Dreams is exactly what it claims to be – surrealist vignettes that don’t make sense but derive from some form of a subconscious thought and are capable of creating untold realms of beauty and anguish alike. It’s the definition of art in cinema, and a great argument that cinema is art.
Dreams (1990) is Akira Kurosawa’s third-to-last film, only Rhapsody in August (1991) and Madadayo (1993) come later. True to his end-of-life works, Dreams is filled with vivid, detailed color…