Just watched The French Dispatch and it felt like stepping into a moving magazine where every shot is carefully crafted and full of detail the way it shifts between color and black and white changes aspect ratios and even includes animated scenes makes it a visual experience like no other I watched it with full focus and noticed so many clever touches and nods to French cinema and classic journalism Each story in the anthology has its own mood and…

Just rewatched Paris, Texas, and it hit even harder this time. There’s something about the stillness, the way the silence speaks louder than the words—it’s heartbreaking and beautiful all at once. Harry Dean Stanton’s performance as Travis feels even more fragile now, like every look and pause carries the weight of all the years he lost. That slow build to the final phone booth scene? Still one of the most emotionally devastating moments I’ve seen in any movie.

The visuals…

It’s definitely not perfect, I had a blast with it. It’s a visually stunning, creative ride with enough charm and action.

The film’s concept is genuinely intriguing—a post-apocalyptic world filled with massive, broken-down robots and a journey driven by loss and hope. The visual effects are easily one of the highlights. The blend of rusty, abandoned tech with colorful, almost whimsical designs creates a striking contrast. It feels like stepping into a beautifully illustrated graphic novel.

That said, the execution…