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Viridiana is a visually stunning and emotionally powerful film that delivers a gut-punch. The cinematography is breathtaking, with each frame meticulously crafted to strike a balance between beauty and unease.
Silvia Pinal delivers a remarkable performance as the title character. Her quiet intensity carries the film’s moral complexity… a revelation. The Last Supper scene is a masterclass in subversive satire, a haunting and gorgeous critique of faith and humanity.

The Witchmaker delivers pure ‘60s B-movie gold, baby! 
Thordis Brandt’s wide-eyed shift from terror to mystic queen, paired with John Lodge’s hammy warlock swagger, make this the ultimate in retro cheese. Brandt’s performance was a revelation!
The film features a creepy cult in the bayou kidnapping and sacrificing women to find their new queen witch. This was the dirty sleaze I was looking to watch.

I got swept up in the film’s fantastical old-world charm! Oliver Reed’s suave intensity and Diana Rigg’s radiant wit steals scenes.
The over-the-top assassinations are absurdly fun. Mouthful of flaming brandy to the face anyone???
And despite the hokey special effects, It’s a quirky gem that’s ripe for a modern remake I think. It’s probably been the blueprint for Wick, Kingsman, Bullet Train, etc.

“This better not awaken anything in me.”

Bava’s Hercules POP POPS with vivid colors and campy shenanigans. Voice-overs and dubs I loved. The mythic vibes reminds me of the films that I would watch as a kid on Saturday afternoons.  Despite a mid-movie interest level dip, I enjoyed the film. 
Pure retro Bava flair and I am there for it.

So this is actually how I find most of my obscure film finds: I saw a clip on X and was immediately captivated by the European female lead. In this case, Romy Schneider. WOW. A revelation indeed. 
The film is a sleek, slow-burn crime noir that kept me hooked with Romy Schneider’s mesmerizing Lily. Her intoxicating charm drives Félix, her mysterious suitor, to extreme choices. 
The ending left me torn. I was shocked and filled with pity, yet not surprised by Felix’s actions in the end. I can completely understand why he acted as he did. Of course, my reaction was, “I would have done the same thing.”
It is currently streaming on Kanopy.

I love the vibe and aesthetic of this film, however the pacing of the film was killing me., “TGIF” is still worth a watch for a great throwback to a “typical” Friday night in the era of Disco.
Donna Summer lights up the screen when she sings “Last Dance”, but beyond that, the music was not memorable. I think this film missed the mark and could have featured more of the eras top hits and artists. I mean even the performance by the Commodores was a semi-letdown.

Nothing is more hauntingly sad to me in this film than seeing Roger Daltry’s blank, expressive, soulful eyes staring at nothing, while hearing Tommy pleading through the various physical and mental treatments (tortures) he endures:
 “See me, feel me, touch me, heal me”
 F’ng goosebumps every time. The overwhelming shock and joy felt when the mirror breaks and Tommy is finally FREE from his mental cage…It’s an experience to be sure and overwhelms me emotionally every time.

Tina Turner. If you’ve never seen Tommy, then you are in for an awakening. She is a mother F’ng revelation beyond words.

🎸⚡️ Yo, this roc is a straight-up banger!
The ’73 vibes are untouchable…gritty desert visuals, synths that slap, and guitars that shred your soul. 
Carl Anderson as Judas steals the show, a tortured king with pain that cuts deep, especially in that haunting post-hanging scene.
The Pharisees are jackals, the overture’s a headbanger, and the whole thing’s a wild, electric ride man!
My faith is deepened.

Just meh. Did not like it as much as the others. Not enough gyrating of booties for my taste. 🫤

Blood Tracks is peak ’80s slasher cheese-wildly chaotic and lovably fake. The vertical saw kill  is probably the best of the bunch. The heavy metal soundtrack slaps and the characters are insanely over the top.
A one-and-done view I found on Tubi, but a must for campy horror nights. I could probably pair it with Terror Train or The Burning for a great fright night double feature!

Hair’s ‘70s rebellion and Berger’s selfless sacrifice wrecked me bro.
“Aquarius” and “Let the Sunshine In” beautifully frame a youth-fueled time capsule that hits deeper now, tears and all, even while watching with my wife and daughters. A few chaotic moments over PG-rated 1970’s surprise nudity (T&A). Thankfully, their eyes were glued to their phones for the most part. 
I forgot about all that nudity…
The ending. Berger. Gut punch.

I was lucky enough to see Phantom live in San Francisco back in the early ‘90’s. One of my most cherished memories. The OST of the Broadway show starring Michael Crawford it’s still one of my all time favorites.
Gerard Butler’s raw performance as the Phantom has grown on me over the years. His intensity sells the torment of the tragic OG. 
Emmy Rossum is a revelation as Christine, her voice pure magic. Joel Schumacher may not have been the best choice to helm the Batman films after Burton bailed, but his lush visuals kill in this film. 
Music of the Night hits every dramatic beat perfectly. 
And as per usual, I’m sobbing like an idiot by the end. Iconic soundtrack, stellar performances—this one’s a rewatchable masterpiece.

Sergeant Deadhead is a drag. Frankie Avalon’s goofy vibe grates, the story’s dumb, and even Cesar Romero slums it. The chimp’s interview got a laugh, but that’s it. Forgettable music, zero redemption.

I asked my friend Stefan what he thought about this movie:

“This movie? Beach Blanket Bingo? It’s got everything: ‘60s beach vibes so hot they’re basically a disco ball exploding in a sand dune. Frankie and Annette? They’re serving chemistry so fierce it’s like a piña colada with an extra shot of “WOW”.

But hold up, the side characters are where it’s at-Bonehead’s giving clueless himbo realness, Eric Von Zipper’s out here with his Rat Pack swagger like a greaser gremlin, and Buster Keaton? Deadpan daddy dropping silent film shade. 

The go-go dancing? It’s a full-on fever dream-legs kicking, hips shaking, pure electric zhuzh . And don’t sleep on Linda Evans as Sugar Kane. She’s a revelation , strutting in with big hair, bigger dreams, serving campy queen energy that slaps harder than a surfboard to the face (that was my input).

Oh, and Don Rickles? He’s tossing insults like glitter bombs in a stand-up bit that’s unhinged perfection. 

This flick’s got skydiving stunts, mermaid vibes, and enough retro chaos to make your heart scream, “I’m alive!” Beach Blanket Bingo is the hottest club in 1965, and it’s open all summer.” - Well said my friend.

Wasn’t as fun as the other “parties”. Yvonne Craig had potential to be a breakout star in the 60’s but she’ll forever be known as Batgirl. 
Not enough shaking’ and groovy go-go dancing unfortunately.
Would have loved to see more of Polar Bear.
Best part of the film…cmon man. James Brown and the Flames! Iconic “Yeowhhhhh!!” Gave me goosebumps.

The film delivers some creative action, blending Falcon’s wings with Cap’s shield for some neat sequences. Overall it was a “meh” for me.
Anthony Mackie gives a satisfactory as the new Cap. While he’s finding his stride in the character, it should be fun to see how Sam grows into Steve Rogers’ larger than life shadow. 
Harrison Ford’s Thaddeus Ross feels off and forced. Definitely prefer WIlliam Hurt’s performance in the role (RIP). 
The Leader’s villain role is forgettable, dragged from Hulk’s past with no buildup. 
Ultimately the film was fun but felt forced, and I have a wait-and-see attitude for Mackie’s next outing as Cap as a potential leader of a new Avengers team.

What a riot! Go-go dancing, bikinis, and wild fashions stole the show. Jody McCrea’s sassy Helga was a revelation. Just a goofy vibe, man. 
No offense to Buster Keaton, but I didn’t dig Chief Rotten Eagle. Never been a fan of broad stereotypes.  
While the story left a lot to be desired, I was just in the mood to watch go-go dancing  girls in bikinis, and Pajama Party hit the mark

To Catch a Thief is stylish, sexy, and very entertaining. 

Cary Grant and Grace Kelly shine like diamonds in this fun Hitchcock thriller. Their witty and playful chemistry outshines even Rear Window’s pairing of Kelly and Jimmy Stuart in my book. Yes, I know that’s a controversial take. But I said it! 

Grace absolutely radiates in every perfectly framed shot— Hitchcock truly nails it. 

The fireworks scene in the hotel room..Pure magic. The Riviera vibes and slick action keep the film lively and the plot lighthearted.  
In the end, the charming duo of Grant and Kelly make for a winning combination.

This movie starts with a fun story about a boy who’s smitten with the gorgeous Malena. It’s hilarious, but then the town’s cruelty towards her shows the real story I wanted to see: Malena’s fight to survive World War II while dealing with the emotional toll that losing her husband took, and the great shame she must have felt in trading her worth for scraps to survive.

As the movie starts off lighthearted and whimsical, Malena’s story really hits me. I wanted to know more about her, and when the tone shifts to dark drama, it felt a bit abrupt. I couldn’t help but feel really sorry for Malena, especially in the early scenes when the men and boys in town catcalled and lusted after her. It was so obsessive, and it made me sad for her.

But there was a glimmer of hope when Renato, after seeing what happened to Malena, finally saw her not as an object to lust after, but as a real person. He ed those quiet moments when she was mourning the loss of her husband. Renato grew up, and the town also redeemed itself in the end. When the war ended, people realized they had to do whatever they could to survive. And if that meant having sex with other people’s husbands for food, well, so be it. But a price would need to be paid, before a pardoning of sins could happen. 

I won’t spoil the end, but Malena and Renato come out of this dark time in Italian history changed and better people. The end was bittersweet, but it was also hopeful.

Also Ennio Morricone’s score is absolutely gorgeous.

Yikes, what a gut-punch! 
Elliott Page is absolutely terrifying in this film. His performance as a young woman named Haley, who has an intense hatred for pedophiles, flips the script in ways I never saw coming. 
Patrick Wilson’s desperation is palpable, and the intensity of the scene on the table (you know…) had me squirming. 
A wild, disturbing, and unsettling film that kept me guessing until the end. If you like dark, twisty thrillers where a pedo gets it in the end, then this film’s for you!

Abbey Lee’s modern day Frankenstein monster is a revelation, delivering a captivating performance in a stylish, suspenseful tale. 

Ciaran Hinds brings the creep factor, and Carla Gugino shines as always. The plot gets a bit convoluted, but the intriguing premise and stunning visuals kept me hooked. 

It has been a while since I had logged onto Kanopy. Glad I did! Definitely worth checking out.

Mel Gibson’s ion is brutal—unflinchingly so. The crucifixion’s raw agony hits hard, and Jim Caviezel’s Jesus carries both grit and grace. But for me, faith isn’t tied to this blood-soaked spectacle. 
My heart’s with Christ’s Atonement in Gethsemane—His quiet, infinite love bearing all sin. That’s peak Jesus, and I wish the film leaned harder into that spiritual weight. 
Stunning visuals and haunting vibes, but the relentless violence can drown out reflection. Still, it’s a gut-punch that sparks awe for my Savior, especially this Easter. To each their own.
5 Star ⭐️ film for me.

That ending was nuts. Seeing crippled and helpless Jimmy Stewart being tossed out a window was a real treat. Snitches get stitches. Or another broken leg in his case.

Grace Kelly. Zoo-wee Mama. She serves in every scene she’s in. Hitchcock knows she’s the main event and lets the camera soak her up like a biscuit in gravy.

Also, we needed more from Miss Torso. What an absolute queen!

Wow, what a ride! Hitchcock’s twists had me dizzy with that clever key swap. Tony’s plan was wild, but Inspector Hubbard cracked it like a pro. 

Ray Milland is charming, slickly sinister, but Grace Kelly. Whoa. Her ethereal beauty stole every scene; I couldn’t look away! It has been decades since I had seen one of her films, and I think I’m in love. Again. She truly is a revelation.

The tension, the schemes, and Kelly’s ethereal beauty make this a must-watch. I am already eyeing Rear Window for a morning double-feature…

Pure ’90s chaos! This low-budget gem is like Saved by the Bell gone vigilante, with teens in leotards and masks serving ninja-style justice. 
The acting’s hilariously bad—Lisa Gabrielle Green’s unhinged Misty steals it. Truly her performance was a revelation. And I don’t just say that about everyone🤭 
That satanic initiation scene? Wild. Tina’s abuse twist hits hard. 
It’s a messy mix of revenge, martial arts, and teen drama—so bad it’s brilliant. I couldn’t look away!

The Loveless pulls you in with its gritty ‘50s biker aesthetic. Willem Dafoe is a revelation as Vance. Magnetic, smoky, sexy, James Dean-ish. I saw more of Willem than I wanted to in this one (especially in that raw hotel room scene with Telena), but I vibed with it. 

The plot’s a bit murky, and the bleak ending hits hard but feels appropriate and expected. Telena’s rebellious, tragic arc fits the grim and bleak tone of the film. 

The Loveless is a stylish, doomed chase for freedom that lingers and makes you wish there was more to what you just saw.

Bloody Birthday delivers with a deliciously deranged slice of ‘80s horror that proves kids can be way scarier than any serial killer.
Three pint-sized psychos born under a cursed eclipse, flashing angelic smiles while making un-alive anyone in their path with skateboards, baseball bats, bow & arrows, and straight up shooting people. Insane! So many creative ways to kill as a little kid, and the film makes good use of those.
These demonic tater tots don’t just kill-they revel in it, making every subversive, wicked moment drip with adolescent glee. 
The film ends with Susan slinking off for sequel bait that never came (give me those killer kids reunited causing a college bloodbath!). The film left me begging for more. It’s unapologetically nuts and one hell of a sinister ride. Killer kids…my kind of nightmare fuel.

Grease is my five-star forever jam-been hooked since I was a kid in ‘82, and it never gets old! Grease aired on Showtime back in the day like Seinfeld is on TBS (meaning it played all the time).

Sandy’s glow-up from sweet Aussie girl-next-door to leather-clad Pink Lady is pure magic, leaving Danny (and me!) with tongues on floor. 

Stockard Channing as Rizzo is a straight-up revelation, delivering a layered, deep performance I slept on for years. She steals every scene. 
All the catchy ear worms like Greased Lightnin’ slayed in the day, but I missed the naughty lyrics when I was younger, but now I’m blushing and belting every cheeky word. The hand-jive dance-off pops off, even if I still can’t nail the moves. And with the whole senior year being crammed into 90 minutes of electric energy is iconic. 

Sure, the middle-aged “teens” look out of place at times, but that adds to the charm of this sneaky-nasty, all-ages party! Forever a 5-Star film!

Olivia Newton-John is pure magic in this glittery fever dream of a film. While the plot floats off into the clouds (sometimes literally), her presence keeps it grounded in charm and delight. 

I wish my favorite song“Magic” had more screen time—it’s a standout in a wildly catchy ELO-fueled soundtrack. The visual mix of animation, roller disco, and neon fantasy is completely bonkers in the best way and I LOVED IT! (Billy Eicher style yell)

Gene Kelly’s presence adds a touch of class, with Xanadu being all about vibes over logic. 
Campy, sparkly, and totally unforgettable. I get why it flopped when it came out, but I also get why it became a cult classic. It’s like a roller-skating jukebox musical from another dimension. 

Definitely deserves to be seen…along with the Village People’s Can’t Stop the Music. Oh I need to watch that again…

“Val” had a “Tales from the Darkside” of vibe. Something you would probably see produced by Shudder and more suitable for episodic anthology TV. 
I enjoyed it, but definitely wanted more. Also, it seemed to go on longer than needed. Got bored with story about 2/3 in. Just wasn’t compelling enough. 
Misha Reeves was smokin’ though and worth a watch alone.

A slick, twisty neo-noir thriller. Lucy Liu is fantastic as usual, and while not really a Josh Hartnett fan, his performance as the cool, mysterious Sleven is spot-on. 
The film dances between humor and grit, giving a Usual Suspects vibe. Cool twists at the end made the film ultimately enjoyable for me. A notch above some other Tarantino, Guy Ritchie films of the era.

What a dark, twisted film this was. First time watch for me. Baby Jane dives deep into Hollywood’s dark side with Bette Davis and Joan Crawford delivering powerhouse performances. Bette Davis was particularly mesmerizing. 

However, for me, it was Victor Buono who was…A REVELATION as Edwin. I never knew there was more to this man than KING TUT from Batman ‘66. Although he was in another great movie, 1964’s The Strangler. Give it a watch!

This film’s unsettling atmosphere and shocking moments remain impactful, earning it a well-deserved place in cinema history.

Just imagine if there was an E!: True Hollywood Story made of these two back in the day…whoooosh. Scandalous.

Not quite the OPUS I was hoping for. However, it was a creepy, quirky film with standout performances from Malkovich and Ayo. Yes, I refer to them with only a single name…typically reserved for the greats in their respective arts…Bowie, Brittany, Sinatra, “Weird” Al, Scorsese, Leo, Shatner.
Malkovich’s enigmatic, creepy edge is reminiscent of his iconic roles in Being John Malkovich and his ULTIMATE performance in Con Air. Dude plays uncomfortably weird like no other.
I enjoyed the eerie vibe and surprising moments of Opus, though it left me wanting more. Nice “twist” at the end though. 
This one kind of snuck up on me as I had no idea this was even made or released. Overall, it’s a solid watch for fans of offbeat horror cinema.

This had a lot of potential —but fumbles it with a weak script, flat direction, and some uncomfortable male gaze scenes that veer into “rapey” territory. The soft-focus presentation didn’t help, giving the whole thing a sleazy softcore vibe.

Marlene Clark is divine as Lena, a cobra-bitten woman gifted with eternal youth and male seduction. They could have done better with her character though. She is poorly handled, reduced to a tragic fantasy rather than a powerful mythic figure. A darn shame for sure. 

Joy Bang, however, is a revelation as Joanna. Well cast in this role.
I’d love to see this premise reimagined today, with Lena fully empowered, the gaze flipped and her staring down the dudes who fall to her venomous charms. Maybe some day…

This was a wild, over-the-top mix of gore and dark humor and I am sure that elements of this flick were inspiration for last year’s brilliant The Substance. The outrageous characters and absurd scenes at times left me dazed and in disbelief. 
Regina Gaigalas as Shaan is a standout, her performance is revelatory. 
This film is a deep dive into 1990’s Aussie grind house horror and definitely not for everyone. BUT if you’re into bizarre horror and Australian stereotypes, then this is your film.

A chaotic blend of sci-fi and horror that doesn’t quite come together. Despite it many flaws, Michael Des Barres stands out with a campy, over-the-top performance that’s a revelation in its own right. He is a hidden gem from the 80’s.

A cheap, bland sci-fi horror that misses the mark. Lacking memorable moments and plagued by poor acting, it fails to deliver even as a so-bad-it’s-good watch.
The only revelation is that I will suffer through a bad film hoping it will get better.

“I don’t want to continue to live in a world where baby killers walk around unpunished” - Newman
Oh HELLLLLOOOO Newman!
Steve Barkett. What a revelation you are.
Also Sid Haig…F the world!!!!

A charming blend of retro sci-fi visuals and quirky storytelling! Greta Thyssen’s performance as Ingrid was… a revelation, adding an extra layer of allure. It’s fascinating to see how the 50’s and 60’s Sci-Fi films imagined the future. The 2001 that was in the film was NOTHING like our 2001. Not even like 2025. 
What happened to us as a society?!
Still, it’s a fun watch for fans of classic sci-fi.

A goofy, visually delightful film! Jared Hess’s signature humor shines through, making it a fun watch even for non-Minecraft fans like me. While I enjoyed the silly tone and laughed along with my family, I am a 53-year old man. I have played the game once. Didn’t get it. However, fans of Hess’s previous work (if there’s any out there) will appreciate the nods to his other films and get some joy out of that.
Jack Black and Jason Mamoa were the unlikely pairing the world never knew it needed. A true comedic revelation.

A visual feast! Mario Bava’s direction, stunning color palette, and eerie settings create an unforgettable atmosphere. While I craved a bit more action, the film’s tone and cinematography still made for a captivating watch.

Marianne Faithfull’s leather-clad ride was a revelation to be sure.
The film’s psychedelic vibe, those wild colors and dreamy shots had me hooked from the start. Although it was not completely unexpected, the shocking ending still stunned me. As the camera quietly panned away from the scene,  I was left alone to reflect on the film’s somber ending.
A true trippy ‘60s gem!

There’s a lot of things I can relate to in this film, and a lot of things that are foreign to me. I’ve been married 30 years so you’re bound to feel some of the same emotions at times towards your spouse that the Roses did during their marriage.
First, I can’t relate to wanting to keep a house so bad that I would be as destructive and hateful as they both were to each other.
Secondly, although my wife doesn’t harbor a collection of shoes as large as Mrs. Rose, I can’t help but think it would be fun in the name of spite to cut off all the heels of her shoes.
Thirdly, never eat the fish or the pate. My wife and I both strongly agree on this.
Lastly, I too have a fondness for gymnasts.

This was a delightful surprise! Betsy Russell’s spirited performance as Tommy was a revelation! Gerard Christopher’s stiff acting was noticeable, making it clear why his career didn’t soar past the syndicated ‘80’s TV show Superboy.  Overall, it’s an easy, feel-good, quintessentially ‘80’s rom-com that’ll put a smile on your face.

Black Caesar is a wild ride through the rise and fall of a street-smart hustler, played brilliantly by Fred Williamson. With a killer James Brown soundtrack, the film dives into themes of power, betrayal, and the harsh realities of crime. 
Definitely one of the better genre films of the time. It’s a must-watch that’s as groovy as it is gritty!

Rewatched this today, 34 years after I first met Jim Morrison through Oliver Stone’s chaotic, haunting lens, and it’s a gut punch like never before. Val Kilmer is Jim—wild, lost, pleading for an anchor he’ll never find. 
That Factory scene broke me: the band walking away as he begs them to stay, swallowed by vampires he can’t see. It’s loneliness in neon. Yesterday, we lost Val, and today, I teared up watching him burn so bright. Stone’s vision still stings—beautiful, sad, and sinfully alive. Rest easy, Val—you gave us a legend.

“Your kind of women, they enjoy degradation. There are only two kinds of women in the world, mothers and whores. And you’re in the latter category.” That was cold Fritz. 

I will say, this was something to watch. Standard deviant husband making his wife do humiliating things so he could keep collecting vases from the Ming Dynasty. 

That reveal at the end though…what a revelation! I did a spit take with my C4 energy drink!

Without Tubi, this would have been lost in obscurity for sure and we would all be deprived of the pleasures of 1960-70’s danish cinema.

RIP Val. You were a true great. No one could compete with your revelatory performances of any number of iconic, mischievous, charming, and engaging 80’s rogues. Too many to count. But this one holds a special place in my heart. Many of us in our high school years desperately tried to be as smart, sassy, and anti-authoritarian as Chris Knight in Real Genius. He was the template.
Val. You’ll always be my “huckleberry”.

I thought this film was cheeky and very charming. Diana Kjaer was a revelation as Dagmar and one could not help but fall in love with her throughout the film. 
She deserved every bit of the happiness she received at the end of the film.

Compiling a list of films that I have watched released the year I was born. Movie making seemed to be at its most wild, most creative, most daring and most free in the early seventies. I would like to watch as much as I can to understand the world at the time I was born.

1. The Godfather
2. What the Peeper Saw
3. Sisters
4. All the Colors of the Dark
5. The Blood Spattered Bride
6. The Case of the Bloody Iris
7. Deliverance
8. The Mechanic
9. Tales from the Crypt
10. Dr. Phibes Rises Again

...plus 51 more. View the full list on Letterboxd.

• The Godfather
• Enter the Dragon
• Blazing Saddles
• Monty Python and the Holy Grail
• The Bad News Bears
• Saturday Night Fever
• Superman
• Rock 'n' Roll High School
• Flash Gordon
• Excalibur

...plus 43 more. View the full list on Letterboxd.

1. Avengers: Infinity War
2. Batman v Superman: Dawn of Justice
3. Spider-Man: No Way Home
4. The Batman
5. Joker
6. Zack Snyder's Justice League
7. Batman
8. Logan
9. Spider-Man: Across the Spider-Verse
10. Spider-Man: Into the Spider-Verse

...plus 95 more. View the full list on Letterboxd.

1. Avengers: Infinity War
2. Spider-Man: No Way Home
3. Guardians of the Galaxy Vol. 3
4. Avengers: Endgame
5. Captain America: Civil War
6. Doctor Strange in the Multiverse of Madness
7. Captain America: The Winter Soldier
8. Guardians of the Galaxy
9. The Avengers
10. Captain America: The First Avenger

...plus 22 more. View the full list on Letterboxd.

1. Once Upon a Time... in Hollywood
2. Pulp Fiction
3. Django Unchained
4. Kill Bill: Vol. 1
5. Inglourious Basterds
6. Kill Bill: Vol. 2
7. Reservoir Dogs
8. The Hateful Eight
9. Jackie Brown
10. Death Proof

Live action and animated adventures of the Dark Knight

1. Batman v Superman: Dawn of Justice
2. Zack Snyder's Justice League
3. The Batman
4. The Dark Knight
5. Batman Returns
6. Batman
7. Batman Begins
8. Batman: Mask of the Phantasm
9. Justice League: The Flashpoint Paradox
10. Batman Beyond: Return of the Joker

...plus 23 more. View the full list on Letterboxd.