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]]>Something everyone can enjoy together.
...plus 275 more. View the full list on Letterboxd.
]]>Part of my The Spirit of Adventure collection.
Usually the first subgenre that comes to mind when adventure is discussed. These stories are set on Earth, with technology typical of the story's period, and an emphasis on characters journeying to a foreign land significantly different from their home, where they are an outsider to the local culture.
Often, the journey is undertaken as "quest" to acquire an item of value, be it treasure, an artifact, or lost city of significant historical or anthropological value. For example, Around the World in 80 Days (1956) or Raiders of the Lost Ark (1981).
Exotic adventures often feature: faraway lands or uncharted territory, lost cities, ancient ruins, secret ageways, lost civilizations, desert treks, ocean voyages, mountain climbing, deadly jungles, caverns, sharks, snakes, big cats, face-painted 'savage' natives, 'warlike' tribes, cannibals, ritual sacrifice, and treasure or sacred cultural artifacts.
...plus 123 more. View the full list on Letterboxd.
]]>Adventure. To put it formally: "to engage in hazardous and exciting activity, especially the exploration of unknown territory."
There are many types of adventure depicted in film: to an "exotic" land, perhaps on an "unexplored" continent. On a scientific expedition below the surface of the earth, into outer space, an alien planet, another dimension, or even inside the human body.
A situation - usually in the form of a journey or quest - that takes our protagonists outside the ordinary world of their lives, and into new, unknown territory where they are out of their element.
This collection of lists is not intended to be complete, comprehensive or objectively definitive of the genre. However, it is a definitive list of the adventure films that I dig. I like every single one of these films, and I recommend them all.
I divide adventure into six subgenres. It can be challenging to categorize any given film in only one of these specific boxes, as many mix or combine elements from multiple adventure subgenres. These lists represent my best attempt organize them.
• EXOTIC ADVENTURE: Usually the first subgenre that comes to mind when adventure is discussed. These stories are set on Earth, with technology typical of the story's period, and an emphasis on characters journeying to a foreign land significantly different from their home, where they are an outsider to the local culture.
Often, the journey is undertaken as "quest" to acquire an item of value, be it treasure, an artifact, or lost city of significant historical or anthropological value. For example, Around the World in 80 Days (1956) or Raiders of the Lost Ark (1981).
Exotic adventures often feature: faraway lands or uncharted territory, lost cities, ancient ruins, secret ageways, lost civilizations, desert treks, ocean voyages, mountain climbing, deadly jungles, caverns, sharks, snakes, big cats, face-painted 'savage' natives, 'warlike' tribes, cannibals, ritual sacrifice, and treasure or sacred cultural artifacts.
• SCI-FI ADVENTURE: After exotic adventure, this is the subgenre people most typically associate with the term "adventure movie."
Sci-fi Adventure has its roots in the novels written by Jules Verne, H.G Wells, and Edgar Rice Burroughs at the end of the 19th century, many of which have been adapted into films: 20,000 Leagues Under the Sea (1954), Journey to the Center of the Earth (1959), The Time Machine (1960), Mysterious Island (1961), The Land that Time Forgot (1974), At the Earth's Core (1976), and many more, including several adaptations / remakes of each these films.
Sci-fi adventures often feature a retrofuturistic aesthetic, sometimes including Steampunk technology (which may extend to vehicles such as airships / dirigibles / zeppelins, submarines, and Earth-boring craft. Lost cities, lost civilizations, lava, man-eating plants, monsters / giant creatures - especially dinosaurs.
• SPACE ADVENTURE: These stories concern mankind's exploration and/or colonization of space and other planets. Typically, these films will take place in the future, and involve some kind of mission or journey undertaken in a spacecraft. For example, Forbidden Planet (1956) or Guardians of the Galaxy (2014).
Space adventures include elements such as astronauts, cosmonauts, spaceships, interstellar travel, "alien" planets, "alien" creatures, "alien" civilizations, space battles, spacesuits, stasis pods, failing life systems, colorful uniforms, space mercenaries, space pirates, evil space empires, spatial anomalies, black holes, dying stars, and non-corporeal lifeforms.
For now, I am counting just being in space or on another planet as an "adventure," so there are more static / stationary type of films on this list than any other. For example, virtually any film set on a space station - such as The Green Slime (1968) - currently qualifies as a "space adventure."
• FANTASY ADVENTURE: Quests, epic journeys and events that take place in a world or reality different than our own, but *not* in the form of another planet within our universe. Fantasy worlds are built on magic and mythical archetypes. Sometimes, characters from our world will enter this magical fantasy realm. Also, stories that take place in a fictionalized version of our own past - for example, films that depict prehistoric humans existing alongside dinosaurs.
Narratively, fantasy adventures are often structured around a quest, which is usually undertaken by a diverse band of participants. Think of Dorothy, accompanied by the Scarecrow, Tin Man, and Lion on her way to Oz in The Wizard of Oz (1939) - or Frodo, accompanied by Gandalf, Aragorn, Gimli and the others in The Lord of the Rings: The Fellowship of the Ring (2001).
Fantasy adventures often feature elements such as: magic, quests, kings, queens, princes and princesses. Mythical creatures, sea monsters, cave monsters, giant insects, and dragons. Caverns, underground ageways, enchanted forests, imable mountains, and impenetrable castles. Witches, wizards, and sorcerers. Dwarves, elves, orcs, goblins, giants, and trolls. Swords, sandals, and the Gods of Greek, Egyptian, African and South American mythology. Re-animated skeletons, angels, demons, even heaven or hell.
• SWASHBUCKLING ADVENTURE: Swashbuckling is defined as "engaging in daring and romantic adventures with bravado or flamboyance."
For the most part, these stories are set before the Industrial Revolution and concern pirates and their exploits on the "high seas," in films that span from Captain Blood (1935) to Pirates of the Caribbean: The Curse of the Black Pearl (2003) and beyond. However, it is possible to have an entirely land-based 'swashbuckler' such as The Adventures of Robin Hood (1938).
Swashbucklers often feature pirates, fair maidens, galleons, the 'high seas', tropical islands, sword fights, swinging on ropes from ship to ship, skeletons and buried treasure chests.
• ROAD TRIP ADVENTURE: Contemporary (to the time the film was made) stories about characters on relatively low-stakes road trips or vacations. Often featuring elements quirky side characters, flat tires, rest stops, gas stations, hitch hikers, planes, trains, and automobiles. For example, Pee-Wee's Big Adventure (1985).
These lists are a work in progress, all suggestions are welcome!!!
The list below is a combination of the six individual subgenre lists, and can be seen as an adventure genre macro overview.
*ON OMISSIONS: There are many notable omissions to this list. For example, no Die Nibelungen: Siegfried (1924). No Woman in the Moon (1929). Why? Because as influential in the development of the genre as they are, they're also boring, and I simply can't endorse them. Of the Star Wars prequel trilogy, only Star Wars: Episode II – Attack of the Clones (2002) is on this list. And so on. Point being, this is a list of every adventure film ever made... that I endorse.
...plus 594 more. View the full list on Letterboxd.
]]>Part of my The Spirit of Adventure collection.
Quests, epic journeys and events that take place in a world or reality different than our own, but *not* in the form of another planet within our universe. Fantasy worlds are built on magic and mythical archetypes. Sometimes, characters from our world will enter this magical fantasy realm. Also, stories that take place in a fictionalized version of our own past - for example, films that depict prehistoric humans existing alongside dinosaurs.
Narratively, fantasy adventures are often structured around a quest, which is usually undertaken by a diverse band of participants. Think of Dorothy, accompanied by the Scarecrow, Tin Man, and Lion on her way to Oz in The Wizard of Oz (1939) - or Frodo, accompanied by Gandalf, Aragorn, Gimli and the others in The Lord of the Rings: The Fellowship of the Ring (2001).
Fantasy adventures often feature elements such as: magic, quests, kings, queens, princes and princesses. Mythical creatures, sea monsters, cave monsters, giant insects, and dragons. Caverns, underground ageways, enchanted forests, imable mountains, and impenetrable castles. Witches, wizards, and sorcerers. Dwarves, elves, orcs, goblins, giants, and trolls. Swords, sandals, and the Gods of Greek, Egyptian, African and South American mythology. Re-animated skeletons, angels, demons, even heaven or hell.
...plus 156 more. View the full list on Letterboxd.
]]>Part of my The Spirit of Adventure collection.
Contemporary (to the time the film was made) stories about characters on relatively low-stakes road trips or vacations. Often featuring elements quirky side characters, flat tires, rest stops, gas stations, hitch hikers, planes, trains, and automobiles. For example, Pee-Wee's Big Adventure (1985).
...plus 22 more. View the full list on Letterboxd.
]]>Part of my The Spirit of Adventure collection.
After exotic adventure, this is the subgenre people most typically associate with the term "adventure movie."
Sci-fi Adventure has its roots in the novels written by Jules Verne, H.G Wells, and Edgar Rice Burroughs at the end of the 19th century, many of which have been adapted into films: 20,000 Leagues Under the Sea (1954), Journey to the Center of the Earth (1959), The Time Machine (1960), Mysterious Island (1961), The Land that Time Forgot (1974), At the Earth's Core (1976), and many more, including several adaptations / remakes of each these films.
Sci-fi adventures often feature a retrofuturistic aesthetic, sometimes including Steampunk technology (which may extend to vehicles such as airships / dirigibles / zeppelins, submarines, and Earth-boring craft. Lost cities, lost civilizations, lava, man-eating plants, monsters / giant creatures - especially dinosaurs.
...plus 105 more. View the full list on Letterboxd.
]]>...plus 561 more. View the full list on Letterboxd.
]]>...plus 82 more. View the full list on Letterboxd.
]]>Essential films about cinema or the film industry.
...plus 40 more. View the full list on Letterboxd.
]]>Do you prefer Argento, Fulci, or Bava? What’s your favorite Argento film? Favorite Fulci film? favorite Bava film?
What’s your favorite grimy New York 80s film: The Driller Killer, Basket Case, or Maniac?
Which zombie trilogy do you prefer, “Of The Dead,” or “Return” ?
You find yourself standing in a group of genre heads talking about horror classics. You want to be able to keep up, but you feel a bit out of your depth.
If you’re ready to finally do your homework, this is the list you’re looking for.
I consider all of these films fundamental to a true knowledge of the genre. If you want to say you know horror there are no skippers here.
That said, not all of these films are good, or even entertaining. There are plenty of snoozers here, but every film on this list is influential, relevant, noteworthy or otherwise important to the genre in one way or another. It’s not a list of the ‘best’ horror or even good horror. It is a list of films essential to a broad knowledge of the genre.
And of course, it’s a work in progress, incomplete, and all suggestions are welcome.
...plus 273 more. View the full list on Letterboxd.
]]>THE RULES:
• Significantly bigger than a human
• Can't be an extra-large real world animal. For example, no JAWS, no CONGO, no MOBY DICK. Unless the animal is absolutely MASSIVE - like KING KONG.
• Similar to the above rule, not a *natural* dinosaur. No JURASSIC PARK franchise, no LOST WORLD, etc.
• Dragons are too much of their own genre to count as kaiju. Some exceptions on this list.
• Movie has to be *about* the kaiju - not just feature them as a side attraction along a journey or relish on another plot. SHANG CHI does not count even though it features two A+ Kaiju that battle late in the third act - the film isn’t about them, and they don’t have enough screen time.
* There can be multiple or even many Kaiju that appear - like PACIFIC RIM - but they must all be unique and strange in their own ways, like in PACIFIC RIM or several of the Godzilla multi-villain face-off movies. THEM! Should probably not be considered a Kaiju film, but is too good to be excluded from this list.
There are some debatable, potential exceptions on this list - MIGHTY JOE YOUNG for example. The exceptions occur when a film spiritually, thematically, and/or structurally “feels” like an authentic Kaiju story.
...plus 102 more. View the full list on Letterboxd.
]]>Films that actively influence my approach… not the “best” ever or anything like that - just personal favs.
...plus 7 more. View the full list on Letterboxd.
]]>Skeletons. Cobwebs. Foggy cemeteries. Tombstones. Caskets. Spiders. Ghosts, ghouls, and werewolves. Vampires. Haunted mansions.
...plus 74 more. View the full list on Letterboxd.
]]>Part of my The Spirit of Adventure collection.
These stories concern mankind's exploration and/or colonization of space and other planets. Typically, these films will take place in the future, and involve some kind of mission or journey undertaken in a spacecraft. For example, Forbidden Planet (1956) or Guardians of the Galaxy (2014).
Space adventures include elements such as astronauts, cosmonauts, spaceships, interstellar travel, "alien" planets, "alien" creatures, "alien" civilizations, space battles, spacesuits, stasis pods, failing life systems, colorful uniforms, space mercenaries, space pirates, evil space empires, spatial anomalies, black holes, dying stars, and non-corporeal lifeforms.
For now, I am counting just being in space or on another planet as an "adventure," so there are more static / stationary type of films on this list than any other. For example, virtually any film set on a space station - such as The Green Slime (1968) - currently qualifies as a "space adventure."
...plus 137 more. View the full list on Letterboxd.
]]>Mindhunters
...plus 15 more. View the full list on Letterboxd.
]]>So-bad-it's-good, outsider art, wild auteur cinema. Movies that refuse to be tamed.
...plus 91 more. View the full list on Letterboxd.
]]>...plus 7 more. View the full list on Letterboxd.
]]>Part of my The Spirit of Adventure collection.
Swashbuckling is defined as "engaging in daring and romantic adventures with bravado or flamboyance."
For the most part, these stories are set before the Industrial Revolution and concern pirates and their exploits on the "high seas," in films that span from Captain Blood (1935) to Pirates of the Caribbean: The Curse of the Black Pearl (2003) and beyond. However, it is possible to have an entirely land-based 'swashbuckler' such as The Adventures of Robin Hood (1938).
Swashbucklers often feature pirates, fair maidens, galleons, the 'high seas', tropical islands, sword fights, swinging on ropes from ship to ship, skeletons and buried treasure chests.
...plus 4 more. View the full list on Letterboxd.
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