The film is more than just a story—it’s a reflection of reality and history. It serves as a motivational and purposeful piece, showcasing how fate shaped its protagonist’s journey and how the world reacted to their experiences. The film captures these events in a way that evokes deep empathy.

Watched on Tuesday September 17, 2019.

In my opinion, the film is complete in every aspect. The cinematography was outstanding, with emotional lighting and colors that beautifully captured both warm and cold atmospheres, as well as the themes of suffering and misfortune. The screenplay is incredibly powerful, successfully crafting a deeply human story.  
Beyond these elements, the film has a lot to say, building strong relationships between characters. The ending is highly critical of governments, delivering an artistic, documentary-like, and historical conclusion.

I wasted my time watching it, and also my money.

The film is truly amazing, and Al Pacino is at his peak here. Brian De Palma's direction is a masterpiece, and the story is incredibly well-crafted. This is one of my favorite films—a story about a ruthless yet emotional man who doesn’t belong in the upper class. But even he has grown tired of this life. Society’s elite blame people like him for everything while portraying themselves as the good guys.  

*Scarface* is a powerful portrayal of this group of individuals who, at their core, aren’t inherently bad—it’s society that has cast them in that role

The film was good, but I didn't like the editing because it felt more like a documentary rather than a crime film. Suspense could have been created in a different way, but this film failed to evoke that feeling. The TV show scene was well-executed, and there were some good sequences, but the editing felt out of place. It lacked strong, impactful editing.

Paul Thomas Anderson is back, and the teaser for his new film is exactly what I expected—mysterious, beautiful, and full of obsessive details. Just a few seconds were enough to make me realize that this is going to be one of the most important films of 2025. It had a sense of triumphant revelation—the sound of gunfire was like an unparalleled piece of music, something I had never seen or heard before. I can't wait to watch the full film

"I can say that *Léon* is a cult film. Apart from the crime story, the film has a deep emotional connection between Mathilda and Léon. Their relationship feels genuine—Léon knows Mathilda is only 12, but he avoids acknowledging it. He wants to help her, but in the process, he teaches her an important life lesson. Overall, it's an amazing film and definitely worth watching. Go watch it!"

I don't know what the goal was, but the film fails to be logical in any part. It can't build love, it can't build life. Aside from that, the main character ends up becoming the successor to his father's criminal actions, even though he was against them throughout the film. The movie itself fails to create any real logic—it just keeps adding to the story and then simply ends. It doesn’t feel like cinema; it’s something else entirely. I wasn’t even entertained.

The film has a great story, everything is excellent, and the character development of Alex is really well done. The movie is full of entertainment, excitement, comedy, and visually striking scenes. You don't feel bored until the very end. I really enjoyed the film, and it had a good ending, but I just didn't like the final part. Still, the film is worth watching, and in fact, it's even better than many action films.

I really enjoyed the film, especially how it portrays a room and a theatrical scene with themes of sorrow, happiness, intimacy, mistakes, and resurrection, all depicted in one location. It's a film that I can watch repeatedly and still enjoy. It has a very human story and brings one closer to humanity.

Overall, *Nope* is an interesting work that, unlike typical expectations in the horror genre, has depth and a strong message. Its story goes beyond just a superficial scary experience.

I really love the second part of the film because it’s a great independent film. The direction is so good here, and even if you haven’t seen the first part, it still works perfectly. The story and screenplay are much better than the first part. The action scenes are exciting and breathtaking. The dialogues, beginning, and ending of the film are all beautiful. The cinematography is great, especially the flashbacks, which are done excellently. I really enjoyed this second part much more than the first.

The beginning of the film is great, the music works really well throughout the entire movie, but some of the action scenes get a bit too unrealistic. The story has a lot of details, but they're addressed too quickly and not in depth. However, the world of the film builds itself well. The first part wasn't as exciting, but I really liked the second part.

As an editor, I would say that if we reversed the film, it would still be watchable. 

I would say that I really liked the fourth wall breaks and the very last scene of the film. The way the wall of knowledge shatters here is incredible. The film has a lot to say, but my knowledge isn’t enough yet to fully grasp it beyond what I just mentioned.

I didn’t see them in my dreams. Now I want to sleep.  

The film is only interesting at the beginning; later, it tries to add more to the story. But the first 40 minutes are excellent.

The film was good, especially Adrien Brody’s performance, which was commendable. *The Brutalist (2024)* had excellent cinematography, with some shots executed brilliantly. However, the ending was too mysterious, making it less satisfying. 

Moreover, the film barely explores Laszlo Toth’s ideology. We don’t truly feel the beauty, power, or depth of his vision and artistic connection. At times, the film takes a documentary-like approach, yet it still fails to deeply immerse us in his history and struggles, making it feel detached and mysterious. 

In many instances, the characters fail to achieve what they are striving for, and the film doesn’t successfully translate their journey onto the screen. Additionally, the runtime is unnecessarily long—it should have been shorter. There was no real need to make the film this lengthy.

*Lawrence of Arabia* (1962) is an incredibly powerful film with breathtaking cinematography, a brilliantly crafted screenplay, and outstanding performances. The acting is mesmerizing, particularly by **Omar Sharif**, **Anthony Quinn**, and the lead role played masterfully by **Peter O'Toole**.  

The editing is stunning, and the film's shots are visually striking, creating characters that feel larger than life. It blends historical drama with a deeply human story, capturing themes of ambition, identity, and friendship. The portrayal of camaraderie in the film feels profoundly masculine and honorable. The experience of watching it was beyond words—I truly **felt** the film rather than just watched it.

The film from the start has hidden motives, but it also portrays characters who reflect the complexities of society. Sometimes, others come into our lives and have a negative impact, even though many people believe they are positive. Some come with intentions to sabotage, while others take advantage of the situation. Some characters accept these circumstances, while others end up involved in the chaos. Ultimately, everyone is focused on their own agendas, and some are merely ive followers.

The film was truly amazing, beautifully portraying the challenges of intelligence and wit in a child against arrogant, selfish, and lazy children—reflecting their upbringing. The way the underprivileged triumph over the wealthy delivers a powerful message throughout the film.  

Once again, **Tim Burton**, with his unique and distinctive style, proves that he is a masterful and exceptional filmmaker. Only a director of his caliber could create such a brilliant and captivating film.

Michael Mann, with his distinctive style, uses handheld cameras and natural lighting to give the film a documentary-like, immersive feel. Johnny Depp delivers a brilliant performance, portraying John Dillinger as charismatic, arrogant, yet deeply human.  

The action sequences are intense, featuring thrilling chases and flawlessly executed shootouts that heighten the film’s excitement. The **1930s atmosphere** is masterfully recreated through meticulous production design, costumes, and a rich soundtrack, bringing the golden age of gangsters to life.  

**Public Enemies** is a modern gangster film with outstanding performances and strong direction, making it a must-watch for crime and action fans.

Dark Shadows is a unique film by Tim Burton, featuring stunning visuals and excellent cinematography, but with a somewhat weak storyline. While I’m not a big fan of fantasy, Tim Burton is truly a one-of-a-kind filmmaker with his signature style. His exaggerated performances, dark humor, and collaboration with Johnny Depp once again create an entertaining film. Watch it and enjoy the experience!

Watched on Wednesday July 8, 2020.

Watched on Saturday October 8, 2022.

*Vertigo* is the greatest film of my life. It is a feast of color, a celebration for the eyes and ears. *Vertigo* has form—it's, in my opinion, the essence of cinema itself. Years of Hitchcock's hard work, his technical mastery, and his unique formal approach are embodied in *Vertigo*. The famous "Vertigo effect," or dolly zoom, where the camera dollies in while zooming out, is a perfect example of its visual brilliance. I love this film deeply, despite its profoundly melancholic nature. It is a film that no one can ever recreate, a form that no one can replicate.

I think maturity is when you realize that this film is not just a movie but a documentary. This is my favorite film by Stanley Kubrick. Even though there are 20 minutes of scenes missing from it, I still dream of watching the deleted footage.

Watched on Monday May 8, 2023.

Spielberg has brought a James Bond-like style to *Catch Me If You Can*.

Pure excitement set deep in history, telling the story of a man who fights for survival driven by revenge. DiCaprio’s performance, with intense and nerve-wracking scenes in broad daylight, captures the struggle to stay alive against nature and wild beasts in complete solitude. The film is incredibly thrilling yet deeply human, full of philosophical meaning. In the future, snow may no longer exist, but the film’s breathtaking visuals of snowy landscapes evoke a chilling sense of breathlessness—feelings of cold, innocence, betrayal, and the will to survive. It had a purpose, reminding us that one must always keep fighting.

I really loved the complexity of the film because it wasn’t achieved through editing; the screenplay itself was written in a complex way. DiCaprio’s performance outshined everyone in this film, and the unique portrayal of the island’s world and its prisoners felt like a reflection of humanity. The final line of the film—"Live as a monster or die as a good man"—perfectly represents the reality of human existence today.

It was a crazy film starring Leonardo DiCaprio and directed by Martin Scorsese. This time, he practically traveled to another dimension. The scenes of drug use on the girls body and the intoxication sequences were absolutely brilliant. The film was completely insane.

Cinema is a miracle that Vincent Vega did not believe in.

Watched on Friday March 7, 2025.

"Well, what is R.M.F doing now?"

The film was really great, depicting the journey from the birth of a fool to learning, growing into youth, reaching maturity, and becoming aware of the truth. It worked well, with captivating visuals, pleasant colors, and striking costumes. I feel like it was somewhat a female version of Frankenstein.

The film's theme was great, and it depicted youth, old age, childhood, death, and beauty very well. However, the film, in my opinion, lacked the threat it should have had, and it couldn’t convey a good message about the concept of morality, beauty, and ugliness. But the screenplay was really good. The only thing missing was showing the impact of this on the people, which we didn’t see. We only saw one dance scene, and overall, we were just in one room; it didn’t offer much more than that.

I really loved Furiosa, and Anya Taylor-Joy's performance was amazing. The screenplay was very strong, and the cinematography was beautiful. The film, from a visual perspective, created a strange, otherworldly universe, far from humanity, with history heading toward destruction. I also liked the ending because it made me want to watch Mad Max: Fury Road again. George Miller made the best action movie in history, and I don’t think he could ever create such a masterpiece again except for his own.

It was amazing, everything was amazing. Respect means love. Love means respect.

At the end of the movie, I have craving for burger 🍔

My always Favorite film of every Filmmaker

• Vertigo
• Eyes Wide Shut
• Wild at Heart
• Taste of Cherry
• Mank
• Scarface
• Heat
• The Wolf of Wall Street

A movie I personally directed

• The Book Seller’s Daughter
• Behind The Door
• Untitled Muhammad Abed Baryal film (Whitney Wright)

Screenwriting is the foundation of filmmaking, where stories come to life through dialogue, characters, and structure. A well-written screenplay serves as a blueprint for directors, actors, and the entire production team.  

Great screenplays balance compelling narratives, emotional depth, and visual storytelling, making them essential for creating impactful films. Whether it’s a character-driven drama, a thrilling action film, or a mind-bending sci-fi, strong screenwriting is what makes a movie memorable.

1. Lawrence of Arabia
2. 2001: A Space Odyssey
3. Chinatown
4. Rear Window
5. Le Samouraï
6. The Killer
7. Mank
8. Juror #2
9. The Good, the Bad and the Ugly
10. Schindler's List

The films I love from prominent directors, the great masters of cinema.
1- Alfred Hitchcock  
2- Stanley Kubrick
3- David Lynch
4- Ridley Scott  
5- David Fincher  
6- Martin Scorsese  
7- Quentin Tarantino  
8- Denis Villeneuve  
9- Sam Mendes  
10- James Cameron

• Vertigo
• Rear Window
• Spartacus
• 2001: A Space Odyssey
• Barry Lyndon
• Eyes Wide Shut
• Se7en
• The Curious Case of Benjamin Button
• Gone Girl
• Mank

...plus 16 more. View the full list on Letterboxd.

When I say "my top 10 favorite movies," it's because these films have had the greatest impact on me. Each of them is special for a reason—whether it's their deep storytelling, unique directing style, outstanding performances, or thought-provoking themes.  

A list of favorite movies can be different for everyone since cinema is a personal experience. My favorite films might be a mix of classic masterpieces, modern works, and even movies that hold emotional significance for me. These choices reflect my taste, experiences, and perspective on cinema and life.

• Vertigo
• Eyes Wide Shut
• Barry Lyndon
• Lawrence of Arabia
• The Spy Who Loved Me
• Scarface
• Gone Girl
• Wild at Heart
• Furiosa: A Mad Max Saga
• Schindler's List

Editing is so important because editor is the second Director in the Film in my opinion

• The Killer
• Juror #2
• Furiosa: A Mad Max Saga
• The Substance

My Father Bahram Baryal favorite movies.
He is one of Film writer & Director In Afghanistan.

1. Ulysses
2. Spartacus
3. El Cid
4. Mughal-e-Azam
5. Gunga Jumna
6. Mackenna's Gold
7. Pakeezah
8. For Your Eyes Only
9. Gladiator
10. Genghis Khan

...plus 8 more. View the full list on Letterboxd.

Cinema has no borders I think

• Mughal-e-Azam
• 8½
• Challengers
• Parthenope
• Le Samouraï
• Once Upon a Time in the West
• The Good, the Bad and the Ugly
• Triangle of Sadness
• City of God
• Blue Is the Warmest Color

...plus 1 more. View the full list on Letterboxd.

• Joker
• The Godfather Part III
• Barbie
• Lion of the Desert
• Spartacus
• Squid Game
• Tetris
• Chernobyl
• Kingdom of Heaven
• The Shining

...plus 3 more. View the full list on Letterboxd.

I love all the James Bond movies because they have pure action, romance, blood, technology, espionage, history, and the thrilling feeling when I see *"James Bond will return"* at the end of the film.

• Dr. No
• Thunderball
• From Russia with Love
• You Only Live Twice
• Goldfinger
• Diamonds Are Forever
• On Her Majesty's Secret Service
• Live and Let Die
• The Man with the Golden Gun
• The Spy Who Loved Me

...plus 16 more. View the full list on Letterboxd.