijns leans heavily into the power structures inherent in such December-May affairs.
Nicole Kidman makes you feel like this isn’t just a provocation so much as a tantalizing what if. As in: What if a movie was to take female sexuality outside of the vanilla realm seriously?
Full review: www.rollingstone.com/tv-movies/tv-movie-reviews/babygirl-review-nicole-kidman-1235204315/
Liked reviews

In loving memory of Gene Hackman (1930-2025).
This film has been picked during two closet visits:
Carol Kane & Julia Fox
Check out the All Time Top Criterion Closet Picks and all of the Criterion releases never picked in the closet.
Review by Eric Kohn
The dramatic story of the Mangrove Nine, when a group of Black British activists fought back against racist police raids in a tense series of courtroom showdowns, practically pitched itself as a movie when it unfolded in 1970. (They were acquitted of most charges, but the raids didn’t stop.) It only took 50 years, but writer-director Steve McQueen’s “Mangrove” works overtime to fill the gap, resulting in a delectable crowdpleaser both specific to its moment and relevant today.
It took four movies before Lee Isaac Chung was ready to tell the kind of story first-timers so often rush to share straight out of the gate. Not a coming-of-age movie so much as a deeply personal and lovingly poetic rendering of his Korean American childhood — specifically, how it felt for his immigrant family to adjust to life in small-town Arkansas — “Minari” benefits from the maturity and perspective Chung brings to the project. Waiting until…
He played cocky cops, doomed detectives, corporate fat cats, kindly coaches, and any number of Grade-A All-American assholes — both the sheer range and the overall reliability of the gentleman’s work over four decades is astounding. Yet the one thing the late Gene Hackman, who was found dead in his home in Santa Fe, New Mexico, on Feb. 26, never did was phone it in. He was an actor’s actor, the sort of performer who cut his teeth in theater and TV in the 1960s, alongside fellow future legends like Dustin Hoffman and Robert Duvall, fit in perfectly with the moody-antihero vibes of the 1970s, and excelled at playing powerful and flawed men in the Reagan era of the 1980s. There was something so natural about whatever Hackman did onscreen, whether he was screaming in fury or shyly giving an “aw, shucks” smile. Sometimes he even managed to do both at the same time.
But his body of work attests to someone who was committed to not only perfecting the craft but also pushing himself forward in the name of always locating what made these people tick. The question was never whether Hackman belongs on the Mount Rushmore of Screen Legends. It was, to borrow the headline of Rob Sheffield’s appreciation: Was Gene Hackman a Great American Actor, or the Greatest American Actor?
These 20 roles represent Hackman at his finest — from his breakthrough as part of the Barrow Gang to an aging patriarch conning his way back into his family. There will never be another star like him.