*takes a deep breath*

If the intention was to subvert rape-revenge thrillers, whose best quality is to allow women to externalize their aggression against the injustice of gendered violence, simply by taking the trope and removing the very thing that makes it relevant, what was the point? If this had been made by some white guy who thinks women dying is revolutionary, I’d have my answer right there. But this was written and directed by a woman, so I must…