vanlig dag i polen

den moderna operan dog efter tris kritiska misslyckande

I can’t think of another director who is able to capture the western mainstream cultures and  subcultures from the years the respective movies were released.

Gummo (1997): white trash, scandinavian black metal, grunge-nihilism

Spring Breakers (2012): floridanian hedonism, hypercaptialism, social media

Baby Invasion (2024): block-chain, crypto-games, streaming, AI

…also solves the problem all modern movies has by not including any audible dialogue and only relying on audiovisual elements!

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