rhythmic, raunchy, electric, a timeless ode to the blues, and the play on temporality throughout the film was so delicious to me. cracker vampires, indigenous hunters, fear as a site of recognition/misrecognition, the orality of black spirituality, the backdrop of the jim crow south, the refuge from christian dogma, and the nature of kinship, all tied together so seamlessly by the music score. mbj at his finest, incredible tints of the gothic, vampirism as code for culture vulturing, oh this…
