4v291o
Watched on Sunday June 8, 2025.
]]>Watched on Friday June 6, 2025.
]]>Watched on Friday June 6, 2025.
]]>doesn’t always work as a movie but i like whenever it becomes a series of funny sketches like why did they kiss on the mouth and should we all just sing? and toad
]]>Watched on Wednesday June 4, 2025.
]]>the most perfectly timed burp in cinema history. TGI friday’s has never looked this beautiful. the fact that the white actors are awful makes the movie better <3
]]>shoutout to gene
]]>insane how many of my mentors' films i haven't seen but was so happy my first time seeing this was on tom's personal print!!! i love how this is shot and edited especially the very stylized scenes (the whip-pan interrogation scene is still top of mind)
[q&a with tom kalin & christine vachon]
]]>i think it’s really brave that mike myers wrote that femme bot striptease for himself to do <3
]]>this movie making me realize how subtly complicated/insane naruse plots are. like here we've got a newlywed couple who need a room to rent and the husband's solution is to bully his coworker whose wife just died that he should let them rent part of his house, and then the result of this is that the widower falls in love with the wife and is saying stuff to her like "i thought my wife was standard. she was homely, but i thought that's how wives were. turns out she was unhealthy and died of liver trouble. you changed my idea of what a woman is." ????? guys don't you hate when you accidentally instigate your own cuckoldry :/
]]>maybe just behind YEARNING in my personal naruse ranking if i was someone who thought like that about movies. hideko takamine is so funny and spunky and assured and all the dysfunctional family mess in this feels so specific and complex. i love how naruse drops into a situation and lets it reach a boiling point before taking a whole other diversion in the last 20 minutes. the music in this is sooooo good too. everyone also loved the little cat <3
]]>made dinner too slowly to go see naruse tonight (@japan society 6:30 is too early 🥲) so instead i went to see this at spectacle and oof it smelled like dirty socks tonight. no big deal though because this is pretty awesome. highlights for me were the freaky monkey and the translation of someone's name being "tiny cock" and how many times people drink piss or get pissed on. highlight for everybody was when all the holy peaches magically came together to form one all-powerful sentient peach man that makes stupid little noises.
]]>i love a movie shot in antiquated format <3 also movies shot in the liminal space of a hotel during a convention and also every time the organizers of the convention go "this is our first woman we've ever had in the competition and we are so happy that she is here"
]]>watched ~the 4k restoration of the dirtier cut~ at john wilson’s new movie theater in ridgewood where he was working concessions and sweeping up popcorn tonight. i can’t say it’s a great movie but norm rules and i hope we get more restorations of directors’ cuts of 90s studio comedies that bombed because that’s the kind of thing i would trek to ridgewood for. john goodman is in this for one shot and “semi-charmed life” plays in the first 5 minutes. also the preroll and decor at the theater are very good 👍
]]>they really got the most abe lincoln looking motherfucker to play abe lincoln. this is some pretty incredible early john ford (who is being given this much money to make a western epic at 29 these days???) even though i think it's dulled by every part that is super broadly about american empire manifest destiny blahblahblah. sometimes it's kinda like...here is year by year timeline of the transcontinental railroad being built and i zzzzzz. nora mention though
also i watched it with this NTS playlist as the soundtrack and i highly recommend for any silent western xoxo
]]>gets a little silly in places but i think the first episode is especially phenomenal and there's a lot about this that rings true even if you're not literally dying. i mean we're all dying. etc.
]]>i can imagine someone making a 90 minute feature about this incident where every member of the family is interviewed and we see the whole court case and that would fucking suck!!! this doesn't!!!
]]>kinda reminds me of when i was going up i had an uncle who would always ask, "is your father still mad at you?" because he loved to plant the seeds of paranoia in small children's minds apparently
]]>film school has its problems but without it we wouldn't get to see the greatest filmmakers of all time act in their friends' mediocre short films
]]>best ending of a short maybe ever <3
]]>Watched on Thursday May 22, 2025.
]]>kamala harris jumpscare
]]>this doc features an old town road parody about bugs
]]>kira muratova does fragmented societal sickness like nobody else. i was first introduced to muratova because of that extremely long miniseries called WOMEN IN FILM that referred to this movie so many times that in my mind it is among The Canon even though i don't think that many people have heard of muratova even within cinephile circles. just one of those movies that is ripe for discovery and discussion. honestly i'm so stunned/in love with how this film transforms just as soon as you're starting to latch onto it 40 minutes in that i don't have anything substantive to say about it. i just think she is a master especially with how she fluctuates between shrieks and shouting and total silence (shoutout to the sound system at walter reade actually being revamped now, not how it was when i first moved to new york and suffered through THE HOURGLASS SANITORIUM piercing my eardrums).
tl;dr great movie about going so crazy that you're shoving people in the street and slipping and falling on floors that are too polished and making out while walking at the same time
oh and go to the muratova series wtf are you doing forget that the sun is out in new york now
]]>Watched on Sunday April 6, 2025.
]]>Watched on Sunday April 6, 2025.
]]>Watched on Sunday April 6, 2025.
]]>everybody comparing this to CLASSMATES (classic columbia film of the 2023 szn) only to be like oh the dp who shot CLASSMATES shot this too
]]>could have easily sat for another hour with these characters and this situation. if anyone at NYFF is smart they will snatch noah up and program his stuff because this is exactly the kind of thing i want to see when i'm there (sweet, funny, thoughtful, talky movies that aren't really about plot so much as a strong perspective on the world and how people respond to each other in it). get dennis lim on the horn
]]>Watched on Sunday April 6, 2025.
]]>Watched on Sunday April 6, 2025.
]]>Watched on Sunday April 6, 2025.
]]>Watched on Sunday April 6, 2025.
]]>Watched on Sunday April 6, 2025.
]]>we love kai wen's new york city PARASITE
]]>Watched on Saturday April 5, 2025.
]]>Watched on Saturday April 5, 2025.
]]>Watched on Saturday April 5, 2025.
]]>hey don't call your mother a cow
]]>Watched on Saturday April 5, 2025.
]]>Watched on Saturday April 5, 2025.
]]>Watched on Saturday April 5, 2025.
]]>Watched on Saturday April 5, 2025.
]]>when you know SIGNS is one of cam's favorite movies it makes so much sense that he made this—but it's one of those things where the influence is baked into the thing rather than the thing trying to copy the influence yaknow? anyway filmmaker to watch alerttttttt
]]>Watched on Saturday April 5, 2025.
]]>the version i saw didn't have the vfx termites yet but word on the street is that there a lot of them in there
]]>Watched on Saturday April 5, 2025.
]]>starring russian hunter schafer
]]>it would be really funny if i logged every time i watched my own movie... just like every day for 5 months... i think steven soderbergh does that on his blog
]]>Watched on Saturday April 5, 2025.
]]>fred wiseman well represented so far
]]>a bunch of films i love a lot (everything i’ve given 4.5-5 stars), ranked by how recently i've watched/rewatched them. films watched most recently are at the top; films near the bottom i haven’t seen lately and maybe can’t stand by my rating anymore, so maybe withhold judgment? or don't.
this is the system bc i cannot rank movies <3 thx
...plus 400 more. View the full list on Letterboxd.
]]>ongoing list of directors whose work i want to check out and whose work i've checked out since making this list.
2 films listed for each director.
#1 - 396: seen 0 films
#397 - 576: seen 1 film
#573 - 864: seen 2 films since making list
(6/5/24 update: i got like 70% done with this list then decided that was too much progress so i added like 300 additional directors to get it back down to like 40% completion lol i am fine)
--
filmmakers i've watched 2+ films by since making this list back in 2019 (listed at the bottom of the list in order of completion so you can see what my first two films by all these filmmakers were if that's something that compels you): (this is truly a wild list like since then i have seen 13 lubitsch flicks for example, lol we have come so far)
powell and pressburger / pedro almodóvar / nicolas roeg / frank capra / andrei tarkovsky / preston sturges / ernst lubitsch / michelangelo antonioni / terrence malick / werner herzog / samuel fuller / yasujirō ozu / akira kurosawa / robert altman / john ford / rené clement / john cassavetes / shirley clarke / hou hsiao-hsien / whit stillman / jean-pierre melville / karel reisz / fritz lang / carlos saura / claire denis / paul schrader / tony richardson / dorothy arzner / robert bresson / david cronenberg / nagisa ōshima / f.w. murnau / ken russell / volker schlöndorff / céline sciamma / chloé zhao / satyajit ray / louis malle / aki kaurismäki / john carpenter / thomas vinterberg / sergei eisenstein / lois weber / rainer werner fassbinder / ken loach / claude chabrol / lucrecia martel / hong sang-soo / olivier assayas / chantal akerman / jacques tati / pier paolo pasolini / alain resnais / claude lelouch / wim wenders / leos carax / bernardo bertolucci / mani ratnam / dario argento / juzo itami / georges franju / marcel carné / maya deren / andrea arnold / frank perry / joachim trier / asghar farhadi / dardenne brothers / anthony asquith / emilio fernández / joseph l. mankiewicz / peter tscherkassky / tsai ming-liang / chris marker / jim strouse / lulu wang / ronald neame / mathieu kassovitz / nadine labaki / ramin bahrani / camille billops and james hatch / frederick wiseman / cecil b. demille / ruben östlund / james gray / jafar panahi / mario bava / michael haneke / zeinabu irene davis / miranda july / stephanie rothman / todd field / sam peckinpah / hirokazu kore-eda / keisuke kinoshita / alexander korda / erich von stroheim / mira nair / dino risi / ida lupino / bruce robinson / julie dash / apichatpong weerasethakul / jonas mekas / jules dassin / ivan er / nicole holofcener / charles crichton / roberto rossellini / kundan shah / christopher munch / christian petzold / kira muratova / tran anh hung / edward yang / pierre étaix / jacques rivette / oscar micheaux / catherine breillat / terence davies / kiyoshi kurosawa / guy maddin / med hondo / alice rohrwacher / john sayles / ryusuke hamaguchi / robert rossen / elia suleiman / lars von trier / bill forsyth / gina prince-bythewood / lance oppenheim / harmony korine / karyn kusama / michael moore / michael snow / stanley kwan / abel ferrara / su friedrich / m. night shyamalan / jacques rozier / miguel gomes / kazuo hara / andré téchiné / jerry schatzberg / kazik radwanski
larisa shepitko (0)
larisa shepitko
king hu (0)
king hu
albert serra (0)
albert serra
william klein (0)
william klein
hideaki anno (0)
hideaki anno
...plus 854 more. View the full list on Letterboxd.
]]>i am Very Bad at being a completist (except for when i occasionally get totally immersed in someone's stuff in a short period of time—see: truffaut, warren beatty—but this hasn't happened in a while) even when i love the work a lot. i like to always have something new to look forward to. but also finishing truffaut's filmography was really rewarding and personally inspiring to me (that book of correspondence was obviously part of it as well), and i think i want more of that.
so: making this ongoing list of directors whose filmographies i've already made a big dent in and could probably finish if i was more intentional about it. will hopefully add more as i make progress, but TBD i love to set goals and never follow through.
ranked by films remaining to hit some level of completion, least to most. mostly dealing with fiction features except for some directors.
***
completed since making this list: john cassavetes, christopher nolan, todd haynes (fiction features), jane campion, sofia coppola
wong kar-wai: 1 fiction feature left (not including the new miniseries in here)
seen 10 out of 11 fiction features (not anthology films etc.)
16 out of 24 total projects
joanna hogg: 1 fiction feature left
seen 5 out of 6 fiction features
(6 out of 9 total projects that are actually accessible)
kieślowski: 1 fiction feature left
seen 21 out of 22* fiction features
(should be 21 out of 27, though 5 of these are insanely hard to track down or seemingly only available with chinese subtitles for some reason)
(24 out of 54 total projects, please send me some of his doc shorts with english subs, thank u)
andrei tarkovsky: 2 fiction features left
seen 5 out of 7 fiction features
(5 out of 11 total films)
paul thomas anderson: 2 fiction features left
seen 7 out of 9 fiction features
(8 out of 24 total projects)
cameron crowe: 2 fiction features left
seen 6 out of 8 fiction features
mike leigh: 3 fiction features left
seen 19 out of 22 fiction features
(22 out of 33 total projects)
kelly reichardt: 3 features left
seen 5 out of 8 features
david lynch: 3 fiction features left
seen 9 out of 12 fiction features (including TWIN PEAKS: THE RETURN)
(17 out of 70 total projects (but some of this stuff is like...idk if i need to see "out yonder - chicken"))
noah baumbach: 3 fiction features left
seen 9 out of 12 fiction features
(9 out of 15 total projects)
...plus 15 more. View the full list on Letterboxd.
]]>trying to get back to this. stuff i plan to watch/rewatch soon.
...plus 57 more. View the full list on Letterboxd.
]]>so excited about this series at moma celebrating the distinct characteristics of new york's rep cinemas <3
www.moma.org/calendar/film/5821
...plus 31 more. View the full list on Letterboxd.
]]>this year's lineup for new york's best experimental doc festival <3
NOT ON LETTERBOXD YET (as of 4/20/25):
How He Died is Not Controversial (Gio Lingao, 2025, 14min)
Thunderland, as a matter of fact (Y'a Matière au Pays des Éclairs) (Charles-André Coderre and Frédéric Boisclair, 2024, 45min)
The Early Sun, Red as a Hunter’s Moon (Adam Piron, 2025, 13min)
All Said Done (Micah Weber, 2025, 22m)
Concrete Resources (Thank you for keeping me a company of images) (Emir West, 2025, 9min)
Remote Views (Alexis McCrimmon, 2025, 15min)
Center (Burak Çevik, 2025, 6min, 16mm)
The World Doesn’t End When You Do (marlow magdalene, 2024, 10min)
受难日/Good Friday (Xiaolu Wang, 2025, 9min)
Some Strings Pts. I & II (Various Filmmakers, 96min)
Tuktuit (Lindsay McIntyre, 2025, 15min)
Necessary Trip (Kevin Jerome Everson, 2025, 5min)
Courtney Stephens and Shiv Kotecha present Films and Poems from the Fifth Season (ft. Courtney Stephens, Shiv Kotecha, Jjjjjerome Ellis, Tiziana La Melia, Diana Hamilton, and Courtney Bush)
Some Strings Pts. III & IV (Various Filmmakers, 110min)
ws.3 (Cho Seoungho, 2003, 6 min)
Some Strings Pts. V & VI (Various Filmmakers, 84min)
...plus 33 more. View the full list on Letterboxd.
]]>so far leigh's quotes are taken from the book MIKE LEIGH ON MIKE LEIGH by mike leigh and amy raphael.
[in progress]
"[His opinion of Woody Allen] varies between blind adulation and deep loathing, depending on which film you're talking about. RADIO DAYS would be on my desert island with me..."
"...if you wanted to subject me to excruciating torture, you'd send me there [to a desert island] with a copy of MATCH POINT. I wouldn't survive twenty-four hours."
"MANHATTAN infuriated me because I thought we could all make films like that if someone would just give us a chance."
"I love CRIMES AND MISDEMEANORS..."
"I love...BULLETS OVER BROADWAY."
"I like ANNIE HALL but..."
"...prefer HANNAH AND HER SISTERS."
"I loved ZELIG..."
"...but can't stand THE PURPLE ROSE OF CAIRO. But to me RADIO DAYS stands head and shoulders above all the others."
"Renoir became a major influence..."
...plus 26 more. View the full list on Letterboxd.
]]>creating a canon of movies where a dude faints
(fainter listed in the notes.)
Hugh Grant
Henry Fonda
Jimmy Stewart
Jimmy Stewart (again. someone get this man a fainting couch)
Clark Gable
Gregory Peck
Daniel Craig
Melvyn Douglas
Daniel Radcliffe
Cary Grant
...plus 143 more. View the full list on Letterboxd.
]]>i was pretty good at keeping up with new releases last year and this is to keep track of stuff that's coming out soon and so i don't miss anything in theaters that i'm actually interested in
1/17
tbd
2025
2025
TBD
TBD
TBD
TBD
what a year!!!!!!!
...plus 23 more. View the full list on Letterboxd.
]]>this man is always out here getting rejected, ed over for another hunk, or just generally being the odd man out around a couple. poor guy.
(there are definitely more, please make suggestions!)
]]>it's the most wonderful time of the year <3 anything urgent i missed i’m gonna try to catch at montclair 🫡
...plus 2 more. View the full list on Letterboxd.
]]>in theory i'm making a movie soon, so
...plus 4 more. View the full list on Letterboxd.
]]>very excited about this programming series at anthology july 24-august 13 !!
"Paradoxically, many of the films here both reach towards a special “authenticity” by incorporating verbatim speech, while simultaneously re-distancing this language via various methods: having actors lip-synch audio recordings, setting interviews to music, reenacting documentary material, or utilizing highly stylized visual approaches. One way or another, the verbatim technique partakes of the tradition of reenactment or restaging, but with a special focus on written or spoken language, and a special insistence on the power of the word."
anthologyfilmarchives.org/film_screenings/series/57916
not on letterboxd: LIFE AND TIMES: EPISODE 8 (2015), made for TV series
...plus 13 more. View the full list on Letterboxd.
]]>in general i am the person people turn to when they cannot the name of a movie but here are pairs of movies i mix up because they have similar titles or vibes or posters or i am just fucking stupid, actually.
ongoing as i what films i confuse for other films. explanations in notes.
two films about bland friends in the 80s? these are the same movie to me
the posters just look similar to me and even though i've seen SWF these are the same movie to me
** even since watching THE BEDROOM WINDOW they are still the same. sorry.
people...in the country...having a day....the titles just get mixed up and i forget which is the german one and which is the french one, oops
something about the muted warm colors of this and tokyo godfathers make me mix em up. 2003 2D animation poster blindness
was watching house of yes thinking it was penned by david mamet because these movies are the same to me
...plus 8 more. View the full list on Letterboxd.
]]>i don't rewatch movies so much, but recently i've felt like reevaluating certain movies (ones i loved and wonder if they hold up for me, ones i hated that i wonder would land differently with me now, etc.)
so here is a list of movies i intend to rewatch (+ have rewatched recently). noted is my original rating vs. my updated rating so we can all appreciate growth or whatever. things i've rewatched most recently will be listed first, things i plan to rewatch are everything after REDS.
2018: 4.5 stars
2024: 4 stars
2014: 1.5 stars
2024: 3.5 stars
2021: 4.5 stars
2024: 4.5 stars
2016: 4 stars
2017: 5 stars
2024: 4 stars
2017: 4.5 stars
2024: 5 stars
2008/09 (estimated): 2.5 stars
2024: 4 stars
2019: 5 stars
2024: 5 stars
2016/2017: 4.5 stars
2024: 2.5 stars
2017: 4.5 stars
2024: 3.5 stars
2020: 4.5 stars
2024: 5 stars
...plus 153 more. View the full list on Letterboxd.
]]>"This July, Spectacle provokes contemplation of the slow, inhuman, ever-constant churn of containerized matter across international waters with ten films, ranging from short to feature to colossal in length. LOGISTICS, a 52,420 minute Warholian document of a container ship’s transnational voyage, prompts a revival of Spectacle’s online streaming platform in order to show it in its entirety. Tuning in and out of the stream, viewers are welcome to the theater to gaze upon even more HEAVY METAL CONTAINERS through documentaries that cross into essay film (THE FORGOTTEN SPACE), ghost story (SCRAP VESSEL), science fiction (DEAD SLOW AHEAD), and computational compression art (ALBATRE). While a few of these films highlight the diverse and precarious human experiences of modern life at sea, this is most true of the delightful series outlier, FROM GULF TO GULF TO GULF, a film made in collaboration with seafarers transporting non-containerized cargo across the Western Indian Ocean aboard giant sailing vessels made of wood instead of steel."
www.spectacletheater.com/heavy-metal-containers/?mc_cid=03054da77c&mc_eid=3d0405f095
...plus 1 more. View the full list on Letterboxd.
]]>movies featuring people with memorable eyebrows. owner of the eyebrows in notes.
i'll take suggestions but i'll be the one to judge whether the eyebrows are significant enough to be added to this list.
robert helpmann (in the first act)
that one scary guy in all the armor
i know will poulter has been in other things in the past 11 years but any time i forget his name i describe him as "that kid with the eyebrows from WE'RE THE MILLERS" so this goes on here
yes my movie-watching stats look a little insane at first glance but partially to blame is that i've watched 900 short films and here they all are (probably mostly) (i'm sure there are ones i never logged).
(updated 5/14/24)
May 8-12, 2024
wave 1 | blueprint of a pleasure machine
wave 2 | only fascist mummies don't jump
wave 3 | mortality is a prison but to know it is the key
wave 4 | ping pong ping pong ping pong ping pong ping pong
wave ∞ | the future is still bigger than the past
opening night
Pre-film reading by poet Hala Alyan; followed by a conversation between Tiffany Malakooti (Bidoun) and researcher, writer, and curator Adam HajYahia. Co-presented by Bidoun.
wave 1 program 1
wave 1 program 1
wave 1 program 1
wave 1 program 1
wave 1 program 3
wave 1 program 3
wave 1 program 4
wave 1 program 4
wave 1 program 4
...plus 81 more. View the full list on Letterboxd.
]]>“I had to come back to Montreal. I have total disrespect for Hollywood, it still makes my hair stand on end. Yukk. They’re all creepos.” –Micheline Lanctôt, 1984
anthologyfilmarchives.org/film_screenings/series/57404
...plus 1 more. View the full list on Letterboxd.
]]>ranking films is not my beat but this is an exercise and i am doing this while i drink my coffee today
***A DISCLAIMER BEFORE ANY OF YOU YELL AT ME: whatever my star rating of these movies currently sits at factors in but this is more of a complex stew of 1) if it's been a while, what i feel like i would rate these movies if i watched them again 2) how fun i think it is that it won best picture 3) whether they're a movie i'd actually like to rewatch 4) memorability and 5) vibes. but mostly vibes. if i redid this tomorrow it'd probably be different. THANKS
...plus 56 more. View the full list on Letterboxd.
]]>how many drinks did he have? oh, we're on!
and now, with their salute to the best music from the year's best films, the 5 neat guys.
there's no reds
like dead reds
for me
raiders
of the lost ark
met a nazi
then his face melted
hey!
[groovy sock-hop riff]
absence of malice!
[riff continues]
absence of malice!
there were chariots of fire
but i have to inquire
why they didn't have no chariots
in the movie
arthur
was a drunk little rich kid
he drove around in limousines
films by directors who have a film in my favorites list and it's the only film of theirs which i've seen.
(always in progress)
Max Ophüls
Robert Rossen
Bill Forsyth
Pál Fegös
Giuseppe Tornatore
Melvin Van Peebles
Jerry Schatzberg
Peter Yates
Jacques Deray
Sergio Corbucci
...plus 9 more. View the full list on Letterboxd.
]]>a log of silent films i've synced with music that is not whatever normie classical hits or jaunty MIDI piano soundtrack amazon prime/youtube/etc tried to feed me. my music choices are in the notes.
silent films are about the shots and performances, and the music should be secondary to their impact anyway! figure out the emotional vibe of the first 2 minutes and pick some tunes accordingly and live your life! will die on this hill sorry!
(updating as i do this with more movies. most recently watched movies at the top.)
a playlist:
- "yesterday when i was mad" pet shop boys
- "heaven's above" the style council
- "life of surprises" prefab sprout
- "it's going to happen!" the undertones
- "life's what you make it" talk talk
- "these days" jackson browne
EL MAL QUERER by rosalía and EL MADRILEÑO by c. tangana
PHARAOH by pharaoh sanders and ILLUSIONS by arthur blythe because i am in my free jazz era
1. OUTSIDE by david bowie
put on clap your hands say yeah's eponymous album on a loop and honestly has the perfect light circus vibe to go along with parts of this film's content
a succession of nick drake albums, starting with BRYTER LAYTER, then FIVE LEAVES LEFT, then PINK MOON, then back to BRYTER LAYTER again for the last few minutes. kind of the perfect vibe i think.
i was getting irritated with the overwrought midi score after a while and turned on a playlist of 90s dance music and honestly? the film was impactful regardless. corona's "rhythm of the night" during the final sequence was wild and incredible.
violator by depeche mode
mendelssohn violin concerto & shostakovich violin concerto no. 1, played by hilary hahn
on avery island by neutral milk hotel
...plus 1 more. View the full list on Letterboxd.
]]>quotes about some of these films included in notes, but like, go read the book :) the guy was good with words and this book is nice because it's mainly him raving about filmmakers he loves.
"Today I demand that a film express either the joy of making cinema or the agony of making cinema. I am not at all interested in anything in between; I am not interested in all those films that do not pulse."
(in progress)
& here is my other truffaut list that took forever to make and of which i am very proud :)
(i say it took me forever but really i read that book in a month, but typing out all the quotes i guess was time-intensive. lol)
other miscellaneous quotes in this book that i think are funny/insightful:
"To make a completely successful film means imbuing it with qualities that are varied and almost contradictory, a difficult and rare achievement. It's often said that a film is 'cinema' or 'not cinema' without saying precisely why. For me, a filmmaker must know how to make or show something better than the others do. That chap, for example, is not a good storyteller but he directs actors better than someone else; another one spoils scenes, but every shot is perfect; a third piles up three hundred prosaic shots that add up to a powerful movie; a fourth has wonderful camera work; a fifth allows things to get confused but he knows how to create real characters, etcetera, etcetera. In short, no film is a total success, and it's awfully easy to criticize what it's not. It's our job to try to discover what it is." (1960)
"Two and a half years ago, my friend Claude Chabrol and I met Alfred Hitchcock when we both fell into an icy pond at the Studio Saint-Maurice under the gaze, at first mocking and then comionate, of the master of anguish. Because we were soaked, it was several hours before we were able to seek him out again with a new tape recorder. The first one had literally drowned; it was ruined." (1957)
truffaut skipped school to see this film ("i liked it a lot") and then got home from "school" only to be invited out to see this film by his aunt and he had to pretend he hadn't already seen it. sneaky sneaky
he saw this "five or six times" before it was banned post-liberation of , then watched it "several times a year" after the ban was lifted. sir, control yourself i beg
“…some of the best evenings of the year would be spent watching LE RÈGLE DU JEU.”
"Not a frame escapes Dreyer's vigilance; he is certainly the most demanding director of all since Eisenstein, and his finished films resemble exactly what they were in his mind as he conceived them."
"I only met Carl Dreyer three times, but it pleases me to write these few lines as I sit in the leather-and-wood chair that belonged to him during his working life and was given to me after his death. He was a small man, soft-spoken, terribly stubborn, who gave an impression of severity although he was truly sensitive and warm."
...plus 165 more. View the full list on Letterboxd.
]]>no i have not seen every james spader movie. yes i have seen several where a fetish takes over and/or ruins his life. ranked roughly by how all-encoming and destructive his sex life is. (see notes for scholarly, peer-reviewed reasoning)
the zenith!!! this movie has a plot and then james spader's car fetish takes over and the second half just becomes increasingly dangerous car sex. he can't handle it! his fetish invades his life and the lives of everyone around him! destruction!
okay the fetish is not destructive in this one (it's quite the opposite!) but yes spader's entire life revolves around BDSM
the fetish is not ultimately destructive in this one! and he seems like a functional person who is able to hold a conversation with another person without it having to do with his sex videotapes, so it hasn't completely consumed his life. BUT! his fetish ruins OTHER people's lives a bit, so it remains near the top
yes he DOES have a fetish in this movie and it is doing whatever rob lowe tells him to do regardless of how self-destructive it is. and it RUINS! HIS! LIFE! his lack of agency over his fetish is quite astounding in this one
andrew mccarthy is the one with the fetish here (fucking the mannequin) and james spader's life revolves around exposing this fetish. and the fetish DOES upend his career and his life. so even though it is not HIS fetish, A fetish has such an influence on him that i'm ranking this higher than it probably deserves.
again no fetish in this one but his sex life absolutely puts him in peril and mädchen amick destroys him!!!!! he sees it spiraling out of control but does nothing to stop it because the sex is so good, rip
so this is SUBTEXT but clearly it is the sexual tension between james spader and john cusack that motivates them to ruin each other's careers. they are subservient to their dicks and their dicks alone, i'm afraid
another movie where james spader's horniness does not ruin him! however! because he meets susan sarandon he ultimately cuts ties with uhhhhh all of his friends and family (but it's for the best?) and possibly moves to another city, therefore dropping his job too? but like, it's a good thing! however yes sex does uproot his life
his fetish is BIKES and DANCING and BEING 80S JAMES DEAN and multiple people get shot or die or get mauled by attack dogs because of it, but he's thriving
okay i saw this in 2017 and do not anything about it apart from that james spader is an asshole in it. from this youtube edit about robert downey jr and james spader set to placebo's "bitter end" i am guessing that james spader doesn't ruin his own life but DOES ruin RDJ's. not because of sex, i don't think? (unless...subtextually...maybe?)
...plus 5 more. View the full list on Letterboxd.
]]>compiled from: www.moma.org/calendar/film/5632
everything MoMA is programming as part of this series during the next month
...plus 45 more. View the full list on Letterboxd.
]]>going to moma every day during february would not be responsible but i am tempted
everything happening here:
www.moma.org/calendar/film/5666
...plus 12 more. View the full list on Letterboxd.
]]>some of the films covered in IN PERSON: REENACTMENT IN POSTWAR AND CONTEMPORARY CINEMA by ivone margulies, using as reference for one of my thesis films
...plus 56 more. View the full list on Letterboxd.
]]>keeping a log of every trailer on various dvds i watch in case anyone wants to replicate the experience of watching trailers of contemporaneous movies before a movie on streaming
AMOUR FOU (2014)
HACHI: A DOG’S TALE (2009)
THE MARQUISE OF O (1976)
BLUE CRUSH 2 (2011)
THE DILEMMA (2011)
(director's cut VHS)
FULL METAL JACKET (1987)
REVOLVER (2005)
ZOMBIE STRIPPERS (2008)
idk why i'm bothering to make another watchlist when i never finish the ones i've already made but this has just been on my mind recently that there are some folks i like or love but haven't seen all of their films or i don't have strong opinions about yet that i'd like to delve deeper into :) so here we are another watchlist! lots of more recent/living directors on here just bc i've been skewing toward older stuff over the past few years and consequently haven't paid attention to specifically '00s directors lol
this is sort of like the next tier up from this watchlist lmao ihatemyself
realized this year that mia hansen-løve is potentially the filmmaker whose writing is sort of similar to mine so i'm trying to get more into her since UN BEAU MATIN rocked my entire world lol
i always feel like i've seen more claire denis than i have but i've seen BEAU TRAVAIL (a masterpiece) and 2 of her recent films (which i've hated) so i am trying to find more of her stuff that is as incredible to me as BEAU TRAVAIL i think lol
sort of always amazed by ken russell's mess and i've been wanting to see more of his stuff since i loooooved WOMEN IN LOVE a few years ago and the three others i've seen were sort of mid for me so i want to find others that i like <3
céline sciamma is cool! she hasn't directed that many movies and i feel like i should see more of them!
feel like i've also been neglecting ken loach lol especially his more recent stuff so i would like to fix that! KES is incredible and idk why i haven't done a deeper dive yet
atom egoyan seems like such an emo guy and i thought THE SWEET HEREAFTER was so upsetting and interesting and idk i'm curious about his career
andrea arnold's another person with a short filmography that i love so far and should just finish already, i'm silly
the dardennes make such stressful movies so well and i think i should see more of them lol
i've seen a lot of weird obscure chabrol but not a lot of his well-known stuff so i should probably see those before i totally write him off
i love aki kaurismäki and his specific brand of gently comic loneliness and i've seen five of his films but should definitely see more
...plus 13 more. View the full list on Letterboxd.
]]>yeehaw
www.moma.org/calendar/film/5664
not on letterboxd:
ADELE ASTAIRE SCREEN TEST FOR DARK VICTORY (1936, 5 min.)
LONG DISTANCE (1946, 18 min.)
ANGER AT WORK: THE STORY OF THE HEADACHE SWITCH (1956, 21 min.)
ARABIAN LIGHTS (1983, dir. edit deAk + jamie nares, 75 min.)
TALL TALES (1941, dir. william watts, willard van dyke)
SATISFACTION (1978), THE DAY MY BABY GAVE ME A SURPRIZE (1979), WHIP TEASE/WHIP IT (1980), GIRL U WANT (1980), BEAUTIFUL WORLD (1981), and PEEK-A-BOO (1982) by DEVO
...plus 69 more. View the full list on Letterboxd.
]]>i am ready to have a crazy week at lincoln center babyyyyy
www.filmlinc.org/series/never-look-away-serge-daneys-radical-1970s/#films
...plus 6 more. View the full list on Letterboxd.
]]>i'm always out here "setting goals*" and then abandoning them in favor of, like, deciding i should watch a bunch of long movies. so whatever, here's every movie i've seen this year over 2.5 hours long ranked from longest to shortest because otherwise my habits this year were bad (too many new releases and american/english language movies, we'll be better next year).
*one of the goals i set this year was to finally watch an angelina jolie movie. i have still never seen one (except for her voice work in KUNG FU PANDA). i am so bad at this.
...plus 19 more. View the full list on Letterboxd.
]]>every year i get pickier but yeah loved all these movies so much <3
...plus 14 more. View the full list on Letterboxd.
]]>i came up with resolutions in 2021 but didn't do it last year in order to focus on rewatching/revisiting things that i loved in past years (also getting into westerns because of the class i took, which was a cool generic focus), but this year i'd like to go back to creating some goals for myself!
i may come up with more goals as the year goes on but this seems sort of attainable in of scope so far so here it is for now :) happy new year!
(18/63 completed so far)
1. finish bresson's filmography. it's not huge, i've grown to love his style more and more since DIARY OF A COUNTRY PRIEST and MOUCHETTE, and i think this is a reasonable goal :)
(3/9)
2. i'd like to see at least 10 films this year by LA rebellion filmmakers. i've loved what i've seen from charles burnett & zeinabu irene davis, and i really want to dive further into the careers of their contemporaries in the movement (julie dash, jamaa fanaka, haile gerima, billy woodberry).
(3/10)
...plus 53 more. View the full list on Letterboxd.
]]>another year of my MFA, another semester of TAing a film studies lecture
...plus 20 more. View the full list on Letterboxd.
]]>she realized she wanted to be a director while she was in an inspirational YMCA aerobics class, what an icon. compiled bc in 2017 i spent like 80% of my waking hours watching/listening to greta’s interviews and here we are.
(always in progress)
**lol at me updating this in 2023, hi everyone it's been a minute but another press cycle another batch of additions!**
also, here are some books she likes:
middlemarch by george eliot, anna karenina by leo tolstoy, the idiot by elif batuman, to the lighthouse by virginia woolf, nightwood by djuna barnes, the death of the heart by elizabeth bowen, the white album by joan didion, the argonauts by maggie nelson, americanah by chimamanda ngozi adichie, the dud avocado by elaine dundy, lives of girls and women by alice munro, on elizabeth bishop by colm toíbín, the poetry handbook by mary oliver, the plays of annie baker
greta says you have to watch this film in the theater so you’re forced to be immersed in the pacing (she’s talked about this in multiple interviews i’ve seen. she love love loves this film).
she got excited when she saw the director was claire denis because the director had a “lady name.” also it’s the film that made her see cinema as an art form.
discussed on the bill simmons podcast
said this is a “perfect movie” on adam buxton’s podcast, used it as inspiration for the car fight scene in lady bird
she loves how the scenes end just as you’re starting to understand them
one of her favorite mother-daughter movies
just one of her favorite films ever
do you ever just get really excited that barry jenkins and greta gerwig are pals bc i do
discussed in her DP/30 episode for greenberg (i think? it was a DP/30 for sure)
she discussed how much she loves this film in her episode of the bill simmons podcast
...plus 91 more. View the full list on Letterboxd.
]]>in an attempt to even-out my knowledge of film history, i'm challenging myself to have seen at least 10 films from every year. this is a watchlist with as many films as it will take for this to happen.
for example, as of making this list, i've seen 8 films from 1983. 2 films from 1983 will be on this list (from my watchlist).
how is it that i've seen more films from 1896 than i have from 1938???
going for just 1 movie per year for before 1915 because this list is a lot as it is
(COMPLETED)
...plus 306 more. View the full list on Letterboxd.
]]>went through the sight and sound ballots of various filmmakers that i ire or have at least heard of and added films from their personal canons to this list that A) i have never heard of or B) are films by canonized directors that are not their most typically canonized film
mostly just fun to think of these top 10 lists these people made as them being like "please watch these movies i like" rather than an objective list of the best films ever made. idk why it's so funny to me that certain very well-known directors had extremely uninteresting lists with like BICYCLE THIEVES and 2001 and VERTIGO on them, meanwhile you have people like mia hansen-løve putting L'ENFANT SAUVAGE as her truffaut pick and mike leigh including an animated film from 1912, idk i think that's just fun and cool <3
barry jenkins
barry jenkins, béla tarr
desiree akhavan
olivier assayas, clio barnard, mike leigh
olivier assayas, mia hansen-løve
clio barnard
andrew bujalski
julie dash
miguel gomes
miguel gomes
...plus 81 more. View the full list on Letterboxd.
]]>idk how it took me 23 years to finally watch WINGS OF DESIRE but getting to see a print of it was a good omen for how many masterpieces i'm gonna see for the first time this year <3
...plus 6 more. View the full list on Letterboxd.
]]>films mentioned/touched upon during my westerns class that we didn't watch that i'd like to see now that i'm uhhh kind of obsessed with the genre and its mess
...plus 26 more. View the full list on Letterboxd.
]]>basically a list of films i've loved that are based on books that i think would be interesting to read now :) honestly kind of prefer seeing film adaptations then reading the books they're based on because then the books feel like an expansion of the film version rather than the films feeling like a stunted shortened version of the books.
ANYWAY basing this off of my experiences reading MAURICE and POWER OF THE DOG and i'm excited for more, babyyy
(ongoing)
by Robin Maugham, 1948
by Edith Wharton, 1920
by Boris Pasternak, 1957
by Margery Sharp, 1944
by Patrick Hamilton, 1929 (play)
by Donald E. Westlake, 1970
The Long Saturday Night by Charles Williams
Les deux anglaises et le continent by Henri-Pierre Roché, 1956
by Henri-Pierre Roché, 1953
by Stefan Zweig, 1922
...plus 12 more. View the full list on Letterboxd.
]]>***lol this list is over 2 years old at this point but am still working thru it <3**** - nora in 2022
hi it's me, the harborer of horror genre apathy! october is coming and this year i want to watch some good scary shit! my issue is that in some ways i don't even know where to begin with horror, because a lot of the time when i see horror films i just wish there was more going on beyond the surface level scaries, or walk out feeling like it was all for nothing. i don't want to feel this way! i'm not even someone who gets particularly scared/shocked during a horror movie, it's just a genre i neglect, always.
so, solution for this year: recommend me horror films you love, tell me why you love them, what makes them interesting, or if it's something that has been interpreted/written about extensively, direct me to your favorite supplemental texts! here is a link to every film i've seen that letterboxd has sorted as "horror," ranked by how highly i've rated them (link doesn't work in the mobile app but whatever), just so you can have a sense of what sort of stuff i vibe with.
starting this list with horror blindspots i have in my watchlist already that i'd like to tackle during october, and then after that, please give me some good recommendations!! also genre is fluid so if something is classified as something besides horror but you feel it should still be considered part of the genre, feel free to recommend anyway!
(33 completed)
(rent at sn library)
(rent at sn library)
(rent at sn library)
...plus 57 more. View the full list on Letterboxd.
]]>+ films programmed at rugoff's theaters as depicted in SEARCHING FOR MR. RUGOFF (2019)
...plus 52 more. View the full list on Letterboxd.
]]>dude i am so PUMPED about these!!!!
...plus 7 more. View the full list on Letterboxd.
]]>