4v291o

Yes, the concept is worse, the killer uninspired, and the characters archetypical. But in this day and age, I don't think you can expect a slasher any better than this. This does not mean I liked it, because I didn't, but I don't understand the overwhelming hate for this, especially when refraining from considering its place in the Fear Street franchise.

The kills are mostly good, and the writing is generally better than before. However, the comedic undertones are more prevalent, and it feels very similar to the horror films that came before, in a bad sense. Overall, it's another mediocre experience. I don't know why I was expecting anything more from this franchise.

A decent installment, surely better than the first, and it would be better than the second had it not been as confusing in its casting, where the same actors play other characters, but they still have the same characteristics. The level of writing and filmmaking is also at pretty much the same level, so that’s consistency—good. However, I haven't personally liked any particular installment, so I didn't really like this one either.

It's a nice homage to late 70s horror, but I still think it has a lot of problems. The writing is better this time around, and I prefer how this fits into the trilogy. I might almost even say I liked this, but I'm not entirely sure that is true.

Predictable and clichéd, but simultaneously stylistic and enjoyable enough as a slasher. It also captures the vibe of the era well, and the characters aren't as abhorrently horrible as I imagined they would be. However, the writing was still ultimately bad, so I really don't know where I'm at with this.

A great coming-of-age film, represented by an environment that feels lived-in and features characters that feel real. Mud has a history that isn't immediately apparent, and as his past endeavors and mistakes are gradually revealed, we see a different side to him. I believe McConaughey excels in roles like this, where he embodies a sense of mystery while still feeling like a fully fleshed-out character, rather than just an archetype. It is the atmosphere that drives the film home; perhaps it’s the southern, almost primitive society, or maybe it’s the way the characters are portrayed, but something breathes life into this film, and I loved that.

Still really contemplative and brilliantly made.

From one side, I can see how this could be an interesting insight into a more realistic portrayal of the suffering of Jesus Christ, but there was nothing here that kept me hooked. I hate to say I was bored by something, but here, boredom is really the only way to describe it.

I'm not religious, and I've never been, so these stories have always been just stories for me. Where most religious tales are reflective and engaging, I'm looking for something unique or interesting, and here, the unique aspect is suffering, and the interesting aspect is bloodshed.

From a production point of view, I think it's also lacking, especially when comparing it to the rest of Gibson's filmography. It feels like a play; the sets don't feel real, the characters feel too neatly picked, and another thing I dislike mentioning is that the language barrier doesn't help.

Overall, I don't think this is a great film, and it certainly doesn't resonate with me. However, I think that certain religious people might find it amusingly close to the source material, and others might find it interesting due to its gruesome portrayal of the story, so it isn't completely without merit.

This is no gathering of pious sisters, but a congregation of carnality, where pride, lust, and wrath walk hand in hand beneath the cross. In the shadowed halls of the convent, desire festers beneath vows meant to bind the flesh, and visions become weapons wielded to claim power and control. The sacred is cloaked in sin, and the line between holiness and heresy grows ever thinner with each whispered prayer and stolen touch.

Pride crowns false prophets, lust consumes innocence, envy commences jealous fires, and gluttony feeds a hunger beyond appetite. Wrath ignites in sudden violence, while sloth stays in whispered deceits. At journey’s close, the boundary between sanctity and sin grows thin, a fragile veil worn by faith and frailty alike.

Just brilliant all the way through, and a damned good time everything-wise as well. I just love the atmosphere, style, script, and performances. Really, there is nothing here to complain about, and I don't have much more to say than that.

The pacing here was just really inconsistent, and the story beats were missing that umph. Otherwise, I think it was pretty good, especially the concept and themes at the center of it.

I honestly don't blame Richard Gere's character in this. Between this and Streets of Fire, Diane Lane is undoubtedly one of the most beautiful actresses that I know. Also, an interesting thought: this was similar but also the complete opposite of Fatal Attraction, which was interesting. Actually surprisingly good, all things considered.

I went into this skeptical, and the beginning didn't convince me, but as it progressed, it just got better and better. I think that the cast here is brilliant, and although they are quite typical, the combination of roles brings something unique to the film without making it feel redundant or unnecessary. However, although I think the concept of having the central characters grow up together and exploring their separate and unique familial relations is interesting, I believe that part could have been executed better. Still, this was thoroughly intriguing, quite memorable, and unique in its typicality.

A really tense experience; I love the way it takes place in one location and pretty much in real time. Sydney Sweeney manages to express the human mentality in that moment of consequential distress. The little nuances also add to the experience, such as the censored parts. If there is one thing I don't like about it, it would be whenever it goes pretty much psychedelic, but mostly this was great.

I'm surprised to say I didn't hate it. In fact, I didn't hate it at all; I actually kind of liked it. I recognize the flaws in the writing and the predictable nature of it all, but the comedy is there, and then there is also the aspect of Sydney Sweeney and Glen Powell, which should be taken into consideration.

This was, indeed, super bad.

Wow, this still holds up on a rewatch. It's so perfectly and unapologetically 80s (through a 50s environment) in a way that I can't help but ire. The concept is fun, the performances are a bit stale but good nonetheless, and the music segments are unforgettable. It's easy to say something has style over substance, but when the style is the substance, you get this result, and it's glorious all the way through.

This could have so easily been just another failed teen film, but it managed to be so much more than that. I'm really happy that more and more films are discussing and exploring the psychology of young people, whether it be through disorders, bad mental health, or something similar. This one manages to do that so well.

Above everything, it is humane; because of the OCD, the main character has to navigate life differently than a typical person would. It all feels so authentic. Sure, the dialogue, upon closer examination, might not be the most authentic, but the atmosphere, emotion, and themes are relatable, whether you have experience in the subject or not, and that's what I love most about it. It's also light on the romantic part, prioritizing the human aspect of it all, and I think that was important for a story like this. On top of that, the editing and directing were brilliant, and Isabela Merced really sold the character.

A really unconventional romcom in one sense—it starts off depressing, they don't meet until more than halfway through the film, there is no kiss scene, and you can't possibly know if their relationship will end up well in the long run. Yet, it works so well. In the end, it's not a favorite, but another one I really like and wouldn't be opposed to rewatching.

The best version of a film like this. It makes effective and believable use of a real-life story with not a lot of leeway. I like how each part is implemented.

From his confident, careless attitude—enjoying solitude—to the shocked and hopeful state he’s in when first trapped, until he begins to lose his sanity.

Then the way he starts hallucinating, regretting past decisions, and emotionally breaking down. When he becomes desperate to escape, he is determined to do whatever he can and mentally prepared to do what is necessary.

And then, once he escapes, the way he feels relieved, reborn, and grateful, in a state of mind where he begins to value personal relationships more. It’s a story that is niche, that you’re not going to live through, yet it holds humane themes that are relatable and a character progression that is implemented incredibly well.

Even though the film becomes a bit redundant in the third act and requires some suspension of disbelief, it was an overall great watch. It has that classic 90s tone, which is surprising considering it was released in 2005, but I believe that really works in its favor. The performances play a crucial role in making or breaking the film, and in this case, they mostly made it. It's suspenseful without being overly intense, predictable yet not too obvious, and relatable without feeling too realistic. This combination makes it an easy watch and also a film that's friendly for rewatching. I was not disappointed.

Another great action film. Surprisingly, this is the first Patrick Swayze film I’ve seen. The idea of surfing during breaks and robbing banks for work doesn’t sound half bad. And while it’s not a perfect film, it captures a particular mood, style, and tone that makes it feel worthwhile.

Brutally cool! It reminds me a lot of both Blade and Supernatural. The worldbuilding is brilliant, and the cast is amazing. While some of the dialogue and effects may seem cheap, I believe that adds to what makes the film incredible—its tone. I went into this expecting mediocrity, but I ended up finding a new favorite. This is what I love about film (and Keanu Reeves).

This film is still nothing short of incredible. It's truly one of my all-time favorites. Packed with everything you could want from an action movie: explosions, chemistry, tension, Sandra Bullock, and Keanu Reeves in one of his coolest roles. The action sequences, including thrilling moments in an elevator, on a bus, and in the subway, are also unlikely to be topped by anything else like it.

This film puts a fun twist on the tale of Romeo and Juliet. While it almost veers into parody at times, I managed to overlook most of that and focus on the comedic, more family-friendly elements, appreciating it for what it is. Above all, I just love Kaitlyn Dever and Isabela Merced, and I think their respective roles are well implemented. Overall, it's a lighthearted, slightly modernized take on one of the greatest love stories ever told.

I wouldn't necessarily call it a great film, nor would I consider it a remarkable experience. However, it is an artistic piece that manages to showcase the humane sides of animals with such prowess through impressive and inspired animation. The result is not only beautiful but also spellbinding.

This film is brilliant on several levels while still retaining the artistic style of anime that many people appreciate. I usually advocate against this genre, and here it works incredibly well. The concept itself is compelling both thematically and narratively, where the characters swap bodies but do so at different times, allowing them to live a day as the other person as long as they are asleep. This is further complicated by an incident that disrupts their connection.

The animation and visual storytelling are also quite beautiful. There isn’t anything that detracted from my enjoyment, no strange in-world objects that made me dislike it. However, the way the film was written leaves me with mixed feelings. While it mostly works, it includes several exposition dumps in the dialogue, where one character explains concepts or ideas that are meant to be used later. I find this frustrating because it diminishes the film's rewatch value. Still, overall, it's one of the better movies of this style.

This is what I mean by true visual storytelling. The concept and story are executed exceptionally well with this art style. And while the narrative may not be deeply complex or thematically profound, it is often witty and engaging, offering something truly unique. The visuals are also clean and clear, making it easier to immerse oneself in the story and appreciate what it has to offer, rather than getting bogged down by vague elements that don't fit into the world.

I went into this expecting a masterpiece, but what I got was a decent story with some powerful themes presented through an art form I've never been particularly invested in. While my rating may reflect my personal experience, I can understand why someone would love this film; it just wasn’t for me. The times I do enjoy anime, though that’s rare, are when it tells a story that would be poorly executed or impossible to convey through traditional filmmaking, and I didn’t find that here. My opinion might change on a rewatch, but don't count on it, because I sure don't.

I am often unsure about how to feel regarding Giallo films, and this one is no exception. Opera is both creatively ambitious and oddly unconventional, making it difficult for me to determine whether to applaud it or disdain it. Nevertheless, I can't say that I hate it, nor do I love it; and it occupies a unique space that isn't quite in between. Rather peculiar.

Ultimately grotesque and terrifying, yet beautifully humane. It offers a brilliant twist on the Cinderella tale, reminiscent of the original, visceral, grim versions of popular fairy tales, but told from the perspective of one of "the ugly stepsisters." While the narrative may differ significantly, the themes are still there.

In a medium where many original stories currently receive a horror twist, often to disappointing effect, this one stands out as surprisingly effective. It may not be my favorite release this year, but it is certainly great and impactful, especially regarding its themes and body horror, reminiscent of The Substance from last year.

Elvira's relentless effort to conform to the high beauty standards set by her sister, even to the extreme, is incredibly powerful. The use of gore is also spot-on, being both disturbing and unsettling, yet resonating deeply with the underlying themes of the story.

Though not a bad film, especially compared to Prime's low-quality originals, I lacked the motivation to keep watching. The twist also felt redundant and all too familiar.

Surprisingly good, despite being filled to the brim with clichés.

Final Destination Ranked

Finally, Im here, at one of my most anticipated films of the year. I approached it with a bit of skepticism, but I’m happy to say that it largely delivered.

The origin story featuring the premonition is a brilliant concept that is well executed. However, I do feel like the filmmakers have painted themselves into a corner. If they stick with the bloodlines concept, it may become redundant, but reverting back to a simpler premonition might feel too simplistic. It’s a tricky balance to strike.

As for the most intriguing aspect—the kills—the film definitely delivers. There are some extensive and elaborate kills, as well as shorter ones, but there’s always something interesting. I enjoy when the franchise adopts an absurdist sense of horror, where the absurdity of the situations adds another layer, making the kill sequences more fun.

I also have to give a special mention to the legendary Tony Todd. He’s not just one of the highlights of the franchise; he’s one of the most iconic horror actors ever. In this installment, you really get a sense of his character and backstory. Some viewers may love this exploration while others might find it controversial, but I thought it was amazing.

That said, the film isn’t flawless. It feels a bit like the fourth and fifth installments, which makes it somewhat underwhelming for me, especially in of visual effects. Additionally, there seems to be a lack of focus on character depth and writing, which detracted from the overall experience.

In today's horror and comedy films, I'm often worried they will rely too heavily on Gen Z jargon or use social media as a plot device, pushing agendas onto the audience. Fortunately, this film avoids those pitfalls and captures the current era without being overly forceful, which I really appreciated.

All in all, this film was what I hoped it would be, but I feel the need to rewatch it to establish a firmer opinion. As it stands, I really liked it and am looking forward to the future of the franchise.

Final Destination Ranked

The final film in this "original" batch of Final Destination films is neither perfect nor terrible. While I feel that the writing, dialogue, and character development are at their lowest here, and there's significantly more CGI than in the earlier installments, it's still a very enjoyable experience. The bridge premonition sequence, the creative kills throughout, the new concept that taking a life allows you to inherit the time that person had left, and the connection to the original film as a "prequel" make this installment quite entertaining. Also, I have always found it unfortunate that there was such a long break between this film and Bloodlines, because I believe you can never have too many of these films.

Final Destination Ranked

Yes, it's ridiculous. Yes, it's poorly written. And yes, many of the kills look strange. However, I still have a lot of fun with this film, all things considered. I think the race scene is a good beginning, and the premonition, despite its odd 3D effects, is also quite effective. While this installment is on the weaker side of the franchise, the kills are still quite creative. The main issue lies with the incompatible cast; I don’t hate any of the characters individually, but as a whole, they lack the charm and balance that previous films had. Nonetheless, it's still an enjoyable experience.

Final Destination Ranked

Although I prefer the first film chronologically, and I find that much of the series is becoming somewhat redundant at this point. Final Destination 3 feels very close to the original for me and is one of my absolute favorites. Of course, one major aspect that makes this installment stand out is the creative kills. The premise, the premonition, and the cast are all brilliant as well. While I like Alex, the main character from the first film, I think I love this one even more. I also really appreciate the ending. It’s absolutely brilliant, all the way through.

Final Destination Ranked

Although I enjoy this installment quite a bit, I’m the first to acknowledge its flaws. Where the first film had its shortcomings, this one also definitely has its weak points, but it also does just alright in areas where the first excelled. A common reference for why many people prefer this film in the franchise is the log truck sequence, which is a significant moment in the movie. While I agree that it’s an excellent sequence, likely one of the best kill scenes in horror, I feel it sets an unattainable standard for the rest of the film.

I love several aspects of this sequel, including Clear's return, Tony Todd's appearance, the premise (once again), and some of the kills. However, given that this franchise heavily focuses on premise and kills, I don’t think most of these deaths meet my expectations. The film is a bit more gory than the first, but I think that many of the kills, while impressive and shocking, feel somewhat meaningless, particularly since the two main characters make it to the end alive.

The dialogue is also questionable, but I still believe it adds a stylistic early 2000s flair that makes the exchanges instantly recognizable. There’s a bit of redundancy in how they gather information, but I find that mostly acceptable. In the end, I think this film is quite good overall, all things considered, but it fails to live up to the expectations I have for it every time I rewatch it. Still, it’s Final Destination, and even the weaker moments are enjoyable for me.

Final Destination Ranked

Now it begins—the countdown to Bloodlines. I can’t believe the anticipation! Even though I’m 100% sure it won’t live up to my expectations, I’m confident it will still be an enjoyable experience. As for the first Final Destination, it’s a certified classic and one of my absolute favorites.

It’s easy for someone who didn’t have this as one of the first real horror films they watched to view it as early 2000s schlock, but that’s not my perspective. With each rewatch, I become more fascinated by it all: the premise, the characters, the kills—really everything. This film perfectly captures the style and feel of the late 1990s and early 2000s, much like how so many films created the 80s as a genre unto itself. It’s a recognizable era, yet a bygone one at the same time.

I was born in 2006 and probably saw this film in 2016, which, in retrospect, isn’t that long ago. However, films like this made me fall in love with cinema, and more specifically, with horror. I understand it’s flawed, and I’m not trying to say otherwise, but it’s still a film that will always be close to my heart.

Nowadays, there aren’t many franchises that interest me as much as this one does. Most franchises have either deteriorated or haven’t released any new installments, which is unfortunate. That’s why I’m so interested in the one. It might not be a masterpiece, but it’s amazing in my eyes.

Exactly what I expected it to be. As an adaptation, it's not bad—the world is vibrant and well-defined. And although I’m not a fan of the game, I noticed certain references and Easter eggs throughout the film. It also stands out as a decent comedy with a good enough cast. However, I believe it loses its way due to the same qualities I praised. While it has some strong aspects, those same elements contribute to an underdeveloped narrative, moments that feel too silly, and an overall disorganized feel to the film. Ultimately, I’m just indifferent to it, much like my feelings towards the source material.

Boring, predictable, and weird. I'm not sure why I decided to watch it, but I definitely regret it. While the performances and filmmaking weren't terrible, there was simply nothing interesting about the story. There are certainly other films with similar twisted themes, like Secretary, that handle the premise better. In the end, this one felt not just stupid and redundant, but also overly manufactured in every way. As a result, I cared less about the relationships, dynamics, and themes in the film than I did about the fly on my wall as I was watching it.

It was far worse than I had imagined. The concept itself isn't half bad, but it fails to commit to any single idea. Instead, it becomes a tedious and stressful journey with no real payoff in the end. The characters also feel overly archetypal and unlikable. I just wanted it to be over!

Of all the disaster films, which range from incredibly terrible schlockfests to genuinely fun experiences, I think this one ranks as one of the better ones, at least in of narrative. While I definitely prefer disaster films that are fun, I also appreciate the more serious ones like this, which focus on characters, heroism, and how society would react to a catastrophe.

Overall, I felt it was good, but not particularly special. The heroism and togetherness aspects were commendable but not especially memorable, and the societal insights felt somewhat half-hearted. In the end, it was an interesting experience and a decent first watch, but it's not one I’m likely to revisit anytime soon.

Sensual, beautiful, and emotionally resonant—those are the qualities I would use to describe this film. It’s incredibly powerful in its exploration of youthful love and sexuality, capturing a sense of reality that feels genuine. The insights into both Emma's and Adèle's lives enhance its emotionally relatable presence.

On the other hand, I would also describe it as perverted, overly sexual, and somewhat redundant from a different perspective. I find myself conflicted, stuck at a crossroads, and that ambivalence is reflected in my rating.

Just know that I didn’t hate it.

It’s a fun romantic comedy with Sandra Bullock and Hugh Grant, but it doesn’t offer much more than that.

I really loved this film. It’s cheesy at times, and if I wanted to be critical, I could find something to complain about, but I won’t. Ryan Reynolds was fantastic in comedic roles like this and in The Proposal, but then something changed in his career.

I love the sentimental feel of the story. I also really like the concept of it being a retelling of how he fell (back) in love with her mother and learned to let go (again)—absolutely brilliant! It’s a really good movie, even if it's less of a rom-com and more of a retelling with comedic moments and themes of romance.

I wasn't expecting a lot from this, but it ended up being quite neat and memorable. I appreciate romcoms that incorporate a unique metaphorical element, a gimmick, like the wandering spirit in this one. Reese Witherspoon and Mark Ruffalo were so great In their roles and had believable chemistry. Just another good little romcom in my rewatch gauntlet.

I don't know what other people dislike about this, but I actually thought this was moving and genuinely good. I particularly loved the "(I Can't Get No) Satisfaction" part, Angelina Jolie is just brilliant.

It's not bad; it really isn't. However, there was something about the style and atmosphere that was a big turn-off for me. It feels very similar to Before Sunrise and Past Lives, but taking place over a longer period of time. While I didn't dislike it on its own, I feel that this style and editing prevent a film like this from having the breathing room and closure it needs.

The performances all feel natural, which is great. The environment also feels mundanely real, ultimately telling the story of two humans rather than characters. That's where I think it falls short; the mundane quality doesn't evoke the eye-opening and intriguing experiences present in almost every moment of the Before Trilogy. Instead, it feels too real, too boring, and I can't commend that in this particular film.

The ending is very open-ended, and it's unlikely we'll see sequels, so this is just how it ends. Like many indie films, this can be a common occurrence—sometimes it works, and sometimes it doesn't. Unfortunately, it doesn't work here for me.

That said, I believe everything creatively is fine or even good. The cinematography, direction, and writing are all really well done. As a whole, though, I wouldn't say I liked it, which is disappointing to it because I genuinely respect the creative efforts involved.

I think that, while it's certainly flawed in its execution and by no means a perfect film, The Experiment successfully highlights, even in an extreme form, the moral dilemmas surrounding the Stanford prison experiment. It's obvious that the experiment itself wasn’t ethically right, but was it necessary and worth it in the end? That’s where I find the most intriguing questions arise.

For instance, seeing the transformation of characters like Travis and the guards' descent into brutality is both compelling and unsettling. I find the results and parts of the experiment itself to be truly fascinating. However, as a film, it loses some of its momentum along the way. There’s a good cast of characters, but they feel deeply underdeveloped.

Furthermore, although there are some strong performances, like that of Adrien Brody and Whitaker, it can be a bit tedious to watch at times. Also, for a film like this, I expected far more discussion and exploration of morally ambiguous situations—like when the guards begin to cross lines that challenge the sense of right and wrong—yet I just didn’t feel that depth here.

This was quite bad, don’t get me wrong, but it has a lot of potential. It disrespects the original—especially Brandon Lee’s portrayal—by not even changing the character’s name in a completely remade film. The new character also looks more like one of those emo musical artists, which isn’t what the Crow should look like. Furthermore, with the story being completely reworked, there are many unnecessary and almost uncomfortable moments throughout.

Still, I believe that in certain sequences, the film displays cinematic power; at times, it has something meaningful to say, and in some aspects, it does shine. I didn’t hate the visuals, even if they resemble the cheaper Netflix and Prime-type productions. Even with a high budget, the resources seem poorly distributed, making a lot of it come off as cheap when that’s not the intention. Similarly, it’s rather forgettable, especially in ways that the original wasn’t. So while it mostly sucks, it’s not entirely awful, and that’s pretty much my sentiment.

1. The Gorge
2. Companion
3. Final Destination Bloodlines
4. Novocaine
5. The Ugly Stepsister
6. Mickey 17
7. The Electric State
8. A Minecraft Movie
9. Holland
10. Fear Street: Prom Queen

...plus 2 more. View the full list on Letterboxd.

For the year of 2025 I'd like to:

1. Watch 365+ Films
2. Review Every Film Watched (even if it's just a sentence or two)
2. Reach a Total of 2000 Feature Films Watched
3. Make a Definitive Top 100 List of my Personal Favourite Movies (after 2000 films watched)
4. Have a Director Review Series With a New One Every Month, Totaling in 12 Director Feature Filmographies Finished
5. Finish Watching Every Oscar Best Picture Winner

Schedule / Planning:

January:
Director Series ( Quentin Tarantino )
Best Picture Winners Watch through (First Half)

Febuary:
Best Picture Nominees 2025 Watchthrough
Best Picture Winners Watch through (Second Half)

March:
Oscar Winner for best picture watched (Anora)
Director Series (David Lynch )

April:
Director Series (Steven Spielberg)

May:
Director Series (Park Chan Wook)

June:
Director Series (Linklater)

July:
Director Series (wes Anderson)

August:
Director Series (robert eggers)

September:
Director Series (Lars Von Trier)

October:
Spooktober 2025
Director Series (Tim Burton)

November
Director Series (Jaques demy)

.

1. Blue Velvet
2. Thelma & Louise
3. Constantine
4. Come and See
5. Ben-Hur
6. The Bridge on the River Kwai
7. The Apartment
8. Rocky
9. The Best Years of Our Lives
10. Hamlet

...plus 117 more. View the full list on Letterboxd.

1. We Live in Time
2. Heretic
3. Turtles All the Way Down
4. Young Woman and the Sea
5. Nosferatu
6. Conclave
7. The Brutalist
8. Flow
9. Abigail
10. A Complete Unknown

...plus 68 more. View the full list on Letterboxd.

1. Final Destination
2. Final Destination 3
3. Final Destination 5
4. Final Destination 2
5. Final Destination Bloodlines
6. The Final Destination

1. Decision to Leave
2. The Handmaiden
3. Oldboy
4. Lady Vengeance
5. Sympathy for Mr. Vengeance
6. Stoker
7. t Security Area
8. Thirst

My Favorite Films of 2022

1. Decision to Leave
2. The Banshees of Inisherin
3. The Fabelmans
4. Top Gun: Maverick
5. All Quiet on the Western Front
6. Avatar: The Way of Water
7. Aftersun
8. The Fallout
9. Everything Everywhere All at Once
10. RRR

...plus 12 more. View the full list on Letterboxd.

1. Mulholland Drive
2. Blue Velvet
3. The Straight Story
4. Twin Peaks: Fire Walk with Me
5. Wild at Heart
6. Lost Highway
7. The Elephant Man
8. Inland Empire
9. Dune
10. Eraserhead

1. Schindler's List
2. Casablanca
3. Titanic
4. Amadeus
5. Ben-Hur
6. The Sound of Music
7. Gladiator
8. The Lord of the Rings: The Return of the King
9. The Bridge on the River Kwai
10. How Green Was My Valley

...plus 87 more. View the full list on Letterboxd.

1. Conclave
2. The Brutalist
3. I'm Still Here
4. The Substance
5. A Complete Unknown
6. Nickel Boys
7. Dune: Part Two
8. Wicked
9. Anora
10. Emilia Pérez

2024 in Review
Total Films Logged: 436 Films (Let's Get That To 500 Next Year!)
Total First Watches: 250 Films
Most Rewatched: None
Favorite First Watch: Another Round
Least Favorite First Watch: Imaginary
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Goals
For the year of 2024, I'd like to:
1. Watch 365+ films ✓
2. Review every logged film ✓
3. Have genre months (e.g. Spooktober) ✓
-----------------------------------------------------------
For this list:
1. Only first watches ✓
2. Ranked from best to worst (subject to change) ✓
3. Only movies: no documentaries or shorts ✓
Note that this list isn't complete or fully realized until the end of the year. ✓
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1. Another Round
2. Dancer in the Dark
3. Babylon
4. Streets of Fire
5. Palm Springs
6. Frailty
7. The Nightmare Before Christmas
8. Wristcutters: A Love Story
9. Army of Darkness
10. Love Actually

...plus 240 more. View the full list on Letterboxd.

Review Series 2

1. Return of the Jedi
2. Star Wars
3. Rogue One: A Star Wars Story
4. Star Wars: Episode III – Revenge of the Sith
5. The Empire Strikes Back
6. Star Wars: Episode II – Attack of the Clones
7. Star Wars: The Last Jedi
8. Star Wars: Episode I – The Phantom Menace
9. Star Wars: The Force Awakens
10. Solo: A Star Wars Story

...plus 1 more. View the full list on Letterboxd.

1. Once Upon a Time... in Hollywood
2. Reservoir Dogs
3. Kill Bill: Vol. 1
4. Inglourious Basterds
5. Death Proof
6. Django Unchained
7. Pulp Fiction
8. The Hateful Eight
9. Kill Bill: Vol. 2
10. Jackie Brown

2023 in Review
Total Titles Watched: 396 Films
Total First Watches: 281 Films
Most Rewatched: Tick, Tick... Boom!
Favorite First Watch: Mulholland Drive
Least Favorite First Watch: The Fog (Remake)
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1. Mulholland Drive

   100%

2. The Handmaiden

   98%

3. Wild Strawberries

   95%

4. Decision to Leave

   96%

5. Three Colours: Red
6. Persona

   97%

7. Eyes Wide Shut

   94%

8. Amadeus
9. Fanny and Alexander

   96%

10. In Bruges

    94%

...plus 271 more. View the full list on Letterboxd.

1. Wild Strawberries

   98%

2. Fanny and Alexander

   94%

3. Persona

   97%

4. The Seventh Seal

   94%

5. Winter Light

   92%

6. Autumn Sonata

   85%

7. Scenes from a Marriage

   79%

8. Summer with Monika

   77%

9. The Virgin Spring
10. The Magician

    66%

...plus 4 more. View the full list on Letterboxd.

1. Schindler's List
2. Jurassic Park
3. Raiders of the Lost Ark
4. Hook
5. Indiana Jones and the Last Crusade
6. The Fabelmans
7. Saving Private Ryan
8. The Adventures of Tintin
9. Jaws
10. Catch Me If You Can

...plus 11 more. View the full list on Letterboxd.

My definitive ranking of the Halloween franchise.
Review Series 8

1. Halloween
2. Halloween III: Season of the Witch
3. Halloween Kills
4. Halloween
5. Halloween II
6. Halloween 4: The Return of Michael Myers
7. Halloween II
8. Halloween: The Curse of Michael Myers
9. Halloween
10. Halloween Ends

...plus 3 more. View the full list on Letterboxd.

Review Series 7

1. The Dark Knight
2. Batman Returns
3. Batman & Robin
4. Batman Forever
5. Batman
6. Batman Begins
7. The Batman
8. The Dark Knight Rises

Review Series 6

1. Spider-Man
2. Spider-Man: Into the Spider-Verse
3. Spider-Man 2
4. Spider-Man: Across the Spider-Verse
5. Spider-Man 3
6. The Amazing Spider-Man
7. Spider-Man: Far From Home
8. The Amazing Spider-Man 2
9. Spider-Man: No Way Home
10. Spider-Man: Homecoming

+ Jurassic World
Review Series 5

1. Jurassic Park
2. Jurassic Park III
3. Jurassic World
4. Jurassic World Dominion
5. The Lost World: Jurassic Park
6. Jurassic World: Fallen Kingdom

Including the non EON produced films
Review Series 4

1. Casino Royale
2. GoldenEye
3. Goldfinger
4. No Time to Die
5. From Russia with Love
6. The Spy Who Loved Me
7. Dr. No
8. For Your Eyes Only
9. Licence to Kill
10. Moonraker

...plus 17 more. View the full list on Letterboxd.

Review Series 3

1. Planet of the Apes
2. Escape from the Planet of the Apes
3. War for the Planet of the Apes
4. Beneath the Planet of the Apes
5. Dawn of the Planet of the Apes
6. Kingdom of the Planet of the Apes
7. Rise of the Planet of the Apes
8. Conquest of the Planet of the Apes
9. Battle for the Planet of the Apes
10. Planet of the Apes

Review Series 1

1. Harry Potter and the Prisoner of Azkaban
2. Harry Potter and the Deathly Hallows: Part 2
3. Harry Potter and the Chamber of Secrets
4. Harry Potter and the Philosopher's Stone
5. Harry Potter and the Goblet of Fire
6. Harry Potter and the Deathly Hallows: Part 1
7. Harry Potter and the Half-Blood Prince
8. Harry Potter and the Order of the Phoenix

This is essentially a way to explore many of the classics within the horror genre. Since finding a perfect order is difficult, I decided to follow the release date approach, starting with Frankenstein (1931) and ending with In a Violent Nature (2024). The goal is to watch one horror movie each day, sticking to the list to celebrate the season and gain a sense of how horror filmmaking has evolved over time. There are no rewatches in this list, so by the end of the month, I’ll have seen 31 films I’ve never watched before.

I plan to make this an annual tradition. Last year, I did something similar with Spooktober 2023, though the list was less organized and mostly made up of rewatches, which is a big contrast to this year.

1. Frankenstein
2. The Haunting
3. Onibaba
4. Rosemary's Baby
5. The Wicker Man
6. Black Christmas
7. Carrie
8. Dawn of the Dead
9. Invasion of the Body Snatchers
10. My Bloody Valentine

...plus 21 more. View the full list on Letterboxd.

1. Friday the 13th Part VI: Jason Lives
2. Friday the 13th: The Final Chapter
3. Friday the 13th Part 2
4. Freddy vs. Jason
5. Friday the 13th
6. Jason X
7. Friday the 13th Part VII: The New Blood
8. Friday the 13th Part III
9. Friday the 13th Part VIII: Jason Takes Manhattan
10. Friday the 13th

...plus 2 more. View the full list on Letterboxd.

1. Christine
2. The Thing
3. Halloween
4. The Fog
5. In the Mouth of Madness
6. Escape from New York
7. Big Trouble in Little China
8. Escape from L.A.

31 horror flicks in 31 days. Both first watches and rewatches.

1. Freddy's Dead: The Final Nightmare

   Watched on the 1st (first time)

2. Deep Red

   Watched on the 2nd (first time)

3. Final Destination 3

   Watched on the 3rd (rewatch)

4. Hellraiser

   Watched on the 4th (first time)

5. Suspiria

   Watched on the 5th (rewatch)

6. Alien: Covenant

   Watched on the 6th (first time)

7. Jason X

   Watched on the 7th (first time)

8. Clock

   Watched on the 8th (first time)

9. Fresh

   Watched on the 9th (first time)

10. You're Next

    Watched on the 10th (first time)

...plus 21 more. View the full list on Letterboxd.

1. The Texas Chain Saw Massacre
2. The Fly
3. Scream
4. Gremlins
5. The Phantom Carriage
6. Twin Peaks: Fire Walk with Me
7. A Nightmare on Elm Street
8. The Witch
9. Alien
10. The Thing

...plus 232 more. View the full list on Letterboxd.

DreamWorks is an animation studio that I have a love-hate relationship with. On one hand, they have some of my favorite films in their collection, but on the other hand, they have produced some movies that I absolutely despised. It's quite fascinating, really. I'd say Disney is probably the only studio that could be compared to them, with really high highs and low lows.

1. The Prince of Egypt
2. How to Train Your Dragon
3. Kung Fu Panda
4. Megamind
5. Shrek 2
6. How to Train Your Dragon 2
7. Kung Fu Panda 2
8. Puss in Boots: The Last Wish
9. Shrek
10. How to Train Your Dragon: The Hidden World

...plus 35 more. View the full list on Letterboxd.

1. Eyes Wide Shut
2. Full Metal Jacket
3. Paths of Glory
4. 2001: A Space Odyssey
5. Barry Lyndon
6. The Shining
7. A Clockwork Orange

Pixar is one of the most successful animation studios, and for good reason. They have always had a quality to them and there are very few that I'd say that I dislike. In fact, I'd argue that they have released some of the best and by extention some of my favorite animated films. So, I'm definately thankful for not only what the films gave me during my childhood but also what they continue to give me.

1. Up
2. Ratatouille
3. Toy Story 2
4. Finding Nemo
5. Monsters, Inc.
6. Toy Story
7. WALL·E
8. Toy Story 3
9. Toy Story 4
10. Soul

...plus 17 more. View the full list on Letterboxd.

The following is a ranked list of all Disney animated pictures, including those of shorts collections. However, the ones that contain shorts will not receive a rating, as shorts and documentaries are difficult to assess fairly since they are quite different from feature films. That being said, I will have them in my ranking, but I think of those as much more objectively placed than the others.

1. Aladdin
2. Tangled
3. Lilo & Stitch
4. Beauty and the Beast
5. The Lion King
6. Treasure Planet
7. Mulan
8. Fantasia
9. Wreck-It Ralph
10. Moana

...plus 52 more. View the full list on Letterboxd.

1. The Lobster
2. The Killing of a Sacred Deer
3. Poor Things
4. The Favourite
5. Dogtooth
6. Alps
7. Kinetta

1. Prisoners
2. Sicario
3. Arrival
4. Blade Runner 2049
5. Dune: Part Two
6. Dune

1. Past Lives
2. The Zone of Interest
3. May December
4. Spider-Man: Across the Spider-Verse
5. Guy Ritchie's The Covenant
6. The Boy and the Heron
7. Anatomy of a Fall
8. Poor Things
9. Guardians of the Galaxy Vol. 3
10. Saw X

...plus 57 more. View the full list on Letterboxd.

1. Pirates of the Caribbean: The Curse of the Black Pearl
2. Rango
3. Pirates of the Caribbean: At World's End
4. Pirates of the Caribbean: Dead Man's Chest
5. A Cure for Wellness
6. The Lone Ranger

1. The Handmaiden
2. Decision to Leave
3. Oldboy
4. Sympathy for Mr. Vengeance
5. Lady Vengeance
6. Stoker
7. Thirst

1. Notorious
2. Vertigo
3. Psycho
4. North by Northwest
5. Rebecca
6. The Birds

1. Ed Wood
2. Batman Returns
3. Edward Scissorhands
4. Sweeney Todd: The Demon Barber of Fleet Street
5. Alice in Wonderland
6. Corpse Bride
7. Batman
8. Charlie and the Chocolate Factory
9. Beetlejuice
10. Dumbo

...plus 1 more. View the full list on Letterboxd.

1. Gladiator
2. Blade Runner
3. Alien
4. Kingdom of Heaven
5. The Martian
6. Napoleon
7. Alien: Covenant
8. The Last Duel
9. Robin Hood
10. Prometheus

...plus 2 more. View the full list on Letterboxd.

1. Fargo
2. Inside Llewyn Davis
3. The Big Lebowski
4. No Country for Old Men
5. The Tragedy of Macbeth

1. The Irishman
2. Taxi Driver
3. Casino
4. Shutter Island
5. The King of Comedy
6. Raging Bull
7. The Wolf of Wall Street
8. The Departed
9. GoodFellas
10. The Last Temptation of Christ

...plus 16 more. View the full list on Letterboxd.

1. Inception
2. Interstellar
3. Tenet
4. The Dark Knight
5. Oppenheimer
6. Dunkirk
7. Memento
8. The Prestige
9. Batman Begins
10. The Dark Knight Rises

...plus 1 more. View the full list on Letterboxd.

1. Thor: Ragnarok
2. Guardians of the Galaxy
3. Captain America: The First Avenger
4. Guardians of the Galaxy Vol. 3
5. Guardians of the Galaxy Vol. 2
6. Avengers: Infinity War
7. Avengers: Endgame
8. Iron Man
9. Captain America: The Winter Soldier
10. Doctor Strange in the Multiverse of Madness

...plus 23 more. View the full list on Letterboxd.

1. Fight Club
2. Gone Girl
3. Se7en
4. Zodiac
5. The Social Network
6. The Killer
7. The Girl with the Dragon Tattoo
8. The Game
9. Panic Room
10. Mank

...plus 2 more. View the full list on Letterboxd.

1. The Suicide Squad
2. Zack Snyder's Justice League
3. Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
4. Man of Steel
5. Blue Beetle
6. Wonder Woman
7. Shazam!
8. Aquaman
9. Batman v Superman: Dawn of Justice
10. Wonder Woman 1984

...plus 6 more. View the full list on Letterboxd.

1. The Last Sharknado: It's About Time
2. Sharknado 4: The 4th Awakens
3. Sharknado 5: Global Swarming
4. Sharknado 2: The Second One
5. Sharknado
6. Sharknado 3: Oh Hell No!

1. Once Upon a Time in the West
2. Once Upon a Time in America
3. The Good, the Bad and the Ugly
4. For a Few Dollars More
5. A Fistful of Dollars
6. Duck, You Sucker
7. The Colossus of Rhodes

1. Saw X
2. Saw
3. Saw II
4. Saw III
5. Saw V
6. Saw VI
7. Saw IV
8. Spiral: From the Book of Saw
9. Jigsaw
10. Saw 3D

1. The Beatles: Get Back
2. Moonage Daydream
3. The King of Kong: A Fistful of Quarters
4. The Last Waltz
5. Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese
6. Joan Baez: I Am a Noise
7. Sly
8. Fleetwood Mac: Destiny Rules
9. Free Solo
10. Sans Soleil

...plus 2 more. View the full list on Letterboxd.

1. Fantastic Mr. Fox
2. The Grand Budapest Hotel
3. Moonrise Kingdom
4. Isle of Dogs
5. The Royal Tenenbaums
6. The French Dispatch
7. The Life Aquatic with Steve Zissou
8. Asteroid City
9. Rushmore
10. The Wonderful Story of Henry Sugar

...plus 1 more. View the full list on Letterboxd.