A firsthand exposé on absolute evil.

An air of despondency filled the theater as the credits rolled. After several minutes of collective speechlessness, applause finally broke out. I've seen a handful of heavy films in theaters over the years, both fiction and nonfiction, but I've never experienced a crowd reaction quite like the one I witnessed tonight.

As did Alain Resnais' Night and Fog, No Other Land will someday go down in film history as an essential documentation of a…

"You all accepted me way too fast, you can't do that! You made me feel too free."

The insanely rare film that features both some of the year's funniest scenes and some of the year's scariest scenes.

Kind of a litmus test for empathy. There is clearly so much wrong with Craig, but if you can watch this and still resent him because of his issues, then you aren't really interested in seeing him improve. I don't think it would…

Why did Alex Garland make this film? And why did A24 choose to distribute it?

I felt it was necessary for me to attend an advance screening of this film in order to get ahead of the discourse. I thought that Alex Garland's Civil War was actually an incredibly visceral portrayal of war that benefited—not suffered—from its ahistorical setting. But like everyone else, I was very apprehensive about this film when its trailer first dropped. Still, I gave Garland the…