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Macro in the Micro: Social Mapping with Situational Cinema.

"It's about a family/camping trip/plane ride/small organization's election process/etc... but really it's about... SOCIETY!"

As above, so below.

I love stories that take a contained micro model of human behavior and then successfully uses them to make macro observations about the way we socially organize.

This list could get pretty broad. It's a thin line between what's a metaphor for society, and what's a depiction of a society itself. Bicycle Thieves is not a metaphor. It's a depiction, yet in my brain it makes the list when so many other movies about the struggles of poverty do not. ("It's about a father stealing a bicycle, but... it's really about SOCIETY!")

There's lots of debatable examples like this below. So we'll…

Block or Report
  • M
  • I Was Born, But...
  • Zero for Conduct
  • Modern Times
  • Bicycle Thieves
  • Ace in the Hole
  • The Wages of Fear
  • The Human Condition I: No Greater Love
  • Good Morning
  • The Trial
  • High and Low
  • Lord of the Flies
  • Welcome, or No Tresing
  • Night of the Living Dead
  • Burn!
  • Even Dwarfs Started Small
  • McCabe & Mrs. Miller
  • A Clockwork Orange
  • Nuts in May
  • Network
  • Blue Collar
  • Gates of Heaven
  • The Plumber
  • Quest for Fire
  • Dead End Drive-In
  • Kin-dza-dza!
  • Society
  • Do the Right Thing
  • Hyenas
  • A Flight of Hope
  • Bad Boy Bubby
  • Babe: Pig in the City
  • Election
  • Election
  • Idiocracy
  • Hard to Be a God
  • Court
  • The Lobster
  • Honeyland