Letterboxd 5019o jagdish https://letterboxd.sitesdebloques.org/jagdishsingh/ Letterboxd - jagdish Investigation of a Citizen Above Suspicion 6j704q 1970 - ★★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/investigation-of-a-citizen-above-suspicion/ letterboxd-review-897792303 Mon, 26 May 2025 02:12:47 +1200 2025-05-25 No Investigation of a Citizen Above Suspicion 1970 3.5 26451 <![CDATA[

4v291o

“Only if you confess all your weakness and shame will you obtain my forgiveness and protection”

INVESTIGATION OF A CITIZEN ABOVE SUSPICION A is deliciously absurd satire where the real crime is how far unchecked authority can go when everyone else is too polite, terrified or too far occupied from promoting an agenda to call it out. The police and bureaucratic system cannot—or will not—believe that someone of his rank and stature could commit such a crime. Mildly amused, but stayed for sadomasochistic Augusta Terzi, and thoroughly disturbed.

The final scenes are deliberately ambiguous and allegorical. The Inspector’s desperate attempts to be arrested fail, reinforcing the film’s cynical message: in a system where power protects itself, justice can be subverted, and those in authority can be truly “above suspicion.”

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The Way He Looks 34z5d 2014 - ★★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/the-way-he-looks/ letterboxd-review-896819067 Sun, 25 May 2025 05:25:42 +1200 2025-05-25 No The Way He Looks 2014 3.5 237791 <![CDATA[

This film wrapped around me like a warm hug. THE WAY HE LOOKS may be small and quietly told coming-of-age film from Brazil but its heart is enormous. It’s a story we’ve seen before—but rarely with this much tenderness, honesty, and care. The direction is gentle, the characters especially our blind protaganist, Leo feels real and deeply felt. THE WAY HE LOOKS is about first love, finding your own voice, and the (sometimes) turbulance of long-term friendships. Also, Karina.

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Things Change 106u4f 1988 - ★★★½ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/things-change/ letterboxd-review-896761182 Sun, 25 May 2025 04:08:22 +1200 2025-05-24 No Things Change 1988 3.5 52770 <![CDATA[

This review may contain spoilers.

My third and final film in the David Mamet–Joe Mantegna collaboration trifecta, and what a surprisingly sweet note to end on.

THINGS CHANGE is such a curious little film—low-key, gentle, and totally disarming. Joe Mantegna brings his usual sharp charisma, but it’s tempered here with an unusual softness. His chemistry with Don Ameche is unexpectedly lovely, and Ameche’s performance is all warmth and quiet wisdom, making the odd-couple dynamic feel truly earned rather than forced.

Mamet’s direction, often known for its precision and verbal edge, takes on a more relaxed, almost affectionate rhythm here. It still has that clipped dialogue and tension bubbling beneath the surface, but the stakes are emotional rather than explosive. It’s a film about dignity, kindness, and the small, strange loyalties that form between people who have no real reason to trust each other—but do anyway.

A modest, well-played gem. I think I smiled through most of it and felt my heart sink in the last 10 minutes when the title “Things Change” is mentioned— revealing the film’s gut-wretching deception; only to then watch it quickly click back together.

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Fear Street 6a641h Prom Queen, 2025 - ★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/fear-street-prom-queen/ letterboxd-review-896715433 Sun, 25 May 2025 03:02:06 +1200 2025-05-24 No Fear Street: Prom Queen 2025 2.5 1001414 <![CDATA[

Moment of silence for all the boyfriends that got killed for no real reason other than wanting to bang their girlfriends. 

FEAR STREET: PROM QUEEN is a generic, formulaic slasher in the vein of that Pretty Little Liars reboot. It’s not as bad as its being made up to be.

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The Surrender 3w5w39 2025 - ★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/the-surrender-2025/ letterboxd-review-896519553 Sat, 24 May 2025 20:14:49 +1200 2025-05-24 No The Surrender 2025 2.5 1339206 <![CDATA[

In the end, THE SURRENDER looks and sounds great and shows flashes of promise, but it gets bogged down in murky storytelling and a glacial pace. It’s a moody, well-acted film (thanks to Colby Minifie and Kate Burton) that hints at depth but ultimately retreats from the darkness it suggests. A missed opportunity.

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Brain Damage 5j52u 1988 - ★★★½ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/brain-damage/ letterboxd-review-896433826 Sat, 24 May 2025 17:22:36 +1200 2025-05-24 No Brain Damage 1988 3.5 27814 <![CDATA[

This review may contain spoilers.

Frank Henenlotter’s BRAIN DAMAGE is on the surface a sleazy, goopy, creature-feature parable about drug addiction, but beneath the Technicolor pus and synth-drenched score lies something far more insidious—and queer. A deeply gay narrative about a boy, his talking slug, and the terror of wanting something you’re not supposed to.

Let’s start with Aylmer: a smooth-talking, phallic parasite who enters Brian through the back of the neck (subtle!) and offers him intense, brain-melting pleasure. It’s a grotesque metaphor for queer sex—simultaneously alluring and dangerous, liberating and shameful. Aylmer doesn’t just “get Brian high.” He seduces him, isolates him, penetrates him. Their relationship plays like a toxic queer romance: obsessive, secretive, euphoric, and ultimately destructive.

Brian distances himself from his girlfriend, lies to his brother, and disappears into alleys and subways for anonymous, Aylmer-fueled encounters. It’s a perfect stand-in for closeted queer life: the need to hide, the danger of being exposed, the thrill and horror of indulgence. The infamous fellatio scene, where Aylmer emerges from Brian’s pants to kill a woman during oral sex, isn’t just grotesque—it’s a literalization of queer desire as taboo and fatal. It’s played for shock, but beneath the surface is the real fear: “What if this thing I want destroys me?”

And then there’s the shower scene. A random, buff, completely naked man casually bathing in a public locker room, lit like a Tom of Finland wet dream. Brian watches him—not with predatory hunger, but with anxious awe. It’s pure voyeurism, tinged with longing and fear. He doesn’t attack; he hides. The male body is framed as desirable and dangerous, forbidden and magnetic. It’s one of the most explicitly homoerotic scenes in any ‘80s horror film, and its inclusion feels like a knowing wink to every queer viewer who’s ever lingered too long in the wrong locker room.

By the end, Brian isn’t just a victim of a monster—he’s someone whose body has become a battleground for desire and identity. He can’t go back. The pleasure has changed him. The “drug” was never the real addiction. The real high was finally feeling something that made sense, even if it meant losing everything else.

BRAIN DAMAGE is soaked in slime and queerness—filthy, freaky, and honest in a way few horror films of its time dared to be. It’s a camp nightmare about the ecstasy and horror of being different, of coming out through the gore. Shoutout to the BASKET CASE cameo, you’re next on my watchlist!

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Until Dawn 6u4b26 2025 - ★★ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/until-dawn-2025/ letterboxd-review-895876562 Sat, 24 May 2025 05:37:06 +1200 2025-05-24 No Until Dawn 2025 2.0 1232546 <![CDATA[

This review may contain spoilers.

UNTIL DAWN sets up like it’s going to be a clever riff on CABIN IN THE WOODS with a time-loop twist—but instead of subverting horror clichés, it just cycles through them. The kills are occasionally fun, but the rest feels like it’s on autopilot.


The central gimmick—the time loop mechanic—never really evolves beyond a surface-level novelty. It’s without wit, tension, or emotional stakes. Instead of deepening the horror or raising the stakes, the repetition just becomes numbing.

Worse, I couldn’t connect with a single one of the principal characters. They’re either too bland, too obnoxious, or simply underwritten to care about. If you’re going to trap us in a loop, at least give us someone worth rooting for—or hating in a fun way. Instead, surviving until the credits felt like more of a chore than a reward.

There’s a difference between a smart homage and a tired rehash. UNTIL DAWN leans too hard on genre familiarity without giving us anything fresh. It knows the beats of a horror movie—but forgets to make us feel anything between them.

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6ixtynin9 6t1d1t 1999 - ★★★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/6ixtynin9/ letterboxd-review-894192276 Thu, 22 May 2025 03:11:28 +1200 2025-05-21 No 6ixtynin9 1999 4.5 33253 <![CDATA[

“When god gives you a gift, he also gives you a whip.”

Pen-Ek Ratanaruang’s 6IXTYNIN9 is one of those rare films that feels like it slipped through a temporal crack — not just of era, but of genre, tone, and cultural climate. A black comedy drenched in a Bangkok haze, it nails the strange, specific mood of the late ’90s and early 2000s, when analog life still lingered, but the chaos of modernity was knocking harder and harder.

The fashion, the apartments, the rotary phones and boxy monitors, even the way people move through space — it’s all so perfectly preserved. It’s not nostalgia-for-nostalgia’s-sake, but a genuine time capsule of an urban life that feels quietly extinct.

Lalita Panyopas is magnetic as Tum, our quietly expressive, constantly caught-off-guard heroine. It’s baffling — and frankly a little infuriating — that she isn’t a much bigger international name. She anchors the film with a subtle, lived-in weariness, then flips into panic, dark comedy, or resilience without ever breaking stride. Her performance walks the tightrope between absurdist theater and deadpan realism.

And the coincidences! They just keep stacking — like bodies, like noodles, like fate itself is a lazy god flipping coins into our laps. The plot unravels like a Looney Tunes noir, each character a caricature, every decision snowballing into increasingly surreal violence. Yet it’s always grounded. There’s never a wink to the audience, which makes the madness even more potent.

Ratanaruang’s direction is sharp but unfussy. He trusts the script, the camera, the city. There’s a quiet confidence to it all — the mark of a filmmaker who knows exactly what he’s doing, even when his characters don’t.

This is the kind of film you want to put in a time capsule — not just to show what movies were like, but what life felt like for a brief, bizarre moment in history. Also, justice for that wildly handsome Farang actor who was the cop and her neighbor ladies’ lover.

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Talaash 2v6q3q 2012 - ★★★★★ https://letterboxd.sitesdebloques.org/jagdishsingh/film/talaash/1/ letterboxd-review-890636162 Sun, 18 May 2025 05:35:10 +1200 2025-05-17 Yes Talaash 2012 5.0 86004 <![CDATA[

Tbe scene where Rosie is swimming undewater like a mermaid ready to rescue Suri? Yeah, I lost my mind exactly then too. Power of cinema. Kareena is amazing here.

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Ash 602d39 2025 - ★★ https://letterboxd.sitesdebloques.org/jagdishsingh/film/ash-2025/ letterboxd-review-890373429 Sat, 17 May 2025 21:30:00 +1200 2025-05-17 No Ash 2025 2.0 931349 <![CDATA[

ASH drifts through the void of slow-burn sci-fi horror, only snapping into focus in its final act, when it finally unleashes the face-melting, viscous nightmares it spent the first hour merely hinting at through erratic, contextless flash jumpscares. Flying Lotus wears his influences proudly – the claustrophobic dread of ALIEN, the cosmic existentialism of SUNSHINE and INTERSETLLAR, and the desperate, doomed isolation of LIFE. Yet, rather than blending these elements into something distinctly his own, the film meanders through a fog of familiar beats, lacking the urgency or tension that made those predecessors gripping.

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Visible Secret 294w3u 2001 - ★★ https://letterboxd.sitesdebloques.org/jagdishsingh/film/visible-secret/ letterboxd-review-890326176 Sat, 17 May 2025 19:29:38 +1200 2025-05-17 No Visible Secret 2001 2.0 45480 <![CDATA[

Ann Hui’s VISIBLE SECRET is a maddeningly uneven experience that took me three separate sittings to get through. The film’s convoluted, disted plot struggles to stay coherent, tripping over its own ambitions with every twist. Characters weave in and out of scenes without clear motivations, making it a challenge to stay invested in the story.

However, despite its narrative chaos, Visible Secret is undeniably gorgeous. The film’s striking visual style is its saving grace – Hui’s use of vibrant colors clashing with deep shadows, the atmospheric fog swirling around every corner, and the occasional disorienting camera tilt are all masterfully executed. The cinematography feels like a fever dream, pulling you into a haunting, surreal world that almost makes the confusion worth it.

And then, of course, there’s goth Shu Qi. She cuts an unforgettable figure, adding a touch of melancholic allure to an otherwise messy narrative. Her presence alone elevates the film, even when the plot leaves you scratching your head.

Ultimately, VISIBLE SECRET is a film that demands patience – perhaps more than it deserves – but its haunting visuals make it a journey worth enduring, if only for the aesthetic payoff.

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The Cigarette and the Weed 396s3z 1981 https://letterboxd.sitesdebloques.org/jagdishsingh/film/the-cigarette-and-the-weed/ letterboxd-review-888172520 Thu, 15 May 2025 02:30:08 +1200 2025-05-14 No The Cigarette and the Weed 1981 860229 <![CDATA[

While casually scrolling through Twitter, I stumbled upon a tweet about a 44-year-old animated short that recently resurfaced online, thanks to a post by its director. A cigratte, a weed and a rat. Such is life. What a joy.

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On Probation 6h351e 2005 - ★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/on-probation/ letterboxd-review-886632111 Tue, 13 May 2025 02:30:57 +1200 2025-05-12 No On Probation 2005 1.5 78237 <![CDATA[

Truly just a random watch; an Argentinian buddy cop comedy. Thirst watch because of the director. Unfortunately, was not too emgaged with this one.

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When a Stranger Calls Back 115r63 1993 - ★★★★ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/when-a-stranger-calls-back/ letterboxd-review-886538963 Mon, 12 May 2025 23:03:43 +1200 2025-05-12 No When a Stranger Calls Back 1993 4.0 30554 <![CDATA[

This review may contain spoilers.

Catching this on Blu-ray really highlights the beauty of every frame. David Geddes who shot this film deserves a medal – the shadows are practically their own character, creeping into every corner of this made-for-TV nightmare.

For a TV movie sequel, this one genuinely surprised me. It not only doubles down on the terror and paranoia that haunted our female protagonists in the original, but it also weaves in the legacy characters with finesse. That alone is impressive, especially with a completely different male villain – one who first appears with his arms stretched out like a suburban Nosferatu, then later goes full blackface with a faceless dummy routine – and you’ve got something David Lynch would nod approvingly at over a stiff cup of coffee.

And can we talk about Carol Kane in that opening scene, striding in with her grey power suit, all intensity and nerve? She’s operating on par with other horror sequel darlings like Jamie Lee Curtis in HALLOWEEN and Neve Campbell in SCREAM, but with a unique, frantic energy that only Kane can deliver.

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Imprint 422l1u 2006 - ★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/imprint-2006/ letterboxd-review-885736194 Mon, 12 May 2025 04:04:12 +1200 2025-05-11 No Imprint 2006 2.5 319314 <![CDATA[

Takeshi Miike, as always, goes all in with his visual flair. The 19th-century Japanese setting is a gorgeously grotesque backdrop, dripping in rich costuming and atmospheric dread – a visual feast that proves Miike can paint a nightmare like no other. It’s a shame that this meticulous world-building of the demon-whore island is undercut by Billy Drago’s acting, which is less line reading and more line mangling, making you wonder if he wandered in from a different, far less competent production.

But the real issue here is the film’s obsession with pointless sadism. Yes, Miike is no stranger to shocking content, but here it feels hollow, pushing cruelty to the foreground without any meaningful weight or thematic purpose—provocative, sure, but to what end?

IMPRINT was originally a shelved episode of Showtimes’ ‘MASTERS OF HORROR’. While it doesn’t feel like a TV movie, IMPRINT is perhaps a grim curiosity suitable for only the most hardened Miike fans.

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Comedy of Power c6v47 2006 - ★★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/comedy-of-power/ letterboxd-review-885621361 Mon, 12 May 2025 00:58:17 +1200 2025-05-11 No Comedy of Power 2006 3.5 12713 <![CDATA[

Don't they call my post the most powerful in ?

Watched COMEDY OF POWER in conjunction with Mother’s Day as an ode to my cinematic mother, Isabelle Huppert.

This is my fifth Chabrol-Huppert outing, and this one’s more talk than thrill – a talkie in the truest sense. Huppert’s Jeanne Chantal-Killman spends the whole film verbally dismantling smug French CEOs, cucking them into oblivion before tossing them aside like yesterday’s croissants. I kept waiting for the supposed “intoxication with power” to kick in, but honestly, she just seemed genuinely invested in the drag. Can’t fault her for that.

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Homicide 726828 1991 - ★★★★ https://letterboxd.sitesdebloques.org/jagdishsingh/film/homicide-1991/ letterboxd-review-885616395 Mon, 12 May 2025 00:48:07 +1200 2025-05-11 No Homicide 1991 4.0 22828 <![CDATA[

This is my second dive into the creative partnership between David Mamet and Joe Mantegna, having previously watched HOUSE OF GAMES and found it incredibly enjoyable. While HOMICIDE initially presents itself as a straightforward neo-noir thriller, it quickly unfolds into something stranger and perhaps more compelling. Also, Roger Deakin’s cinematography here is wondorous. 

At its core, the film pushes beyond the familiar tropes of the genre, not just exploring a detective’s sense of duty, but pulling at the deeply conflicted threads of cultural identity. Mantegna’s character, Detective Bobby Gold, finds himself torn between his role as a cop and a profound, often uncomfortable connection to his Jewish heritage – a theme that feels surprisingly bold, even subversive, given current political sensitivities.

The film’s exploration of an Israeli/Zionist cabal is especially provocative, touching on ideas that seem almost unthinkable in today’s climate, where such narratives are often met with intense scrutiny. In this sense, HOMICIDE feels like a relic from a time when filmmakers were willing to provoke without the immediate echo of backlash, creating a space for more challenging, complex storytelling.

In the end, Mantegna’s character is pulled in two directions, caught between the institutional weight of his badge and the cultural ties he can neither fully embrace nor entirely reject. This tension leaves the film with a haunting, unresolved quality that lingers long after the credits roll – an ambitious, if not entirely comfortable, meditation on identity, loyalty, and belonging.

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Sharp Corner 5i24t 2024 - ★★★★ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/sharp-corner/ letterboxd-review-884616681 Sat, 10 May 2025 23:16:27 +1200 2025-05-10 No Sharp Corner 2024 4.0 1244890 <![CDATA[

This review may contain spoilers.

SHARP CORNER and RED ROOMS are two gripping psychological thrillers that have risen from Canada’s often underappreciated film landscape. Despite their distinct premises, both films share a grim fascination with human obsession, isolation, and the fragile line separating observer from participant.

In RED ROOMS, Kelly-Anne, a fashion model, becomes obsessively entangled in the trial of Ludovic Chevalier, a man accused of broadcasting the murders of teenage girls on the dark web. Her fixation pushes her to seek out and watch the very snuff films at the heart of the case, blurring the boundaries between witness and accomplice. This immersion into the digital abyss isolates her, not just from those around her but from her own moral com, leading to increasingly invasive actions like impersonating a victim and infiltrating a grieving family’s home. Kelly-Anne’s descent captures a psychological unraveling, revealing a deep, often unspoken human desire to confront the darkness within – to find purpose, however perverse, in a world that often feels indifferent.

And then there’s SHARP CORNER. Buxton’s film might lack the overt shock factor of RED ROOMS, but it’s every bit as haunting – perhaps even more so. There’s something deeply compelling about the way it captures the slow unraveling of Josh McCall. His descent feels like a slow-motion car crash, painfully inevitable yet impossible to look away from. McCall’s fixation on the accidents near his home is less about gore and more about the slow erosion of sanity – a man desperate for meaning in a world that refuses to provide it. It’s a film that understands the dark, almost primal satisfaction of being the first on the scene, the pull of the macabre mixed with the delusion of heroism.

I particularly appreciated how the film lets its central character spiral without the safety net of an easy redemption arc. Josh is a flawed, often unlikeable figure, yet Buxton captures his humanity in those quiet moments – the awkward attempts at connection, the panicked glances in the rearview mirror, the way his face contorts with a mix of fear and relief every time his own darkness is momentarily exposed but ultimately overlooked. It’s a deeply unsettling portrayal of obsession that lingers long after the credits roll.

Both films present their protagonists as tragic figures, trapped by their obsessions and disconnected from reality, their identities fraying under the weight of their unchecked desires. They serve as stark meditations on the dangers of moral ambiguity, the allure of control, and the dark psychological currents that can consume even the most seemingly ordinary lives.

These two films remind us that the most terrifying horrors are not always born from monsters or ghosts, but from the depths of the human mind.

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A Nice Indian Boy 4as5b 2024 - ★★★ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/a-nice-indian-boy/ letterboxd-review-883978093 Sat, 10 May 2025 05:58:08 +1200 2025-05-09 No A Nice Indian Boy 2024 3.0 1128614 <![CDATA[

This review may contain spoilers.

“Mom, Dad… do you ever feellike Kajol in a field of yellow flowers, hearing a cowbell and just knowing?”

A NICE INDIAN BOY is, first and foremost, CORNY but it also nails a lot of truths about the ‘Indian way’ of approaching relationships – where adjusting often takes priority over pure ion.This is also why I equally enjoyed the other subplots, like Arundhati’s divorce and the accusations surrounding Megha and Archit’s so-called ‘loveless’ marriage.  

Dilwale Dulhania Le Jayenge has been referenced to death, often in the cringiest ways imaginable – like awkwardly inserting yourself into Shah Rukh Khan’s shoes just to stage a grand, filmy marriage proposal.

I’m not going to lie, I cringed a bit when the softcore sex scene was set to Ishq by Ali Sethi, with Naveen’s brown skin silhouetted against lace curtains. That was a bold choice.


That said, A NICE INDIAN BOY still has the charm of a repeat comfort watch. Harish Patel and Sunita Mani deliver performances that are deeply in sync with their characters, making them a delight to watch. However, while I adore Zarna Garg – her voice, her stand-up skills – her acting debut feels abit uneven, fantastic in certain scenes but lacklusterous in others, leaving more to be desired.

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Final Destination Bloodlines 1q4s64 2025 - ★★★★½ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/final-destination-bloodlines/ letterboxd-review-883910222 Sat, 10 May 2025 03:51:11 +1200 2025-05-09 No Final Destination Bloodlines 2025 4.5 574475 <![CDATA[

This review may contain spoilers.

i gasped so loud when the MRI snatched his Prince Albert piercing

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The Ugly Stepsister y1n3q 2025 - ★★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/the-ugly-stepsister/ letterboxd-review-883754426 Fri, 9 May 2025 21:14:05 +1200 2025-05-09 No The Ugly Stepsister 2025 3.5 1284120 <![CDATA[

THE EXORCIST (1973):
 “Your mother sucks cocks in hell!”

THE UGLY STEPSISTER (2025):
 “Your mother sucks cock in the end!”

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Semiotic Plastic 2b2m4c 2021 - ★★★ https://letterboxd.sitesdebloques.org/jagdishsingh/film/semiotic-plastic/ letterboxd-review-883701888 Fri, 9 May 2025 18:27:18 +1200 2025-05-09 No Semiotic Plastic 2021 3.0 854527 <![CDATA[

Radu Jude gives us his Romanian absurdist take on BARBIE, KAREN CARPENTER via this stop-motion short that satirizes the bleak reality of human life – a chaotic loop of sex, war and consumerism. Using brightly colored toys in absurd situations and often in doggy style poses. The premise does begin to wear thin after the first two minutes of imagery.

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The Raffle q234r 1991 - ★★★★ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/the-raffle/ letterboxd-review-883688343 Fri, 9 May 2025 17:52:07 +1200 2025-05-09 No The Raffle 1991 4.0 59053 <![CDATA[

This review may contain spoilers.

The 1991 Italian dramedy THE RAFFLE not only marked the film debut of Monica Bellucci, often hailed as one of cinema’s most stunning creations, but also set the tone for her enduring cinematic legacy. It introduced the world to her exquisite beauty while hinting at a recurring theme in her career – the exploitation and objectification of women, as later seen in films like MALÈNA and IRREVERSIBLE.

I found THE RAFFLE to be unexpectedly entertaining, leaning more toward a playful adventure film than a dramedy. Rather than a knight crossing distant lands, we follow an Italian woman (Bellucci) who uses her beauty to navigate complex sexual politics and pull off an audacious scam.

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Warfare 665k3b 2025 - ★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/warfare/ letterboxd-review-883232796 Fri, 9 May 2025 05:16:06 +1200 2025-05-08 No Warfare 2025 2.5 1241436 <![CDATA[

WARFARE is a well-shot reenactment with a slick coat of cinematic gloss, but at worst, it’s a shameless piece of imperialist propaganda, leaning hard into the spectacle of conflict while quietly rewriting history. Even a polished exterior can’t hide the film’s hollow emotional core – a slick, manipulative attempt at war mythmaking.

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The Heartbreak Kid 1m1p2t 2007 - ½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/the-heartbreak-kid/ letterboxd-review-879337548 Sun, 4 May 2025 14:10:21 +1200 2025-05-04 No The Heartbreak Kid 2007 0.5 9038 <![CDATA[

Probably one of the worst slapstick comedies every written

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Wicked Little Letters 6r661x 2023 - ★★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/wicked-little-letters/ letterboxd-review-878807753 Sun, 4 May 2025 04:28:59 +1200 2025-05-03 No Wicked Little Letters 2023 3.5 975773 <![CDATA[

The premise of WICKED LITTLE LETTERS being prestige British actresses cussing each other out? Absolutely briliant.

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One of Them Days 61af 2025 - ★★★ https://letterboxd.sitesdebloques.org/jagdishsingh/film/one-of-them-days/ letterboxd-review-877671106 Fri, 2 May 2025 21:37:39 +1200 2025-05-02 No One of Them Days 2025 3.0 1280672 <![CDATA[

UNCUT GEMS but with Keke Palmer

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Another Simple Favor 4j1x45 2025 - ★★★ https://letterboxd.sitesdebloques.org/jagdishsingh/film/another-simple-favor/ letterboxd-review-877644534 Fri, 2 May 2025 20:19:11 +1200 2025-05-02 No Another Simple Favor 2025 3.0 974573 <![CDATA[

Glad because we all got to watch Henry Golding talk dirty

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Sonatine 4ub67 1993 - ★★★★ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/sonatine/ letterboxd-review-877643103 Fri, 2 May 2025 20:14:53 +1200 2025-05-02 No Sonatine 1993 4.0 7500 <![CDATA[

This review may contain spoilers.

SONATINE feels like the most complete expression of Kitano’s style: sudden, stark violence colliding with serene stillness, absurd comedy popping up amid existential gloom. It’s a gangster film, sure—but it’s also a strangely gentle and often hilarious meditation on boredom, downtime, and the absurdity of both identity and institutions. The plot, which follows low-level yakuza on what turns into a surreal seaside limbo, shifts from lighthearted hangouts to gut-punch tragedy with alarming ease.

There’s a real tenderness in watching these men try to simulate a peaceful, almost childlike escape from their lives of violence—playing games on the beach, staging goofy performances, just killing time. You want to stay there with them. But Kitano keeps reminding us that the violence isn’t gone—it’s just biding its time. Leisure, in this world, is temporary and maybe even a lie; further reinforced by the shock suicide in the end.

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Violent Cop 6g1x34 1989 - ★★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/violent-cop/ letterboxd-review-877143869 Fri, 2 May 2025 08:16:09 +1200 2025-05-02 No Violent Cop 1989 3.5 12622 <![CDATA[

Where American neo-noirs like TAXI DRIVER or TO LIVE AND DIE IN L.A. pulse with sleaze and chaos, VIOLENT COP is eerily calm. The violence hits harder because it arrives without buildup, and Kitano’s character—feels more like an existential figure than a genre archetype.

The moral decay is there, the blurred lines between justice and vengeance, but VIOLENT COP plays it all with an unsettling quiet that’s more suffocating than any monologue or voiceover. You feel it in your bones more than your brain, especially with what happens to Akira.

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Boiling Point 6v6n3x 1990 - ★★ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/boiling-point/ letterboxd-review-877036048 Fri, 2 May 2025 05:56:16 +1200 2025-05-02 No Boiling Point 1990 2.0 26936 <![CDATA[

This review may contain spoilers.

I usually ire bold filmmaking, but Boiling Point didn’t work for me. Visually, each shot was framed beautifully serene as if embeded with some kind of lightness; or perhaps it was thanks to the high definition restoration that I had watched. Kitano’s dream-like, jumpcut style is clearly intentional with BOILING POINT, but slips into alienation in my opiniom. I drifted along with the narrative, the characters feel empty, and the humor doesn’t land. There are scenes of violence and odd moments such a male rape, beach pooping and discarding of its non-Japanese characters; which all feels strange and foggish. 

BOILING POINT flirts with meaning in an avant-garde, “anti-bullying” sort of way, but the emotional core never quite emerges. I can appreciate the experimentation, but this one felt more like a sketchpad than a fully realized film. 

The ending of the film goes back to its original scene and culminate as a bathroom daydream of our loser protaganist is perhaps too radical of a swing to ever play out.

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Snake Eyes 4p1y5v 1998 - ★★★ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/snake-eyes/ letterboxd-review-876846892 Fri, 2 May 2025 00:30:06 +1200 2025-05-01 No Snake Eyes 1998 3.0 8688 <![CDATA[

This review may contain spoilers.

I was three feet away from a known terrorist, and I had my eyes buried in some broad’s tits

SNAKE EYES opens comically with Tamara Tunie as irritatable “weather bimbo” and it was perfect. 90s ancestor to Shymalan’s TRAP, this DE PALMA classic features a ton of fun elements such as —the aftermatch of the shootout, hotel room crane shot, and the POV scenes from the perspective of other characters were deeply enjoyable. However, I wasn’t particularly engaged once the film unfolds the betrayal of Gary Sinise’s character and unloads all its military conspiracy mumbo jumbo. Carla Gugino and Nic Cage gave great, top form performances.

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Sisters 3g154v 1972 - ★★★★ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/sisters/ letterboxd-review-876775894 Thu, 1 May 2025 21:16:46 +1200 2025-05-01 No Sisters 1972 4.0 22307 <![CDATA[

This review may contain spoilers.

Brian De Palma’s SISTERS opens like a cheeky Hitchcock homage and descends, gleefully, into something far stranger, nastier, and more hallucinatory. What begins with a voyeuristic act—a reporter spying on what appears to be a murder in the apartment across the way—spirals into a rabbit hole of madness, experimental psychiatry, and psychosexual terror. The film’s first act is a masterclass in suspense: cleanly orchestrated, darkly funny, and steeped in dread. De Palma’s flair for the operatic is already in full bloom, and when the violence erupts, it’s raw and unflinching—blending beautifully with the film’s grainy aesthetic and Bernard Herrmann’s unrelenting score.

The split-screen technique is more than just a gimmick here—it’s essential to the film’s anxious pulse, allowing De Palma to draw lines between perspectives, realities, and fractured identities. As the plot takes a sharp left into psychological horror, SISTERS trades traditional thriller beats for something more stylized and surreal—culminating in a twisted finale that would make even Hitchcock uneasy.

Bruce Kawin put it best when he wrote: “Sisters… makes intelligent reference to ROPE (1948), REAR WINDOW (1954), PSYCHO (1960), and even THE CABINET OF DR. CALIGARI (1920). The film ends with a shot of a detective looking through binoculars at what might be called the scene of the crime, intently but fruitlessly watching a couch that no one will ever incriminate themselves with by picking up. From start to finish, SISTERS is charged with scenes of looking—from seeing a murder through a window to seeing another person’s memories in one’s own mind.”

De Palma isn’t just referencing the masters—he’s deconstructing them, mutating their influence into something more feverish and grotesque. SISTERS is a film obsessed with the act of looking, but it’s what lies beneath the gaze—what’s repressed, doubled, or surgically severed—that ultimately chills.

STRAY NOTE
WHEN YOU THINK ABOUT IT SISTERS OPENS WITH A BLACK MAN ON A ‘PEEPING TOM’ STYLED GAME SHOW, WHO SHARES A SCENE WITH A WOMAN THAT ENDS UP BECOMING HIS MURDERESS. IN THE FINAL, WE FIND THAT HE IS IN A SOFABED NEXT TO A COW AT A RANDOM CANADIAN TRAIN STATION, SPIED UPON BY A PRIVATE DETECTIVE FROM A TELEPHONE POLE. MORBID BOOK ENDS TO DE PALMA’S SISTERS.

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Death of a Unicorn 4t449 2025 - ★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/death-of-a-unicorn/ letterboxd-review-876203156 Thu, 1 May 2025 04:38:03 +1200 2025-04-30 No Death of a Unicorn 2025 2.5 1153714 <![CDATA[

CGI Unicorns essentially JURASSIC PARK’D, by way of
 COCAINE BEAR in a SALTBURN styled READY OR NOT smackdown.

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Sinners 5z1711 2025 - ★★★★★ https://letterboxd.sitesdebloques.org/jagdishsingh/film/sinners-2025/ letterboxd-review-875500256 Wed, 30 Apr 2025 05:12:35 +1200 2025-04-29 No Sinners 2025 5.0 1233413 <![CDATA[

Is SINNERS the thinking man’s FROM DUSK TILL DAWN?

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Fireworks 4b2e47 1997 - ★★★★½ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/fireworks-1997/ letterboxd-review-873807505 Mon, 28 Apr 2025 04:17:26 +1200 2025-04-27 No Fireworks 1997 4.5 5910 <![CDATA[

This review may contain spoilers.

HANA-BI isn’t about winning or losing. It’s about carrying on, even as everything falls apart, and finding small, fleeting moments of beauty as life goes on.

Kitano uses the familiar skeleton of a downtrodden cop facing off against criminals, but this isn’t really a crime thriller. It’s a meditation — a slow, painful unfolding of grief, guilt, and lost time.

Every burst of violence here feels like an aftershock of deeper wounds. The real battle isn’t with gangsters or loan sharks; it’s with regret, mortality, and the quiet sadness of knowing love isn’t enough to fix everything. Kitano’s stoic performance says more in a glance (despite the stylish eyewear) or a silence than most actors can in a monologue. The paintings, the sea, the small tender gestures — they all rise up against the ugliness around him.

The ending is devastating but inevitable. Nishi’s murder/suicide in HANA-BI isn’t framed as an act of defeat, but almost a final gesture of tenderness — a way of sparing his wife from the slow, unbearable fade of illness, and himself from the endless violence he’s become trapped in. It’s heartbreakingly calm, stripped of melodrama.

The ending scene of Horibe painting, where the kanji for suicide is covered with paint, suggests he has accepted his fate and will live with his loss. He is not pessimistic or overly optimistic, but rather finds a way to move forward with his life

Kitano portrays death not as a climactic tragedy, but as a quiet acceptance, a final moment of control in lives that had long since spun out.

NOTE: The montage scene of artistic inspiration consisting of flowers, animals and bright colors that strikes Horibe will always remain rent free on my mind.

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Thirst 6g23x 2009 - ★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/thirst-2009/ letterboxd-review-873703625 Mon, 28 Apr 2025 01:45:10 +1200 2025-04-27 No Thirst 2009 2.5 22536 <![CDATA[

I write this as the credits roll to Park Chan-wook’s THIRST and my final reaction is genuinely in question marks. While I’ve enjoyed his other feature length films, I can’t seem to fathom THIRST. On the surface, perhaps its about the corruption of man (even the purest, a priest) susceptible to evil (by way of vampirism). Song Kang-ho’s priest gives in to sexual, blood lust. That’s basically where it ends for me. I felt no spark with his female costar, Kim Ok-vin or enthuasiasm for the lengthy runtime that felt aimless. Atleast, now I know the ending must have inspired SPRING and MIDNIGHT MASS.

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What Ever Happened to Baby Jane? 2u2z 1962 - ★★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/what-ever-happened-to-baby-jane/ letterboxd-review-873595755 Sun, 27 Apr 2025 22:09:19 +1200 2025-04-27 No What Ever Happened to Baby Jane? 1962 3.5 10242 <![CDATA[

WHAT EVER HAPPENED TO BABY JANE? is deserving of its critical acclaim because without it, I don’t see how else “hagsploitation” subgenre would have gotten cannonized. Bette Davis as Baby Jane Hudson? Down right terrifying.

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Microhabitat 4e3c9 2017 - ★★★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/microhabitat/ letterboxd-review-873498914 Sun, 27 Apr 2025 18:25:18 +1200 2025-04-27 No Microhabitat 2017 4.5 483297 <![CDATA[

Miso in MICROHABITAT represents a radical, humanist departure of what is expected—choosing not to sacrifice tiny pleasures is choosing life. Miso operates on kindness and that confuses older individuals (her friends, her boyfriend) who find themselves entrenched in the constructs of capitalism. Miso isn’t free from capitalism; her rent, cigarettes and ultimately whiskey all go up in price. Yet, the first thing she lets go is a place to live, not her tiny pleasures. While, MICROHABITAT takes us along Miso’s hero journey through her friends and s; you can’t help but feel deep empathy and sadness because she will likely not last in our lived reality despite how earnest she is. I withered in my unmade bed as I watched this and somehow before the film ends, I had already neatly arranged my bed and was determined to ‘housekeep’ my own room, as a kindness to myself.

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iHostage e3l4g 2025 - ½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/ihostage/ letterboxd-review-872758523 Sun, 27 Apr 2025 03:43:39 +1200 2025-04-26 No iHostage 2025 0.5 1371202 <![CDATA[

i felt like a hostage to this absolutely zero stakes film. never engaging my mother for movie night ever again lol

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Night Call 6c3y6 2024 - ★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/night-call-2024/ letterboxd-review-872757300 Sun, 27 Apr 2025 03:41:44 +1200 2025-04-26 No Night Call 2024 2.5 1001274 <![CDATA[

Premise was pretty decent but beyond the first 20 minutes, it felt like a slog. Hated the ending.

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Freaky Tales 6g1o5d 2024 - ★★★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/freaky-tales/ letterboxd-review-871928514 Sat, 26 Apr 2025 04:38:13 +1200 2025-04-25 No Freaky Tales 2024 4.5 979660 <![CDATA[

FREAKY TALES is an anthology film that is so charming, stylish and a byproduct of many (read here). Tom Hanks cameo. Pedro Pascal lifting his shirt. Green glow. Rap battles that are actually good. Nazis go poof. Asian art collection from Christie’s. Jay Ellis beheads, dis and puches through a man before making one explode purely through powers of the mind. Blue Velvet mentioned twice. Instant cult classic, an all around good time and underrated gem from 2025.

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All About Eve 541bx 1950 - ★★★★ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/all-about-eve/ letterboxd-review-871205402 Fri, 25 Apr 2025 06:23:34 +1200 2025-04-24 No All About Eve 1950 4.0 705 <![CDATA[

This review may contain spoilers.

Watched this in tandem with SUNSET BOULEVARD  after a compelling Be Kind Rewind video on the 1950 Best Actress Oscar race—an era-defining cinematic moment that pitted Bette Davis, Gloria Swanson, and Anne Baxter against one another in what remains one of the most narratively rich feuds in Academy history.

ALL ABOUT EVE is a meticulously crafted examination of ambition, aging, and identity within the theater world, anchored by Bette Davis’s commanding performance. The screenplay is dense with wit and subtext, every line serving both character and commentary. What’s most striking is how the film dissects the performance of femininity in both public and private spheres.

Bette Davis’s portrayal of Margo Channing is steeped in self-awareness, blurring the lines between actress and role in a way that mirrors the film’s obsession with authenticity and artifice. The film doesn’t just critique the machinery of fame—it implicates the audience in its perpetuation. Viewed through a post-war lens, ALL ABOUT EVE also speaks volumes about anxieties around gender roles, generational displacement, and the illusion of meritocracy in Hollywood.

Not only is this film a cinematic journey of a social climber (by way of Eve Harrington), ALL ABOUT EVE operates as a meta-commentary on not just theatrical performance, but the performativity of womanhood, power, and aging in a male-dominated industry. Joseph L. Mankiewicz’s script is a near-perfect exercise in narrative construction, using nested perspectives and voiceover to fracture subjectivity and deepen the film’s exploration of identity.

It’s no wonder this film—and this Oscar race—has persisted in cultural memory. Few works interrogate their own industry with this level of precision and venom.

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The Apartment 59f3d 1960 - ★★★★ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/the-apartment/ letterboxd-review-871013343 Thu, 24 Apr 2025 23:57:04 +1200 2025-04-24 No The Apartment 1960 4.0 284 <![CDATA[

This review may contain spoilers.

THE APARTMENT is my Wilder film in a row today. Billy Wilder has a remarkable knack for peeling back the gloss of 50s corporate America to reveal the loneliness beneath. On the surface, THE APARTMENT and DOUBLE INDEMNITY might seem like tonal opposites—one a bittersweet romantic dramedy, the other a hardboiled noir—but they’re cut from the same melancholy cloth.

Both films center on morally compromised men stuck in the machinery of capitalism. In DOUBLE INDEMNITY, Fred MacMurray’s Walter Neff is an insurance salesman who slips into murder for love—or lust. MacMurray is seen again as the ‘antagonist’ of THE APARTMENT but this time being absolute selfish and manipulative of his underlings. In THE APARTMENT, Jack Lemmon’s C.C. Baxter is an insurance clerk who rents out his apartment for executive affairs, hoping to climb the corporate ladder. These men aren’t evil—they’re just deeply lonely and easily swayed by the promise of connection and success.

There’s also a shared bleakness about the corporate world. Whether it’s the cutthroat insurance firm in DOUBLE INDEMNITY or the soulless office culture of THE APARTMENT, Wilder paints these institutions as cold, indifferent places where human lives are just numbers or names on a schedule.

Yet, while DOUBLE INDEMNITY ends in murder and regret, THE APARTMENT offers something rare in Wilder’s universe: redemption. Baxter finds the courage to break the cycle, to choose decency over ambition. It’s like Wilder took the skeleton of his noir classic (if you think about it, right upto the attempted suicide, didnt it operate like a noir?) and asked—what if the guy didn’t light that final cigarette? What if he grew a spine before it was too late?

Two films, a decade apart, but speaking to the same ache: that gnawing emptiness behind a desk, the compromises we make to feel wanted, and the thin line between a promotion and a downfall.

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Double Indemnity 3ak50 1944 - ★★★★ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/double-indemnity/ letterboxd-review-870976540 Thu, 24 Apr 2025 22:16:40 +1200 2025-04-24 No Double Indemnity 1944 4.0 996 <![CDATA[

This review may contain spoilers.

Billy Wilder really knew how to peer into the shadows of the American dream. DOUBLE INDEMNITY and SUNSET BOULEVARD are spiritual siblings—two noir masterpieces that unravel the illusion of success with sharp dialogue, doomed characters, and a cynical, knowing grin.

Both films are narrated by dead (or dying) men, recounting their fall from grace in flashback—Fred MacMurray bleeding out in an insurance office, William Holden floating lifeless in a pool. The voiceovers give each story a ghostly, fatalistic tone, as if the men were already damned and simply guiding us through the wreckage. There’s also the interesting mention of navy suits and mention of perfect vision by both men.

Wilder’s mastery of noir tropes is on full display in both. Femme fatales? Check. In DOUBLE INDEMNITY, Barbara Stanwyck’s Phyllis is pure venom in an anklet. In SUNSET BOULEVARD, Gloria Swanson’s Norma Desmond is no less dangerous—her weapon is nostalgia, her target: anyone who reminds her that her star has faded. Both women pull their men into a spiral of destruction, not with force, but with seduction, manipulation, and the illusion of escape.

There’s also a shared claustrophobia. Whether it’s the cramped apartments and shadowy streets of DOUBLE INDEMNITY or Norma’s decaying Hollywood mansion in SUNSET BOULEVARD, Wilder traps his characters in spaces that reflect their inner rot. The settings aren’t just backdrops—they’re characters, haunted by the past and drenched in regret.

In the end, both films show what happens when people chase dreams that were dead long before they realized. DOUBLE INDEMNITY and SUNSET BOULEVARD are about men who thought they were in control—only to discover they were already written into a tragedy.

Two sides of the same noir coin: one drenched in sweat and cigarette smoke, the other in cold champagne and delusion. And both utterly brilliant.

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Sunset Boulevard 69574s 1950 - ★★★★★ https://letterboxd.sitesdebloques.org/jagdishsingh/film/sunset-boulevard/ letterboxd-review-870957841 Thu, 24 Apr 2025 21:13:37 +1200 2025-04-24 No Sunset Boulevard 1950 5.0 599 <![CDATA[

A towering achievement in cinematic history, Sunset Boulevard is essential viewing—an enduring portrait of morality, ambition, and the unforgiving machinery of fame. Its unflinching critique of Hollywood’s darker underbelly was groundbreaking for its era, exposing the industry’s obsession with youth and relevance.

Gloria Swanson’s role as Norma Desmond was more than a performance—it was a triumphant and haunting comeback; the blueprint of the aging actress. Once a major star of the silent era, Swanson brought a lived-in authenticity to the role, embodying the tragedy of a woman clinging to past glory. Her deep understanding of the industry’s ruthless shifts made her the perfect choice for Norma; no other actress could have infused the character with such raw conviction, vulnerability, and grandeur.

What made Sunset Boulevard especially meta in 1950 was its use of real silent film figures—Swanson herself, DeMille appearing as himself, and Erich von Stroheim as Max, the loyal butler and former director. Stroheim, who had once directed Swanson in real life, added an eerie layer of truth to their dynamic, turning the film into a ghostly echo chamber of old Hollywood’s forgotten legends.

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Hell of a Summer 4t3i1g 2023 - ★★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/hell-of-a-summer/ letterboxd-review-870343766 Thu, 24 Apr 2025 03:31:46 +1200 2025-04-23 No Hell of a Summer 2023 3.5 999243 <![CDATA[

HELL OF A SUMMER is inspired filmmaking although it mostly kills offscreen (or very midlly), first-time directors Wolfhard and Bryk formulate a teen slasher that pays homage to genre classics such as FRIDAY THE 13th, SLEEPAWAY CAMP and SCREAM while actually being a decent ensemble comedy. Hechinger and Bryk were my favorite characters because they had the best lines!

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The ant² k1j2c 2025 - ★★★½ https://letterboxd.sitesdebloques.org/jagdishsingh/film/the-ant-2025/ letterboxd-review-869558696 Wed, 23 Apr 2025 04:43:31 +1200 2025-04-22 No The ant² 2025 3.5 870028 <![CDATA[

We were all staring at his bulge, right?

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G20 3e261k 2025 - ★★½ (contains spoilers) https://letterboxd.sitesdebloques.org/jagdishsingh/film/g20/ letterboxd-review-868541690 Tue, 22 Apr 2025 03:36:46 +1200 2025-04-21 No G20 2025 2.5 1045938 <![CDATA[

This review may contain spoilers.

The plot of this film involves AI and Crypto (bad) but Sabrina Impacciatore going vroom vroom behind the wheel and narrowly miss out from being blown by missiles up at the luxury resort…Mike White, eat your heart out.  

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Elle j6n3v 2016 - ★★★★★ https://letterboxd.sitesdebloques.org/jagdishsingh/film/elle/1/ letterboxd-review-867508447 Mon, 21 Apr 2025 05:04:20 +1200 2025-04-20 Yes Elle 2016 5.0 337674 <![CDATA[

Rewatched ELLE and am now reminded that this Vorhoeven film is less about rape culture but more so a character study of Huppert’s Michele and the melodrama that surounds her life. ELLE is a whodunit wrapped in multiple separate genres.

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Cinema Watches 4s4f49 https://letterboxd.sitesdebloques.org/jagdishsingh/list/cinema-watches/ letterboxd-list-34675865 Sat, 24 Jun 2023 00:06:48 +1200 <![CDATA[

...plus 27 more. View the full list on Letterboxd.

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Films that have been in my Top 4 m2s4j https://letterboxd.sitesdebloques.org/jagdishsingh/list/films-that-have-been-in-my-top-4/ letterboxd-list-60915818 Wed, 19 Mar 2025 04:27:05 +1300 <![CDATA[

...plus 2 more. View the full list on Letterboxd.

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Jim Sarbh Bartender Cinematic Universe 3c2v2v https://letterboxd.sitesdebloques.org/jagdishsingh/list/jim-sarbh-bartender-cinematic-universe/ letterboxd-list-62248535 Fri, 18 Apr 2025 17:10:26 +1200 <![CDATA[

Short films where Jim Sarbh is bartender for some reason. Taken from Sucharita Tyagi (link)

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films i watched that made me cry 69i1g https://letterboxd.sitesdebloques.org/jagdishsingh/list/films-i-watched-that-made-me-cry/ letterboxd-list-59449783 Mon, 17 Feb 2025 07:50:58 +1300 <![CDATA[ ]]> jagdish A Desi Touch in the films of Wong Kar Wai 2n3k1o https://letterboxd.sitesdebloques.org/jagdishsingh/list/a-desi-touch-in-the-films-of-wong-kar-wai/ letterboxd-list-53614357 Sun, 10 Nov 2024 17:24:41 +1300 <![CDATA[

Wong Kar Wai's films often exhibit subtle yet powerful influences from South Asian (desi) culture. 

Though Wong’s work is primarily rooted in Hong Kong cinema, these desi influences contribute to a broader, more global emotional resonance that transcends cultural boundaries.

Hong Kong, as a crossroads of global trade and migration, has a long history of South Asian communities, particularly those from India, Pakistan, and Nepal. By featuring South Asian characters, Wong Kar Wai not only provides a more nuanced portrayal of the city’s diverse population but also highlights themes of displacement, identity, and cross-cultural interaction. 

These characters often exist on the periphery of the main narrative, mirroring the sense of longing and isolation that is central to Wong's films, thus adding depth to the emotional universality of his storytelling. Their presence also allows Wong to address broader questions of belonging and cultural hybridity in a globalized world.

Wong Kar Wai’s inclusion of South Asian characters in his films reflects both a desire to explore Hong Kong's multicultural fabric and an acknowledgment of the city's historical and cultural connections with South Asia.

  • Days of Being Wild

    DAYS OF BEING WILD had a stronger South East Asian influence as the second half of the film shifts to the Phillipines — the 60s having been a period of influx to various shifts; socially, economically and even politically. 

    There are minor South Asian references in this film. The first being a brief mention by Zeb regarding not wanting to be hassled by the Indian man guarding (and likely operating) the complex Yuddy lives in. After the Yuddy and Mimi’s first encounter, as she sneaks out of Yuddy’s apartment the morning of, we see a brief shot of a middle aged Indian woman wiping down an old clock in a white sari; peering towards the staircase as Mimi runs off. Lastly, in Hindi, we hear a woman screaming from the balcony asking her son to her for a meal and the shot slowly lingers to the interior of Yuddy’s apartment complex and even glances over an older Indian man in a dhoti; persumably the Indian man mentioned by Zeb. 

  • Chungking Express

    In the opening scenes of CHUNGKING EXPRESS we’re hit by a Surinder Kaur “Piplan Di Chann” needledrop as Brigette Lin’s assassin character prepares to smuggle drugs of Hong Kong using South Asian mules. Wong Kar Wai deliberately lingers over immigrant life in the Chungking across multiple extended shots, chase scenes and random shots in Hindi. 

    In the second tale of this anthology, the kitchen is staffed by Desi workers who often banter with the local shop owner and Faye Wong’s quirky snack lady. In one scene, you can see there’s a handwritten poster offering Lassi to its customers. Unlike the first segment, the desi influence is not as prominent but still very present, as referenced in the earlier examples.

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Bollywood Actors portraying Turbaned Sikh Men 263k5m https://letterboxd.sitesdebloques.org/jagdishsingh/list/bollywood-actors-portraying-turbaned-sikh/ letterboxd-list-30760649 Thu, 26 Jan 2023 01:05:15 +1300 <![CDATA[

List of non-Sikh Bollywood actors portraying turbaned, Sikh characters.

...plus 23 more. View the full list on Letterboxd.

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Films That Mention ‘Malaysia’ 🇲🇾 523w5 https://letterboxd.sitesdebloques.org/jagdishsingh/list/films-that-mention-malaysia/ letterboxd-list-24402897 Mon, 9 May 2022 03:59:57 +1200 <![CDATA[

Films that mention the South East Asian of Malaysia; either in ing or as a plot point.

  • Videodrome

    ‘Malaysia’ is where Harlan and Maxx initially assumed the feed for “Videodrome” originated from.

  • Laal Singh Chaddha

    Rupa D’Souza’s abusive gangster boyfriend, Abbas Haji was hiding in Malaysia. Thanks to Rupa’s tip, he was deported back and faced procecution.

  • Pulse

    A television broadcast plays in the background about a bottled message that was launched 10 years ago by a boy on Tanegashima Island, which was now discovered 4,000km away on a Malaysian beach. 

    A group who found the bottle then ed the boy through his elementary school.

  • D.E.B.S.

    Bobby gifts Amy a puka shell bracelet his dad had gotten from a drug bust in Malaysia

  • Plane

    Scarsdale tells a group of lawyers to prepare press releases for all possible scenarios including “a ghosting like Malaysia 370”

  • Dangerous Encounters of the First Kind

    One white men says to another that there are in the most dangerous business; the business of war and goes onto list a slew of Asian countries that they sell weapons to including Malaysia. 

  • Zoolander

    Plot is about assasinating the Prime Minister of Malaysia

  • Don

    Film is shot extensively in Malaysia

  • Faraaz

    Protaganist Faraaz was suppose to travel to Malaysia but was unable to secure a visa due to a last minute visit to the embassy. 


    Another terrorist, Moba expressed interest in escaping the cafe and settling down in Malaysia to be with his parents. 

  • Another Year

    Towards the end of the film, Tom and Gerri reminisce of time spent early on in their relationship, where the went travelling from Singapore to the Greek Islands; mentioning Malaysia as one of the stops. 

...plus 10 more. View the full list on Letterboxd.

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jagdish
Scary films that aren’t exactly Horror films 54r25 https://letterboxd.sitesdebloques.org/jagdishsingh/list/scary-films-that-arent-exactly-horror-films/ letterboxd-list-28183513 Fri, 11 Nov 2022 15:22:10 +1300 <![CDATA[

Films that unnerve the viewer and descends into complete chaos and madness

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Arrow Films Giallo Essentials 37681f https://letterboxd.sitesdebloques.org/jagdishsingh/list/arrow-films-giallo-essentials/ letterboxd-list-51635506 Sun, 22 Sep 2024 03:17:24 +1200 <![CDATA[

...plus 2 more. View the full list on Letterboxd.

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jagdish
giallo! criterion collection 616z1d https://letterboxd.sitesdebloques.org/jagdishsingh/list/giallo-criterion-collection/ letterboxd-list-50895243 Tue, 3 Sep 2024 03:35:32 +1200 <![CDATA[

...plus 3 more. View the full list on Letterboxd.

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jagdish
Hooptober 11 1q3q38 Films about Video Store Clerks q4i1b https://letterboxd.sitesdebloques.org/jagdishsingh/list/films-about-video-store-clerks/ letterboxd-list-48171345 Thu, 27 Jun 2024 17:10:51 +1200 <![CDATA[

Films where the protaganist is a video store clerk (in some capacity)

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jagdish
Lee Chang 5k3x9 dong Ranked https://letterboxd.sitesdebloques.org/jagdishsingh/list/lee-chang-dong-ranked/ letterboxd-list-47253700 Mon, 3 Jun 2024 14:32:10 +1200 <![CDATA[

Lee Chang-dong propagates a cinema of pain (and reflection) – pushing the audience to uncomfortable space and depths.

  1. Poetry
  2. Secret Sunshine
  3. Burning
  4. Oasis
  5. Peppermint Candy
  6. Green Fish
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jagdish
The Criterion Channel 5s6w3v Directed by Paul Schrader https://letterboxd.sitesdebloques.org/jagdishsingh/list/the-criterion-channel-directed-by-paul-schrader/ letterboxd-list-47221278 Sun, 2 Jun 2024 19:50:40 +1200 <![CDATA[

Cloned from Robby Peters

...plus 1 more. View the full list on Letterboxd.

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jagdish
51 IRANIAN 🇮🇷films 123w5m https://letterboxd.sitesdebloques.org/jagdishsingh/list/51-iranian-films/ letterboxd-list-21733793 Sun, 2 Jan 2022 22:24:27 +1300 <![CDATA[
  1. A Separation
  2. Close-Up
  3. Where Is the Friend's House?
  4. Taste of Cherry
  5. Life, and Nothing More…
  6. The Salesman
  7. A Moment of Innocence
  8. Through the Olive Trees
  9. Still Life
  10. Children of Heaven

...plus 41 more. View the full list on Letterboxd.

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jagdish
War films 2f1u28 through the individual/societal lens https://letterboxd.sitesdebloques.org/jagdishsingh/list/war-films-through-the-individual-societal/ letterboxd-list-46842450 Wed, 22 May 2024 23:28:45 +1200 <![CDATA[

I’ve realized I have a genuine disdain for war films which is a genre commonly told through the perspective of veterans/young soldiers that enlist — moreover if its made by war mongering nations such as United States, England, etc.  

War from the lens of the aggressor is propaganda and I am only interested of war films as explorations of impacted individuals/societies.

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jagdish
HOLIDAY WATCHLIST 2n4426 https://letterboxd.sitesdebloques.org/jagdishsingh/list/holiday-watchlist/ letterboxd-list-30597158 Sat, 21 Jan 2023 16:55:15 +1300 <![CDATA[

...plus 29 more. View the full list on Letterboxd.

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jagdish
films im excited to see in 2024 531s20 https://letterboxd.sitesdebloques.org/jagdishsingh/list/films-im-excited-to-see-in-2024/ letterboxd-list-40398518 Mon, 1 Jan 2024 05:34:12 +1300 <![CDATA[

...plus 23 more. View the full list on Letterboxd.

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jagdish
Films that should be in Criterion Collection 42313i https://letterboxd.sitesdebloques.org/jagdishsingh/list/films-that-should-be-in-criterion-collection/ letterboxd-list-30710372 Tue, 24 Jan 2023 20:13:13 +1300 <![CDATA[ ]]> jagdish favorite first watches of 2023 r2412 https://letterboxd.sitesdebloques.org/jagdishsingh/list/favorite-first-watches-of-2023/ letterboxd-list-40395238 Mon, 1 Jan 2024 04:21:13 +1300 <![CDATA[

...plus 10 more. View the full list on Letterboxd.

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jagdish
favorites of 2023 4yu46 https://letterboxd.sitesdebloques.org/jagdishsingh/list/favorites-of-2023/ letterboxd-list-40394863 Mon, 1 Jan 2024 04:13:10 +1300 <![CDATA[ ]]> jagdish Films I Wish I Owned Physical Copies Of 571g6q https://letterboxd.sitesdebloques.org/jagdishsingh/list/films-i-wish-i-owned-physical-copies-of/ letterboxd-list-38673278 Thu, 9 Nov 2023 02:58:06 +1300 <![CDATA[

+ Entry requirement: Watched the film once before

...plus 40 more. View the full list on Letterboxd.

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jagdish
Too Black Comedies 2o1u https://letterboxd.sitesdebloques.org/jagdishsingh/list/too-black-comedies/ letterboxd-list-37553704 Fri, 29 Sep 2023 07:29:47 +1300 <![CDATA[

For the black comedies that really push, 

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jagdish
My list of Comedies that more people should watch 5z452t https://letterboxd.sitesdebloques.org/jagdishsingh/list/my-list-of-comedies-that-more-people-should/ letterboxd-list-37387444 Fri, 22 Sep 2023 21:51:57 +1200 <![CDATA[

...plus 2 more. View the full list on Letterboxd.

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jagdish
List of South East Asian Films To Break Me 2c2zr https://letterboxd.sitesdebloques.org/jagdishsingh/list/list-of-south-east-asian-films-to-break-me/ letterboxd-list-35396461 Thu, 20 Jul 2023 04:17:11 +1200 <![CDATA[

...plus 2 more. View the full list on Letterboxd.

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jagdish
9 National Award Winning Hindi Films (humansofcinema) g5v5z https://letterboxd.sitesdebloques.org/jagdishsingh/list/9-national-award-winning-hindi-films-humansofcinema/ letterboxd-list-36646909 Sat, 26 Aug 2023 06:47:38 +1200 <![CDATA[

based on an ig post

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jagdish
Single Location Films 701m60 https://letterboxd.sitesdebloques.org/jagdishsingh/list/one-location-films/ letterboxd-list-8494616 Sun, 14 Jun 2020 01:05:12 +1200 <![CDATA[

Films with varying premises that are shot entirely in a single location.

  1. Clash

    Egyptian film on the coup of 2013, shot entirely inside a police van.

  2. Cube

    Canadian sci-fi/ horror thriller with a group of strangers waking inside a death maze shaped as a cube.

  3. Exam

    British psychological thriller on a job entrance exam gone wrong, set entirely in a room.

  4. Elevator

    American mystery thriller starring nine Wall street partygoers, set entirely in an elevator.

  5. Saw II

    American horror film set in a booby trapped house full of strangers.

  6. Phone Booth

    Neo-noir American film about a man who will be shot if he left a phone booth.

  7. The Terror Live
  8. ATM

    American horror thriller with three friends who get brutalised by a hooded killer, set entirely in an ATM booth

  9. Confessional

    Shot entirely in a confessional booth, this American thriller attempts to coerce a group of undergrads to confess their truths in regards to the death of two friends.

  10. Buried

    Single character trapped in a coffin. 

...plus 1 more. View the full list on Letterboxd.

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jagdish
Films I Watched Halfway 1h1g4u https://letterboxd.sitesdebloques.org/jagdishsingh/list/films-i-watched-halfway/ letterboxd-list-32969664 Sat, 15 Apr 2023 22:17:45 +1200 <![CDATA[ ]]> jagdish Rekha Watchlist 181154 https://letterboxd.sitesdebloques.org/jagdishsingh/list/rekha-watchlist/ letterboxd-list-31312633 Sun, 12 Feb 2023 15:58:00 +1300 <![CDATA[

...plus 6 more. View the full list on Letterboxd.

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jagdish
Michelle Yeoh 5q1t6a Criterion March 2023 https://letterboxd.sitesdebloques.org/jagdishsingh/list/michelle-yeoh-criterion-march-2023/ letterboxd-list-31676717 Sun, 26 Feb 2023 07:09:53 +1300 <![CDATA[ ]]> jagdish Asian Films That Feel Like A Colour 645g9 https://letterboxd.sitesdebloques.org/jagdishsingh/list/asian-films-that-feel-like-a-colour/ letterboxd-list-30887820 Sun, 29 Jan 2023 20:34:33 +1300 <![CDATA[ ]]> jagdish https://letterboxd.sitesdebloques.org/jagdishsingh/list/injecting-someone-with-a-drug-then-they-fall/ letterboxd-list-29522357 Mon, 2 Jan 2023 21:24:40 +1300 <![CDATA[ ]]> jagdish Women Crying As End Credits Roll 1w3g48 https://letterboxd.sitesdebloques.org/jagdishsingh/list/women-crying-as-end-credits-roll/ letterboxd-list-29473404 Mon, 2 Jan 2023 08:02:56 +1300 <![CDATA[ ]]> jagdish Films inspired by Twitter threads 6g222x https://letterboxd.sitesdebloques.org/jagdishsingh/list/films-inspired-by-twitter-threads/ letterboxd-list-29130958 Sat, 24 Dec 2022 03:02:43 +1300 <![CDATA[ ]]> jagdish mediocre white woman who tres and unalive someone 5b213 https://letterboxd.sitesdebloques.org/jagdishsingh/list/mediocre-white-woman-who-tres-and-unalive/ letterboxd-list-29078533 Thu, 22 Dec 2022 04:32:38 +1300 <![CDATA[ ]]> jagdish asian ladies cooking humans 6j3th https://letterboxd.sitesdebloques.org/jagdishsingh/list/asian-ladies-cooking-humans/ letterboxd-list-23415814 Fri, 18 Mar 2022 04:35:58 +1300 <![CDATA[ ]]> jagdish Letterboxd's Top 250 Highest Rated Short Films Of All 2r252v Time https://letterboxd.sitesdebloques.org/jagdishsingh/list/letterboxds-top-250-highest-rated-short-films/ letterboxd-list-21330325 Sun, 19 Dec 2021 22:40:16 +1300 <![CDATA[
  1. history of the entire world, i guess
  2. Together
  3. Night and Fog
  4. World of Tomorrow Episode Three: The Absent Destinations of David Prime
  5. David Lynch Cooks Quinoa
  6. Isle of Flowers
  7. Duck Amuck
  8. It's Such a Beautiful Day
  9. Twins in Paradise
  10. Emilie Muller

...plus 239 more. View the full list on Letterboxd.

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jagdish
films i just stopped watching halfway 4636j https://letterboxd.sitesdebloques.org/jagdishsingh/list/films-i-just-stopped-watching-halfway/ letterboxd-list-12770588 Sat, 5 Sep 2020 03:40:17 +1200 <![CDATA[

it either piss me off cuz the plot was going nowhere or i just wasnt that interested

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jagdish
Hinglish Crossover Cinema 7318y https://letterboxd.sitesdebloques.org/jagdishsingh/list/hinglish-crossover-cinema/ letterboxd-list-19762301 Mon, 13 Sep 2021 03:57:49 +1200 <![CDATA[

The identity of Indian films is so deeply entrenched in Bollywood that they had to come up with a new word for this new breed of films that were made to appeal audiences across borders worldwide. Hence, crossover cinema.

Some of these are foreign productions in India, some are about indian diaspora abroad, some are co-productions, but all of them are about Indians in the late 90s and early 00s made in english, with hindi sprinkled throughout.

Perhaps, an unintended film movement which came about at the peak of the economic liberalisation of India. Dial-up internet had just begun seeping inland, Multiplexes were trying to attract discerning audiences with smaller indie films, Indians back home and abroad were exploring what it means to be Indian in the global context. These films chronicle that period of soul searching, they might not be all great, but they all played their part.

...plus 29 more. View the full list on Letterboxd.

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jagdish
In The Mood for SENSUAL CINEMA 2z2q1o An Expanded List https://letterboxd.sitesdebloques.org/jagdishsingh/list/in-the-mood-for-sensual-cinema-an-expanded/ letterboxd-list-19734741 Sat, 11 Sep 2021 07:27:12 +1200 <![CDATA[

from isabel sandoval

...plus 282 more. View the full list on Letterboxd.

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jagdish
films i was excited about was super dissappointed by 1p5c57 https://letterboxd.sitesdebloques.org/jagdishsingh/list/films-i-was-excited-about-was-super-dissappointed/ letterboxd-list-18317177 Sat, 12 Jun 2021 17:06:09 +1200 <![CDATA[ ]]> jagdish https://letterboxd.sitesdebloques.org/jagdishsingh/list/violent-dark-thrilling-hindi-films/ letterboxd-list-8579222 Mon, 22 Jun 2020 01:52:02 +1200 <![CDATA[

Personal list of Hindi-language films I deem essential watching for violence and thriller loving newbies.

  • Dev.D

    Available on Netflix MY


    Modern take on Devdas, but incredibly compelling.

  • Ugly

    Available Netflix MY

    About a botched kidnapping of a young girl.

  • Gangs of Wasseypur – Part 1

    Torrent 

    Generational crime drama.

  • Gangs of Wasseypur – Part 2

    Torrent

    Generational crime drama

  • LSD: Love, Sex aur Dhokha

    Available on Netflix MY

    Anthology on voyeurism in modern India

  • Maqbool

    Torrent/ Youtube

    Retelling of Macbeth

  • Omkara

    Torrent

    Retelling of Shakespeare, Othello

  • Haider

    Available on Netflix MY 

    Retelling of Hamlet, set in Kashmir.

  • The Hungry

    Torrent/ Amazon Prime?


    Retelling of Titus Andronicus

  • Drishyam

    Torrent

    The cover up of a murder. Highly acclaimed.

...plus 3 more. View the full list on Letterboxd.

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jagdish
Great Films that have "The" as the first word of its title 3ln6b https://letterboxd.sitesdebloques.org/jagdishsingh/list/great-films-that-have-the-as-the-first-word/ letterboxd-list-11107677 Sat, 25 Jul 2020 15:43:57 +1200 <![CDATA[ ]]> jagdish Nuanced Apocalypse Films 6e356 https://letterboxd.sitesdebloques.org/jagdishsingh/list/nuanced-apocalypse-films/ letterboxd-list-8596908 Tue, 23 Jun 2020 17:36:50 +1200 <![CDATA[

The horrors of the world coming to an end (mass destruction optional), but presented with emotional depth.

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jagdish