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…and then he clones himself a dozen times to one up his mysterious batman partner or something like that

Charlie is the best example we have of a perfect character I think

Thought this rating would change. It didn’t. Still stellar that Disney made something like this and i’m so glad Andor reinvigorated its style. Feels like Gareth Edwards and Tony Gilroy along with the entire team of filmmakers took Mickey Mouse’s money hostage and made something that rejected the Star Wars formula to the best of its ability. Extremely special.

my biggest flex is that my white Irish ass can sing every word to Rocky Road to Dublin and I made sure the theater knew it.

Deadpool for people who are tired of Deadpool. Kinda just impossible to not like. Has a sweet message about finding the person who reciprocates you, and juxtaposes it with some gnarly stuff. Loved the Jack Quaid leg head kabab. Side note can we talk about how badass of a name Amber Midthunder is. That’s why she kills predators.

Emma Stone really took a break from Yorgos Lanthimos to star in an Ari Aster film. It’s like, okay girl, you’re doing it to yourself at this point.

Would unironically rank as a top 3 Jurassic film.

I think about “oh you mean this key” daily.

Goes so unbelievably hard i’m crying. In my heaven me and Goofy are hitting the perfect cast on stage with Powerline belting out I2I to impress a girl. A Goofy Movie indeed. Unfortunately if you were waiting on any more good movies we’ve ed the threshold, and it was A Goofy Movie. Will watch a trillion more times and then some.

Good movie but simultaneously made me realize how sick of franchises I am. Fan theories are beginning to make me irrationally angry.

The End has been on my radar for a very long time, which makes it all the more frustrating that I’m coming out of it feeling exactly the same as I did going in. Suffice it to say, there’s not much here you can’t already gather from the trailer—which is insane, considering the 149-minute runtime. It feels like a movie made for people whose favorite map in Star Wars: Battlefront II was late-game Hoth. 

What holds The End together is the environment the characters inhabit, George MacKay’s rendition of “Alone” (along with the accompanying sequence), and the film’s surreal visuals. It’s always interesting to explore ideas that don’t apply to modern humans—a crutch that nearly every post-apocalyptic film tends leans on. Unfortunately, The End leans on it a little too heavily.

The characters don’t seem to grow, and a significant portion of the runtime is spent watching them wander through various rooms of a contained setting, singing songs that feel reused—and occasionally are. It’s gorgeous to look at, but ironically, The End ends right where it began. Maybe it serves as a completed vision for Oppenheimer, but it struggled to be an entertaining one.

A miraculous true story, told with what feels like a genuine intention to inform the general moviegoing public’s understanding of the event that took place. Woody Harrelson acts circles around the rest of the cast. Love him in dramatic roles. Feels heartfelt, sincere, and incredibly easy to watch—it’s the kind of film that’s hard not to like.

It's pretty ridiculous how just 10 minutes of research completely dismantles this documentary. It's unfortunate, especially since it exploits the tragic deaths of real people to give armchair activists another link to throw in their Instagram bios. Also implies many things that simply aren't true—like the bloody individual they show after repeated clips of killer whales to spooky music. Yeah dude just flat out ran into a TV screen. It also misidentifies people and carelessly throws around supposed "facts" that are either skewed or outright false. Unfortunately, modern activism often suggests there are only two sides to an argument, usually attacking the opposing viewpoint, when in reality, it's often a matter of finding the gray area. Pretty worrying this has a 4.0. Makes you feel, not think. Animals doing backflips for tourists is still ridiculous though. If you don't agree with that I hope you get the Jurassic World treatment. (eaten by Mosasaurus)

More John Woo than Gareth Evan’s but then again there’s a lot of both here. I’d really like someone to count how many bullets were shot in this film. Had to have been some type of world record.

Caveat cloaks itself in an atmosphere so thick you could cut it with a knife — a suffocating fog of dread that never fully lifts. The film paints a portrait of a man adrift in his own crushing loneliness, a vulnerability that the house, and whatever it is that lurks within it, exploits with merciless patience, to the point where it (quite literally) chains him to its halls. You know where every phone, key, toy rabbit, dog, and lock lies on that island, or at least you think you do. Mc Carthy offers no clear answers, no tidy explanations. He is less interested in telling you what happened in that house than in ensuring you feel, bone-deep, that something did.

Ben Affleck line dancing and starting his own Xavier’s School for Gifted Youngsters was not on my 2025 bingo card. What begins as an expected action thriller quickly and egregiously shifts into a buddy comedy, and then back again. It gets a bit ridiculous, but holds together because both movies Gavin O’Connor clearly wanted to make with this are pretty well executed.

Movie had just about as many cuts as Samara Weaving did by the end of it! It’s cursed with that “then this happens” structure I dread, but makes up for it with some practical gore for the ages. Gnarly stuff.

on paper an important message but if i’m a 9-5 full time fast food employee who’s been completely cheated by life just trying to provide for my family and some rich white man interrupts that with some bullshit like “this is plastic though” i’m going to pollute his face with the bottom of my shoe.

That abhorrent, slimy fossil fuel of white supremacy which belongs sequestered in the dark, lonely corners of history where it festers. The Order is the real-world story of what happens when those parasites to existence dare to step outside their nonexistent lane. Every aspect of the ignorant evil rooted in that self-serving viewpoint of religious bailout and the ‘for the cause’ scapegoat epitomizes the kind of human I truly despise the most. They're still festering. Justin Kurzel and Zach Baylin did a wonderful job capturing that. This was really powerful man. Fuck.

Yeah not great. There are no real stakes, mainly because the wolf man character flat-out refuses to pose any real threat to the two dull protagonists. Also not sure what the thought process was behind the design. I literally know mfs who look like that. The more I think about it, the more frustrating it gets—so I’ll leave it at a generous 2½ stars. If you’re looking for a better version of this, check out Arcadian. And if you want a better version of Arcadian, go with Signs.

Would I have opened that door? No, to be quite honest—and I think that’s exactly what makes Oddity work so well. It punishes the characters for doing what you always wish horror film characters would do. Pair that with the theme of losing a twin being like losing a part of yourself, and you’ve got a niche, super spooky film. It’s brilliant, slightly funny, and genuinely terrifying—and I’m all here for it. The grounded-in-reality, yet slightly supernatural horror renaissance is upon us, and Longlegs and Oddity are leading the charge. I’ll have 20 more of these please.

Hearing the phrase “top cruise does all his own stunts” then watching the train sequence in this movie is pretty funny ngl.

A concept that fucks and an execution that demands to be seen—though I’d be cheating myself if I said it fully commits to its premise. That said, it proves two things: 1) that everyone’s been sleeping on how good Jack O’Connell is, and 2) that that one scene™ is easily going to be the best of the year. Transcendent stuff.

Bite size Tarantino. Stellar.

Watched on Monday April 14, 2025.

Watched on Monday April 14, 2025.

It’s been, what, maybe four whole years since I added David Fincher’s Zodiac to my watchlist? Suffice it to say, it definitely delivers. That said, being interrupted by an ad every three seconds on Pluto TV really didn’t do the film justice. Then again, whoever decided Zodiac belonged on Pluto in the first place probably deserves some criticism.

Here I am, at my local theater, with a small box of Sour Patch Kids and a backup of Reese’s Pieces. And here is Alex Garland, attempting to show me the individual men (not the collective U.S. military) who allow me to do that. In Garland’s previous film Civil War—a film I’ve openly stated felt a bit surface-level—some of the top reviews praised Jesse Plemons’ performance while criticizing the film’s overall intentions, or lack thereof.

I ask: are you able to acknowledge a great individual performance in a film you find questionable? Can you distinguish the individuals without generalizing? Because at that point, if the answer is no, you’re no better than the government you’re criticizing.

My dad texts me in the middle of my Victorian literature lecture about a movie on Netflix with the description, “A blacksmith holds a demon in captivity, torturing it as revenge for his troubles. One day, an orphan girl stumbles upon the demon’s enclosure and unwittingly releases it.”

A week later, we’re watching Errementari: The Blacksmith and the Devil. 

Let me tell you—that description doesn’t even begin to scratch the surface. This film is a nightmare, a comedy, a fable, and everything in between. Eneko Sagardoy gives a performance that, I’d argue, blends Tim Curry’s performance in Legend with David Howard Thornton’s Art the Clown—so well, in fact, that it rivals both.

If you’re a fan of Pan’s Labyrinth, Beauty and the Beast, or Legend, I genuinely mean it when I say this movie was born for you. The practical effects here rival those in modern American films, and the cinematography is nothing short of stunning. Add in plot twists, rich fable storytelling, and a third act I wouldn’t have predicted if you gave me a hundred years—this is straight-up magical.

A true testament to pushing the boundaries of a budget. VFX can kiss this movies ass.

combined theater iq of 200

It’s that weird outlier where a Netflix movie ends up in theaters—not the other way around. The concept kind of shoots itself in the foot, which I unfortunately predicted going in. The character Malek plays doesn’t really make sense morally. There are tidbits of an interesting screenplay here, but I’ve definitely seen this movie before. That said, it does live up to its title!

Black Bag functions more like a game of Clue than a traditional twist-after-twist mystery thriller, focusing on a few settings and even fewer characters. An impressive 90 minutes that could have used a little less air between important moments—nonetheless, it’s a film I can’t imagine anyone leaving dissatisfied. Also everyone is very hot. 

Minecraft joke was out of nowhere but I guess not now that everyone is trashing on that movie right now.

King Arthur: Legend of the Sword > but I can’t deny how impressive this is. Bold filmmaking at its finest.

An experience that feels realer than a feature film—like something you witnessed from a third-person perspective. Even the performances within the performances are stellar. Sing Sing is important.

This review may contain spoilers.

On one hand, I respect the methodical approach, but on the other, the film feels like an obscene tonal departure from its predecessor. Den of Thieves: Pantera seemed to aspire to be more than it was, but in doing so, it lost the trashy charm of the original (complimentary). I would have much preferred to see Butler’s character grappling with the emotional repercussions of his decision rather than yet another “prison break to set up a sequel” moment. Although, I am a big fan of the “now we’re even” thing the film went for here. It also looks incredible for a film of this caliber, both of which serve as definite saving grace(s) for the film. I wouldn’t say I’m disappointed—just a little confused by the direction they chose. Could’ve possibly worked better if it wasn’t a sequel?

if there was a bucket of John Carpenter films and I picked out Halloween and you picked out Big Trouble in Little China do you wanna know what i’d say?

“hey i’ll tradeja”

Absolutely electric. I’m gonna go throw a knife.

I feel the need to correct a common criticism of The Keep. The film isn’t hard to understand—it’s just missing the context needed to its big ideas. There’s an interview with the South Park creators where they say something along the lines of, “Don’t use ‘then’ when storytelling—use ‘therefore.’” I believe The Keep was originally structured with a sense of “therefore,” but after Paramount spliced it together so heavily, it became a series of disconnected “then” moments by the time it was released. Again, not hard to understand, just missing all of the needed context. Felt like a bad twilight zone episode!

This review may contain spoilers.

Said to my dad midway through that this was weirdly reminiscent of something Shyamalan would’ve directed in the mid 2000’s. I was more correct than I thought!

Scrapes together the pieces of a four star film but i’m an avid The Hunt for Red October enjoyer so I think that’s my favorite submarine film. Love the dynamic between Denzel and the late Hackman and the “horse” dialog that they have through the film. Only issue I have with the whole “they were both right and both wrong” thing is that Hackman is definitely over villainized if we’re going for that. Very good!

Impressive as hell (pun intended) screenplay and an impressive feat coming off the heels of 65 for Scott Beck and Bryan Woods. Concise and well rounded. Just a very satisfying film.

Still has the sauce and so does Toni Collette!

Hellboy: The Crooked Man is one of those rare movies that make you cry out for original ideas—one of those films that make you realize that even with so much originality, an indifferent world can still allow the final product to be, let’s say, subpar.

That’s not to say it’s void of merit. The Hellboy prosthetics and portrayal are… good. I hesitate to call them great, as past iterations have certainly set a higher bar. However, that feels like an unfair criticism, given that both David Harbour and Ron Perlman seem born to play Big Red—even if the former’s film was, well… yeesh.

This entry adopts a Rob Zombie aesthetic and a nearly indie tone, choosing to focus on a simple story with simple stakes—just a day or so in Hellboy’s life. It’s a choice that makes the film fly by. Rob Zombie’s Halloween II comes to mind during some of its more surreal moments—not unfamiliar territory for the Hellboy franchise, but certainly the most egregious (I’d argue in a good way) it has ever been with this character. It’s a saving grace, as are its horror elements. There’s obvious talent behind the camera.

A pleasant surprise comes in the form of Adeline Rudolph’s performance. It’s nothing jaw-dropping, but for a Hellboy film, it wasn’t exactly expected to stand out. These stronger aspects of the film, however, are at odds with some of its more (very) glaring weaknesses.

For starters, it’s difficult to connect with any of the settings. The film is about 90% forest, 5% church, 4% stone building, and 1% train (the opening sequence, which also happens to be the second-best part of the movie). The environments feel trite and don’t blend well with the inherent absurdity of Hellboy as a character.

The dialogue also struggles—particularly the quipping. I love a good Hellboy quote, but when they don’t make sense in the context of the moment, I find myself questioning the need rather than gawking at the aura. Pacing is all over the place, and it’s clear where the budget was stretched thin or padded out. Highs are high, lows are low, but you can tell it was made by a team who genuinely cares about this character.

Here’s hoping we see Hellboy again soon. Just give Guillermo his third film dammit.

a coin minted tails on both sides

Really eerie because for some reason in the original short films Wallace is actually competent and forwarding the plot. Seems like the age got to him in the newer feature films.

“Do you wear wigs? Have you worn wigs? Will you wear wigs? When will you wear wigs?”

for some reason for like 10 years I thought this movie was about racing.

Maybe Wulf’s motives as a villain in the third act were the friends we made along the way.

“Major” is the only word I have right now, and it seems others on this platform feel the same way. A film above any “award” it could ever win. I’d write more but Ariana Grande and Cynthia Erivo are distracting me on my tv right now.

Not only does this prove that John Magaro is one of our best working actors (if you don’t believe me, watch Omaha when it releases), but it also demonstrates that fresh perspectives can be brought to (relatively) nonfictional storytelling. The film carefully tells its story, maintaining close proximity to its main characters, putting you right in the studio with them. It almost feels like I’m managing the cameras and flipping the screens myself—it’s all incredibly tactile in what it accomplishes.

It respects the gravity of the 1972 Olympic terrorist attack while maintaining a thrilling atmosphere, keeping you constantly updated without relying on romanticizing real-world events to sustain engagement. Telling this story from a separate perspective could be interpreted as a form of deferral, but I believe the film carries enough weight to avoid that. Its screenplay nomination is well deserved—profound stuff.

When Cristo Fernández showed up, I thought, “Oh, that’s cool—he’s getting more work.” When Juno Temple appeared, I immediately ed that one line from Dr. Doofenshmirtz: “I’d have two nickels, which isn’t a lot, but it’s weird that it happened twice, right?” Then, as the movie ended with a montage set to an obscure and weirdly placed music choice, I hit escape on my television and realized I hadn’t been watching a Venom film at all. No— I was in the Apple Tv app and had been watching a Ted Lasso spinoff the entire time. As I put down the remote, baffled by my mistake, I turned to my closest pals, Knull and Venom. They snickered and pointed, making me out to be the fool. This fever-dream facade of a film—concocted by Tom Hardy’s relentless drive to play this gooey spider-alien as many times as he possibly can—had made a complete dunce of me, a half-wit. I walked off in shame, knowing I had just spent the last hour and 45 minutes of my life being played by Venom’s clever ruse—a piano whose keys were myself and whose player was the Sony executives who decided this extended universe should go on for as long as possible.

But perhaps there is a silver lining. This Sonyverse was never meant to be good—only to exist because it can. Perhaps the greatest thing we can do is live without purpose or reason, simply because that makes our purpose ambiguous—because that makes our purpose everything.

Perchance to dream. There’s the rub.

Or this movie is just bad. Venom mamas.

• Superman
• Predator: Killer of Killers
• Bring Her Back
• Jurassic World Rebirth
• From the World of John Wick: Ballerina
• Dog Man
• Hell House LLC: Lineage
• Bugonia
• The Fantastic Four: First Steps
• The Monkey

...plus 60 more. View the full list on Letterboxd.

2025! Rankings are still fake.

1. The Things You Kill
2. Sorry, Baby
3. Sinners
4. Mickey 17
5. Omaha
6. Warfare
7. Black Bag
8. Havoc
9. The Gorge
10. The ant²

...plus 19 more. View the full list on Letterboxd.

Based on my most recent review

1. Jurassic Park
2. Jurassic Park III
3. Land of the Lost
4. Jurassic World: Fallen Kingdom
5. Jurassic World
6. Jurassic World Dominion
7. The Lost World: Jurassic Park

Every movie i’ve seen from 2020, Ranked
This year has my favorite movie of all time and my least favorite

1. Little Fish
2. Shiva Baby
3. Caveat
4. Palm Springs
5. I'm Thinking of Ending Things
6. Soul
7. Extraction
8. The Haunting of Bly Manor
9. Host
10. Love and Monsters

...plus 32 more. View the full list on Letterboxd.

~Animated Favorites~

4.5/5’s & 5/5’s Organized Alphabetically

The #1 Peanuts Movie er

• Alice in Wonderland
• The Boy and the Heron
• Fantastic Mr. Fox
• Flow
• A Goofy Movie
• Grave of the Fireflies
• The Incredibles
• The Iron Giant
• Kung Fu Panda
• The Lego Batman Movie

...plus 29 more. View the full list on Letterboxd.

My Top 15 films of 2024 - This was a weird one

1. Furiosa: A Mad Max Saga
2. Dune: Part Two
3. Nickel Boys
4. The Brutalist
5. His Three Daughters
6. The Order
7. Longlegs
8. I Saw the TV Glow
9. Kneecap
10. Challengers

...plus 5 more. View the full list on Letterboxd.

Open to suggestions

• Carol
• Living in Oblivion
• Where the Wild Things Are
• In the Summers

Every 2024 release i've seen ranked - Rankings are fake. This is for my own enjoyment

1. Furiosa: A Mad Max Saga
2. Dune: Part Two
3. Nickel Boys
4. The Brutalist
5. Shōgun
6. His Three Daughters
7. The Order
8. Longlegs
9. I Saw the TV Glow
10. Kneecap

...plus 102 more. View the full list on Letterboxd.

• Megalopolis
• Horizon: An American Saga – Chapter 2
• Kinds of Kindness
• Snack Shack
• The Beast
• Cuckoo
• We Live in Time
• MaXXXine
• Piece By Piece
• Your Monster

...plus 8 more. View the full list on Letterboxd.

In preparation for Predator: Badlands

1. Prey
2. Predator
3. Predators
4. Predator 2
5. The Predator

A ranking of the Alien franchise as I rewatch each of the movies.

*Now including Alien: Romulus*

1. Alien
2. Alien: Covenant
3. Aliens
4. Prometheus
5. Alien³
6. Alien: Romulus
7. AVP: Alien vs. Predator
8. Alien Resurrection
9. Aliens vs Predator: Requiem

Directing & Writing credits

1. Sunshine
2. Dredd
3. 28 Days Later
4. Warfare
5. Civil War
6. Annihilation

2023 releases i’ve seen, Ranked

1. The Holdovers
2. The Boy and the Heron
3. Society of the Snow
4. Past Lives
5. Oppenheimer
6. The Fall of the House of Usher
7. Spider-Man: Across the Spider-Verse
8. John Wick: Chapter 4
9. May December
10. BlackBerry

...plus 94 more. View the full list on Letterboxd.

1. The Girl with the Dragon Tattoo
2. The Social Network
3. Zodiac
4. Fight Club
5. The Killer
6. Se7en
7. Alien³

Horror Films 5/5

My personal favorite Horror films of all time.

• It Comes at Night
• Signs
• The Rocky Horror Picture Show
• Black Christmas
• Ravenous
• Alien
• The Thing
• The Texas Chain Saw Massacre
• What We Do in the Shadows
• 10 Cloverfield Lane

...plus 2 more. View the full list on Letterboxd.

Please fix it

1. Andor: A Disney+ Day Special Look
2. Rogue One: A Star Wars Story
3. Star Wars: The Force Awakens
4. Solo: A Star Wars Story
5. The Mandolin
6. Star Wars: Skeleton Crew | A Special Look
7. Star Wars: The Last Jedi
8. Ahsoka
9. Obi-Wan Kenobi
10. The Acolyte

...plus 2 more. View the full list on Letterboxd.

A COMPLETE ranking of all films directed by Quentin Tarantino

1. Inglourious Basterds
2. Django Unchained
3. Once Upon a Time... in Hollywood
4. The Hateful Eight
5. Pulp Fiction
6. Reservoir Dogs
7. Kill Bill: Vol. 1
8. Kill Bill: Vol. 2
9. Jackie Brown
10. Death Proof

Decided at some point in November 2023 that I would commit to watching all of these. I finished the watch through in July of 2024. I couldn’t get enough during that 9 month period. Here are some surprises.

- The Tale of the Princess Kaguya: Now in my top 4. Genuinely transcendent.
- The Boy and the Heron: ended up being my 2nd favorite. Saw it in IMAX and couldn’t get enough. Even bought the steelbook.
- My Neighbors the Yamadas: very cute. Funny and wildly underrated.
- Porco Rosso: Possibly my favorite

1. The Tale of The Princess Kaguya
2. The Boy and the Heron
3. My Neighbor Totoro
4. Porco Rosso
5. Princess Mononoke
6. Whisper of the Heart
7. Spirited Away
8. The Wind Rises
9. Grave of the Fireflies
10. Only Yesterday

...plus 14 more. View the full list on Letterboxd.

I think this dude is secretly one of my favorite directors. I’ve rated 3 of his films 5 stars and just not thought about it.

1. The Thing
2. In the Mouth of Madness
3. Big Trouble in Little China
4. Halloween
5. Escape from New York

A collection of my favorites of all time, whether they be miniseries or films, in alphabetical order.

This list is forever changing

*This does not include all my 5 stars, just the ones  that meant the most to me*

Favorite performances of all time in no particular order:

Val Kilmer - Doc Holliday
Mickey Rourke - The Wrestler
Reese Witherspoon - Walk the Line
Robert Carlyle - Ravenous
Anya Taylor Joy - Furiosa
Laura Dern - Jurassic Park
Sam Neil - Jurassic Park
Amy Adams - Night at the Museum: Battle of the Smithsonian

Here’s my super cool Star Rating System for anyone interested.

5.0 and 4.5 ⭐️ - Out of a select few, these are usually interchangeable. A 5 star movie doesn’t always mean it’s perfect, and a 4.5 doesn’t always mean it’s not perfect. 5 stars are usually for movies I think had an impact on me the most, and sometimes i’ll just interchange one or the other based on how much i’ve thought about it that day. I will not give a movie 5 stars solely based on quality, if it had no effect on me. Won’t change my favorites ever. Like Little Fish, Petite Maman, The Tale of the Princess Kaguya, etc.

4.0 ⭐️ - This consists of either movies that are insanely popular that I just didn’t like as much, or big suprises that I think are overhated. I try to recognize quality to the best of my ability so I tend not to deviate from the collective when it comes to giving a popular movie a high rating when I didn’t like it as much, so the 4 star rating is how I compromise. For example Prisoners. Good movie, didn’t love it as much as others.

3.5 ⭐️ - Congrats! I had fun. Lots of action movies here. Movie making is hard and this is where I put most of them because regardless of quality, effort was put in. If there’s redeemable qualities, this is probably where it will go. The Beekeeper is like the ultimate 3.5 star movie.

3.0 and 2.5 ⭐️ - Had, qualities. Did I like them? meh. Maybe I liked aspects, but there was multiple things in here that actively made me have to think about it and say “that wasn’t right” or “well that doesn’t work”. This is usually as low as i’ll go with most movies. It’s good! But not amazing. 

2.0 ⭐️ - This is where I start to get angry. LOTS of netflix and franchise movies in here. Usually corporate slop that you can tell was rushed out. This is exactly where Disney’s Wish landed, if that puts this into perspective. Actively puts something wrong into the viewers head and tries, but doesn’t succeed much. Maybe some redeeming qualities.

1.0 and 1.5 ⭐️ - Oh boy. Each star in this rating is representative of each redeemable aspect I was able to find with the movie. Usually has themes and a message that could genuinely make the audiences perception of the world worse, or just doesn’t have themes at all. Maybe just not having themes at all is better? Enter: The Meg 2.

.05 ⭐️ Pretty much irredeemable in every regard. Usually because of wanting so see “how bad that movie actually is.” This is like Winnie the Pooh, The Last Airbender, etc. On occasion though, I don’t expect it. Enter the live action Mulan, and…. Artemis Fowl.

Hope you enjoyed!

• 10 Cloverfield Lane
• 12 Angry Men
• Alien
• Almost Famous
• Band of Brothers
• Big Trouble in Little China
• Bo Burnham: Inside
• The Boy and the Heron
• Children of Men
• Dazed and Confused

...plus 59 more. View the full list on Letterboxd.

Every Michael Mann Film i’ve seen Ranked

1. Manhunter
2. The Last of the Mohicans
3. Ferrari
4. Heat
5. The Keep

Bruce Campbell

1. Evil Dead II
2. The Evil Dead
3. Army of Darkness
4. Evil Dead Rise
5. Evil Dead

Different level filmmaker

1. Snowpiercer
2. Memories of Murder
3. Parasite
4. Mickey 17

Feature films

1. The Grand Budapest Hotel
2. The Life Aquatic with Steve Zissou
3. Fantastic Mr. Fox
4. The Royal Tenenbaums
5. Moonrise Kingdom
6. The Darjeeling Limited
7. Isle of Dogs
8. The French Dispatch
9. Asteroid City

I am rewatching the entire franchise in chronological order, ranking each as I go.

1. The Lord of the Rings: The Return of the King
2. The Lord of the Rings: The Two Towers
3. The Lord of the Rings: The Fellowship of the Ring
4. The Hobbit: The Desolation of Smaug
5. The Hobbit: The Battle of the Five Armies
6. The Hobbit: An Unexpected Journey
7. The Lord of the Rings: The War of the Rohirrim

1. Dune: Part Two
2. Nickel Boys
3. The Brutalist
4. Anora
5. The Substance
6. Conclave
7. A Complete Unknown
8. Wicked
9. Emilia Pérez

I’ve finally seen them all

1. The Boy and the Heron
2. Spider-Man: Into the Spider-Verse
3. Up
4. Spirited Away
5. Ratatouille
6. The Incredibles
7. WALL·E
8. Toy Story 3
9. Flow
10. Toy Story 4

...plus 14 more. View the full list on Letterboxd.

• I'm Still Here
• Maria
• The Apprentice
• The Seed of the Sacred Fig
• The Six Triple Eight
• The Girl with the Needle

Rewatching all the films in preparation for Jurassic World: Rebirth

1. Jurassic Park
2. Jurassic Park III
3. Jurassic World: Fallen Kingdom
4. Jurassic World
5. Jurassic World Dominion
6. The Lost World: Jurassic Park

This is the first year in forever they’re all good.

1. Memoir of a Snail
2. Flow
3. Inside Out 2
4. Wallace & Gromit: Vengeance Most Fowl
5. The Wild Robot

My favorite movie from every single year i’ve been alive.

1. The Prestige
2. Sunshine
3. The Wrestler
4. Inglourious Basterds
5. Incendies
6. Warrior
7. Django Unchained
8. The Tale of The Princess Kaguya
9. Interstellar
10. Mad Max: Fury Road

...plus 10 more. View the full list on Letterboxd.

All Guy Ritchie Films I’ve seen ranked

1. Sherlock Holmes: A Game of Shadows
2. Snatch
3. Sherlock Holmes
4. King Arthur: Legend of the Sword
5. The Gentlemen
6. Lock, Stock and Two Smoking Barrels
7. RocknRolla
8. Guy Ritchie's The Covenant
9. Wrath of Man
10. The Ministry of Ungentlemanly Warfare

...plus 3 more. View the full list on Letterboxd.

The best film in this franchise is the one that never got released which is funny.

1. The Fantastic Four
2. Fantastic Four: Rise of the Silver Surfer
3. Fantastic Four

Everything i’ve watched at Sundance 2025. Ranking them as I go along.

1. The Things You Kill
2. Sorry, Baby
3. Omaha
4. Didn't Die
5. OBEX
6. Serious People
7. Atropia
8. By Design
9. Rains Over Babel
10. Bunnylovr

A ranking of every movie I ever see at a film festival.

1. The Brutalist
2. The Things You Kill
3. All We Imagine as Light
4. Sorry, Baby
5. Omaha
6. The Shrouds
7. Hard Truths
8. Didn't Die
9. Serious People
10. OBEX

...plus 6 more. View the full list on Letterboxd.

He really likes black and white

1. The Northman
2. The Lighthouse
3. The Witch
4. Nosferatu

Ranking of every single Ridley Scott film I’ve seen

1. Alien
2. Blade Runner
3. Alien: Covenant
4. The Martian
5. Gladiator
6. The Last Duel
7. American Gangster
8. Legend
9. Prometheus
10. Kingdom of Heaven

...plus 3 more. View the full list on Letterboxd.

Every Danny Boyle film I’ve seen RANKED

1. Trainspotting
2. Sunshine
3. T2 Trainspotting
4. Slumdog Millionaire
5. 28 Days Later

Any movie with the characters King Kong or Godzilla i’ve seen ranked

1. Kong: Skull Island
2. Godzilla Minus One
3. King Kong
4. Shin Godzilla
5. Godzilla
6. Godzilla: King of the Monsters
7. Godzilla vs. Kong
8. Godzilla × Kong: The New Empire

Star Trek II wins. You’re just here to see where the rest of them rank.

1. Star Trek II: The Wrath of Khan
2. Star Trek IV: The Voyage Home
3. Galaxy Quest
4. Star Trek
5. Star Trek VI: The Undiscovered Country
6. Star Trek Beyond
7. Star Trek Into Darkness
8. Star Trek: Insurrection
9. Star Trek: The Motion Picture
10. Star Trek: Nemesis

...plus 4 more. View the full list on Letterboxd.

A collection of every Steelbook I own a hard copy of in order of when I got them.

• Band of Brothers
• X-Men: Days of Future Past
• Skinamarink
• Scream
• The Empire Strikes Back
• The Cabin in the Woods
• Ferris Bueller's Day Off
• The Thing
• Spider-Man: Into the Spider-Verse
• To Kill a Mockingbird

...plus 7 more. View the full list on Letterboxd.

Suspiria probably wins.

1. Suspiria
2. Inferno
3. Opera

ROWLF ROWLF ROWLF ROWLF

1. The Muppets
2. The Muppet Movie
3. The Great Muppet Caper
4. Muppets Most Wanted
5. Muppet Treasure Island

Yes I will be watching Piranha II: The Spawning

1. Titanic
2. Aliens
3. The Abyss
4. Avatar: The Way of Water
5. The Terminator
6. Avatar
7. Terminator 2: Judgment Day

Nolan’s Disney Animation Top 5

1. The Lion King
2. Lilo & Stitch
3. Hercules
4. Alice in Wonderland
5. Tangled

My ranking of the infamous Terrifier franchise

1. Terrifier 2
2. Terrifier 3
3. Terrifier

Nolan’s list for the top 10 westerns ever made.

My favorite genre🐴🤠

1. Tombstone
2. Ravenous
3. The Good, the Bad and the Ugly
4. Django Unchained
5. Bone Tomahawk
6. The Hateful Eight
7. Unforgiven
8. Pale Rider
9. True Grit
10. The Revenant

2022 Movies I’ve seen RANKED

1. Everything Everywhere All at Once
2. Aftersun
3. The Banshees of Inisherin
4. Glass Onion
5. Babylon
6. The Menu
7. The Northman
8. Puss in Boots: The Last Wish
9. Nope
10. All Quiet on the Western Front

...plus 63 more. View the full list on Letterboxd.

Damien Chazelle RANKED

1. Whiplash
2. Babylon
3. La La Land
4. First Man

The deconstruction of masculinity

1. Jackass Number Two
2. Jackass Forever
3. Jackass 3D
4. Jackass: The Movie