The financial decline and creative bankruptcy of all the characters, that live in the capitalist world, drive them to retreat to the pastoral and idealized land that is the Overworld. 
 
An idyllic world that allows them to confront oppressive systems and participate in an imagined emancipation. One in which they triumph against the forces of evil to return to the real world reinvigorated. 
 
They emerge with the idea that they've been existing within a system that is built…

Kinds of shit

Yorgos Lanithmos wants to come off as some type of visionary filmmaker that through his dark comedic storytelling he is able to pose interesting and philosophical questions on the morality of human beings to the audience. 

The only way that this is "accomplished" is through the guise of sheer art house absurdity, shock value, senseless violence, and objectification of the female body. Yorgos relies on the absurd as he can’t actually communicate anything through his dialogue, camera…