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Painfully safe, bland, generic and by-the-numbers. Movie about nothing. Highlight was Jack Black's performance who brought a lot more depth to Bowser's character than was in the original script

The central relationship lacked the level of romantic tension to make for a great romance film, yet neither was there enough conflict to make for quick-witted screwball banter. It's also paced a little on the slow side, even for 1940s standards. It's perfectly fine as rom-coms go, but nothing great.

Hard to define genre-wise, not quite action-adventure, not quite melodramatic romance, the balance between the two held together by some terrific character work. Possibly the best performances of both Grant and Arthur's careers, and some great miniature work with the airplane models. Compared to say, Casablanca, OAHW plays out more as a series of vignettes than an overall cohesive narrative, which is detriment, but otherwise another solid entry from Hawks.

he fact that this ever got made at all is frankly pretty miraculous. Part fan service clip show, part backdoor pilot, part memorial to deceased cast , part multiverse adventure. Kinda incoherent, even if you've finished the show, and outside of the nostalgia and fan service there really isn't much of plot or added world building. But if there's even a remote chance in Z'ha'Dum of a B5 reboot, I'll give WB all my money.

Batman stories, in any medium, have always been a tonal balancing game between grim noir and campy pageantry, and out of any film adaptation, Reeves' approach to striking that balance is my favourite. Beautiful neon noir shot composition that's almost ruined by Reeves 'insistence on having the cameras slowly zoom in or out during every shot for no reason. Good performances all around. The final act seems to go off the rails and feels like it belongs in a different film.

Watched this two weeks ago, and I'm still not sure how to review it. The film's thesis that Barbie is a blank slate that you can project your own meaning on to, also applies to the film itself. What does it mean? Whatever you want or need it to. My interpretation: the film is a symbolic reenactment of the Proto-Indo-European invasion of Europe. (Historically, patriarchy really did start with horses.)

I've never watched or read any version of Les Mis before, so I went into this movie more-or-less blind and I ended up really enjoying it. Despite it's lengthy runtime, it's briskly-paced, with pretty, expressionistic (and digitally restored!) photography and a phenomenal performance from Baur as Jean Valjean. A genuinely great film by its own merits and a classic of French cinema that deserves to have a much higher profile than it does today.

Overwhelmingly saccharine, even for a Capra film. Probably would've worked better if the ing characters were more likable and sympathetic, and Capra's populist themes are better delivered in some of his other films, but gosh darn it, Capra's fairy tale vision of America is just so alluringly romantic and endearingly wholesome and cheerfully optimistic that you can't help but still enjoy this despite its flaws.

The chiarascuro lighting, the moral ambiguity, the sultry femme fatales, the smoky claustrophobic setting... if this only had a voice-over narration it would be the first ever bona fide film-noir. Moody and atmospheric, with great cinematography and performances from both Dietrich and Wong, but the pacing is stilted, and the rest of the ing cast falls flat. While more respectful than most Hollywood films of the era, it still leaves an unappealing Orientalist after-taste.

Cunk on Britain: I it, I actually learned one or two things. I know it's supposed to a light-hearted parody, but it kinda skipped over a lot of the genocide & colonialism parts of British history. 2 Stars

Cunk on Earth: An improved and refined rendition of the Cunk formula. Very much my style of comedy and Diane Morgan's deadpan delivery is brilliant, however, unlike Technotronic's unrelated 1989 techno anthem "Pump Up the Jam" the tone does start to feel a little repetitive after a while. Five episodes is pretty much the perfect length for this. 3 Stars

Less of a horror film, more a sci-fi thriller with dark comedy thrown in. There's no real protagonist to this, the entire movie is about watching (hearing?) Claude Rains chew the scenery as a deliciously campy maniacal supervillain, and I'm totally here for it.

If this was part of the Universal Monsters instead of a Paramount production, I imagine it would have a much higher profile than it does today. The POV shots are cool, and ngl that transition effect actually blew me away when I first saw it. While March's Oscar-winning performance has an incredible range, it does feel a little bit cartoony at times. There's nothing that makes this must-watch, but the technical skill and lead performance still make it one of the better horror films of the 30s.

Queer love as a deliberate act of defiance and resistance against fascism. Comion as a salve to militarism. It shouldn't be surprising that a Jewish Lesbian in 1931 made one of the most radical critiques of fascism in cinema, and it's aided by some solid performances and camerawork evocative of German expressionism.

I was prepared for the over-the-top martial arts. I was prepared for weird aesthetic choices. I was prepared for the gleefully absurdist Millennial sense of humour. But I was not prepared to spend a significant percentage of the runtime sobbing harder than I ever have before in a cinema. (My Mommy Issues!)

A masterpiece of film-making, story-telling and spectacle that everyone needs to see.

Granted, I'm not really the target audience, but I've always found Affleck films to be bland and mediocre. It's a mildly interesting story. It's technically competent, but not outstanding. There's decent but forgettable performances. And honestly, I could use the same review for pretty much any other film he's directed so far. Meh.

Watched on Thursday March 2, 2023.

Watched on Saturday February 25, 2023.

Watched on Saturday February 25, 2023.

Montage in it's most perfect form. Vertov would be crying tears of joy if he could see this.

Is this the last film of New Hollywood? Visually gorgeous and some of the most masterful, technically precise mise-en-scene that I've ever seen, but the story left me feeling very conflicted. When it came out critics decried it as dated, and they were right. With the outmoded Freudian concepts and gender politics out of the 1970s, it feels like something made 20 years earlier, and not really in a good way. Sure is pretty, though.

Contrary to popular opinion, this was my favourite of the three. The higher production values help a lot, with better music and far more elaborate and visually interesting musical numbers. I'd go so far to say 6 of the top 10 musical numbers in the trilogy are in HSM3 alone. There's a lot of visual references to older musicals and teen films and HSM3 doing the twisting hallway thing 2 years before Inception actually deserves some commendation.

Best musical number: "Scream"

Had to watch this over two nights a few weeks apart, so my memory isn't great. A slight improvement over the first one, and probably has the best actual script in the trilogy, with characters given arcs and development (Mainly Troy & Ryan. Gabrielle is kind of just there and wasn't given much to do).

The country club setting is weird. It's almost as if they originally wrote a 50s teen beach party homage, but then for budget reasons had to film in Utah, but I guess it works.

Best Musical Number: "I Don't Dance" (the baseball one)

Every once in a while an Indian film comes along that reminds me just how FUN and JOYOUS movies can be. While I have concerns about this film's potentially problematic role in propagating Hindutva nationalist propaganda, this is simultaneously both the best musical and the most unhinged action film I've seen all year. Radically revolutionary, bombastically campy, visually gorgeous. Micheal Bay only wishes he could make action scenes this stunning.

(Watched Hindi dub w/ English s.t.)

Watched this with my partner who is currently doing a PhD in Composition. We both agreed that Blanchett's performance was towering and the sound design was subtly good, but that the film lacked concision. It runs about 30 minutes too long, with many scenes that felt unnecessary and could have been easily excised without taking away from the central story or themes.

his is the 5th adaptation of Pinocchio I've seen (4 on film and 1 on stage) and this is easily the most interesting one. The stop-motion animation is stunningly gorgeous at times, and the decision to set it in Fascist Italy feels like such a natural and obvious choice, I'm surprised it hasn't been done before. However, the pacing does drag at points, with the film overall feeling about 10-15 minutes too long, and the musical numbers were fine but unexciting.

An improvement over the original film adaptation, mostly due to Tim Minchin's excellent music, which gave the film a surprising level of emotional depth. Unfortunately, doesn't quite fully escape the fatphobic and transphobic tropes of the original novel, but atleast they didn't cast a cis man as Trunchbull like the stage version did. Some great production design as well.

Subtracting half a star for the fatsuit, it's 2022 why are we still doing this? (Glares in Aranofsky's general direction)

Exactly what it says on the tin: a big dumb action film about CGI kaiju beating each other to a pulp. Cringey dialogue, empty characters that I care nothing about and a meaningless script that gives just enough excuses for giant monsters to fight each other. Pacific Rim it is not.

This film got a giant "Meh" from me. I mean, It's fine, possibly even good. All-in-all it's a decent bildungsroman, but at the end it's formulaic and predictable and has little to say about anything expect corny speeches about the POWER OF CINEMA.

This review may contain spoilers.

The microcosmic feud between two men of the island of Inisherin serves as a metaphor for the Irish Civil War: Two men, former best-friends, now feuding for unclear reasons, trapped in an escalating cycle of violence and retribution and surrounded by an abusive police force and an apathetic church. Is the banshee the old lady, or are the death-portending banshees actually the artillery fire from the mainland? (Two deaths, and twice we hear the gunfire)

McDonagh takes the black comedy of "In Bruges" and the subtext and pathos of "Three Billboards" and combines them with socio-historical commentary to make his best and most meaningful film yet.

(Seen at Cinema du Parc, Montreal. Eng with Fr subs)

Review Pending

Watched on Friday December 2, 2022.

Not offensively terrible, but there's really nothing good about it either. I struggle to understand why this was so popular.

Basically the formulaic underdog sports story with the twist of it being about a woman chess player, but it does the formula pretty well. Great Production Design. Jolene's "Magic Black Woman" character makes this feel like a movie from the 80s and in a bad way.

This movie is saved by it's story-telling format. Each individual story is shallow and weak and empty and most of them perpetuate problematic gender roles, however framing them as stories interlinked both narratively and thematically makes gives each story added symbolic meaning. Don't get me wrong, they're still weak, but it's definitely better this way.

Feels like an episode of the series, and honestly, would've worked great as a 2-part opener to Season 5. The only B5 film that's a must-watch, as the rest mostly just serve to set up the failed spin-off. The appropriate place to watch this is between Seasons 4 and 5

Watched on Sunday January 2, 2022.

The sort of slow-moving arthouse drama that's 100% about subtext. Every single character is emotionally repressed and nobody ever says what they're feeling. The entire point of the film is for the viewer to discover and interpret the hidden emotions and motivations of each character. If that's the kind of film you like, than you'll love this, but I've never found these kind of stories particularly engaging.

This movie had no right to be this good. What was supposed to be a 90-minute commercial for plastic toys became a multi-layered cosmic horror/absurdist comedy/anti-fascist parable.

The consistency of this franchise is impressive, but each entry does feel like it's suffering from diminishing returns to a degree. I keep expecting to see more from the world-building and character arcs but for film-makers who are willing to take big risks with their action sequences, they seem relatively more timid to take the same risks with their scripts. Here's hoping that Chapter 4 is willing to break the mold and try new things again.

Watched on Tuesday December 7, 2021.

Watched on Tuesday December 7, 2021.

In my mind, this will always be the epitome of the heist genre. Smoothly cool, with it's jazz soundtrack, 16 mm film stock, long takes and Soderbergh's classically-informed film grammar, alongside a charismatic cast and a sharply-written story. Did I mention how smoothly cool this movie is?

It's a fun and clever premise that I wish I had come up with myself. But the movie fails to live up to it's interesting premise due to poor editing, a nonsensical script, poorly developed characters and one of the worst twist endings of all time. Still a fun way to a couple of hours, but disappointing considering its potential. Minus half a star for a transphobic joke.

An incredibly wholesome musical about comion and kindness towards complete strangers during a scary time. Come From Away aims to thaw away your cold, frigid cynical heart and make you believe in the nobility of the human spirit. If watching this doesn't make you feel better about the world, I honestly don't know what will.

Breezily paced for an Indian film, but overall an aggressively mediocre rom-com. I watched it, I enjoyed it, I've immediately forgotten about it.

Watched on Monday October 18, 2021.

Watched on Saturday October 16, 2021.

Loses half a star just for the cringey product placement

Between this, Christmas Vacation, and the Home Alone films, John Hughes basically single-handedly wrote the entire formula for modern holiday films. Yet despite being imitated many times, PT&A remains wholesomely charming, and features the best performance of John Candy's career. Thanksgiving might not be a very big deal here in Canada, but I wouldn't be opposed to making re-watches of this an annual tradition.

If the first Taken film was a decent action film with bad politics, then this is just a bad action film with bad politics. I was planning to watch the entire trilogy, but considering how much of a waste of time this film was, I'll just cut my losses and end it here.

• Everything Everywhere All at Once
• The Banshees of Inisherin
• RRR
• Guillermo del Toro's Pinocchio
• The Fabelmans
• TÁR
• Roald Dahl's Matilda the Musical

1. The Mitchells vs. the Machines
2. Attenborough's Life in Colour
3. Judas and the Black Messiah
4. The White Tiger
5. Come from Away
6. The Power of the Dog
7. Don't Look Up
8. Godzilla vs. Kong
9. Army of the Dead

Updated December 28, 2022

Whether it's through how much they influenced future film-makers, the quality of their stories or simply because of sheer aesthetic value, this is a list of 54 silent feature-length films every film-buff should watch at least once in their lives.

Statistics:

Most represented Directors:

7 Films: Buster Keaton
5 Films: D.W. Griffith
4 Films: Charlie Chaplin, Fritz Lang, F.W. Murnau, Victor Sjöström
3 Films: Sergei Eisenstein

Most represented Actors:

7 Films: Buster Keaton
6 Films: Lillian Gish
4 Films: Charlie Chaplin, Snitz Edwards
3 Films: Sidney Bracey, Donald Crisp, Douglas Fairbanks, Joe Keaton, Rudolf Klein-Rogge, Theodor Loos, Victor Sjöström

Most represented Screenwriters:

6 Films: Clyde Bruckman
4 Films: Charlie Chaplin, Thea Von Harbou, Jean C. Havez
3 Films: D.W. Griffith, Fritz Lang, Carl Mayer

Breakdown by Language:

English – 33 – 61.1%
German – 10 - 18.5%
Russian – 6 – 11.1%
Swedish – 4 – 7.4%
French – 2 – 3.8%

2023 Update:
Removed Films:
Wild and Wooly (1917)
J'accuse (1919)
Robin Hood (1922)
The Covered Wagon (1923)
La Roue (1923)
Flesh and the Devil (1926)
Mother (1926)
The Son of the Sheik (1926)

Added Films:
The Navigator (1924)
Die Nibelungen: Siegfried (1924)
Die Nibelungen: Kriemhild's Revenge (1924)
Seven Chances (1925)
7th Heaven (1927)

• The Birth of a Nation
• Intolerance: Love's Struggle Throughout the Ages
• A Man There Was
• The Outlaw and His Wife
• Stella Maris
• Broken Blossoms
• Male and Female
• The Cabinet of Dr. Caligari
• The Golem: How He Came Into the World
• The Mark of Zorro

...plus 44 more. View the full list on Letterboxd.

*Updated December 28, 2022*

Whether it's through how much they influenced future film-makers, their level of cultural significance, or simply because of sheer aesthetic value, this is a list of 872 feature-length films every film-lover should watch at least once in their lives.

FAQ:

Q: Why 870 films? Why not a more rounded number? Like 750? or 1000?
A: When I made this list, I had no set number in mind. I kept adding films until I felt I had a complete collection.

Q: Is this list final?
A: No, and it never will be. During each annual update I will not only include films from the previous calendar year, but will also always be adding and removing films as I see fit.

Q: How often is the list updated?
A: Not including minor clerical edits, the list as a whole is updated once a year, sometime in February or March.

Q: Are there any short films or mini-series on this list?
A: No. Some critic's lists and sources will list them separately while others won't. For the sake of simplicity and consistency I opted to include only feature-length films.

Q: What if I don't want to watch any Silent films?
A: Why? Silent films are great! But if you really don't want to, then in general any film made 1928 or earlier should be avoided. This is a rule of thumb however and there are exceptions.

Q: What if I want to watch ONLY Silent films?
A: There is a separate list of silent films only here

Statistics:

Median Year of Release: 1971

# of Films directed (or co-directed) by Women: 34 – 3.9% (+1.0%)

Breakdown by Language: (Change from Last Year)

English – 569 – 65.3% (-0.2%)
French – 95 – 11.0% (-0.2%)
Italian – 31 – 3.6% (-)
German – 30 – 3.5% (-)
Japanese – 28 – 3.2% (-0.1%)
Russian – 19 – 2.2% (-)
Spanish – 16 – 1.8% (-)
Swedish – 14 – 1.6% (-)
Mandarin – 13 – 1.5% (-)

Others – 52 – 6.0% (+0.2%)

Non-Western Cinema (Films made in a non-European language) – 69 – 8.0% (+0.1%)

Most Represented Directors:

12 Films:
Alfred Hitchcock, Martin Scorsese, Steven Spielberg

10 Films:
Akira Kurosawa

8 Films:
Ingmar Bergman, Luis Buñuel, The Coen Brothers, George Cukor, Jean-Luc Godard, Howard Hawks, Stanley Kubrick, William Wyler

7 Films:
John Ford, John Huston

6 Films:
Robert Bresson, Charlie Chaplin, Sergei Eisenstein, Fritz Lang, David Lynch, Michael Powell. Jean Renoir

5 Films:
Robert Altman, Paul Thomas Anderson, Michelangelo Antonioni, James Cameron, Carl Theodor Dreyer, Federico Fellini, David Fincher, D.W. Griffith, Buster Keaton, Abbas Kiarostami, David Lean, Sidney Lumet, Vincente Minelli, F.W. Murnau, Roman Polanski, Emeric Pressburger, George Stevens, Quentin Tarantino, Andrei Tarkovsky, François Truffaut, Luchino Visconti, Billy Wilder, Orson Welles

Most Represented Actors:

13 Films: Robert De Niro

10 Films: Ward Bond, Harrison Ford, Jack Nicholson

9 Films: Leonardo DiCaprio, Al Pacino

8 Films: Donald Crisp, Alec Guinness, Jean-Pierre Léaud, Tasuya Nakadai, Brad Pitt, Takashi Shimura, James Stewart

Most Represented Actresses:

7 Films: Lillian Gish

6 Films: Sigourney Weaver

5 Films: Lauren Bacall, Juliette Binoche, Cate Blanchett, Claudia Cardinale, Bette Davis, Jane Darwell, Catherine Deneuve, Laura Dern, Carrie Fisher, Diane Keaton, Catherine Keener, Anjelica Huston, Julianne Moore, Meryl Streep

Most Represented Screenwriters:

10 Films: Akira Kurosawa

8 Films: Ingmar Bergman, Luis Buñuel, Ethan & Joel Coen, Federico Fellini, Jean-Luc Godard, Tonino Guerra

7 Films: Stanley Kubrick

*Next Major Update sometime coming Spring 2023*

• The Birth of a Nation
• Intolerance: Love's Struggle Throughout the Ages
• A Man There Was
• Wild and Woolly
• The Outlaw and His Wife
• Stella Maris
• Broken Blossoms
• J'accuse
• Male and Female
• The Cabinet of Dr. Caligari

...plus 862 more. View the full list on Letterboxd.

Broadway Musicals, that have released filmed versions of their live perfomances on home video or streaming. To be updated, every time I find a new one. (Recommendations, welcome!)

1. Hamilton
2. Cats
3. Oklahoma!
4. Billy Elliot: The Musical Live
5. The Phantom of the Opera at the Royal Albert Hall
6. Sweeney Todd: The Demon Barber of Fleet Street
7. The SpongeBob Musical: Live on Stage!
8. Legally Blonde: The Musical
9. Rent: Filmed Live on Broadway
10. The Wiz Live!

...plus 2 more. View the full list on Letterboxd.

Newest Additions since last update:

Booksmart (2019)
Collateral (2004)
Das Boot (Director's Cut) (1981)
Dirty Dancing (1987)
Death Proof (2007)
Eyes Wide Shut (1999)
The Impossible (2012)
Midsommar (2019)
Moneyball (2011)
Nightcrawler (2014)
Ocean's Eleven (2011)
The Pianist (2002)
Pride and Prejudice (2005)
Psycho (1960)
Twister (1996)
Watchmen (2009)
The Witch (2015)

• 10 Cloverfield Lane
• 21 Jump Street
• American Psycho
• The Aviator
• Baby Driver
• The Ballad of Buster Scruggs
• Being John Malkovich
• BlacKkKlansman
• Blade Runner
• Boogie Nights

...plus 90 more. View the full list on Letterboxd.

1. Hamilton
2. David Attenborough: A Life on Our Planet
3. Mank
4. I'm Thinking of Ending Things
5. The Trial of the Chicago 7
6. Da 5 Bloods
7. Ma Rainey's Black Bottom
8. The Half of It
9. John Ware Reclaimed
10. Eurovision Song Contest: The Story of Fire Saga

...plus 5 more. View the full list on Letterboxd.

1. Uncut Gems
2. 1917
3. Parasite
4. Marriage Story
5. Toy Story 4
6. The Irishman
7. Klaus
8. Once Upon a Time... in Hollywood
9. Apollo 11
10. Joker

...plus 12 more. View the full list on Letterboxd.

1. Star Trek VI: The Undiscovered Country
2. Star Trek IV: The Voyage Home
3. Star Trek II: The Wrath of Khan
4. Star Trek: First
5. Star Trek
6. Star Trek Into Darkness
7. Star Trek Beyond
8. Star Trek: Nemesis
9. Star Trek III: The Search for Spock
10. Star Trek: Insurrection

...plus 3 more. View the full list on Letterboxd.

Part of the Letterboxd Film Noir Showdown

• M
• Citizen Kane
• Double Indemnity
• Out of the Past
• The Third Man
• Vertigo
• Chinatown
• Taxi Driver
• Pulp Fiction
• Mulholland Drive

1. Alias Grace
2. The Florida Project
3. Blue Planet II
4. LA 92
5. Paddington 2
6. Blade Runner 2049
7. Logan
8. The Big Sick
9. Thor: Ragnarok
10. The Lego Batman Movie

...plus 21 more. View the full list on Letterboxd.

1. BlacKkKlansman
2. Won't You Be My Neighbor?
3. Black Panther
4. Spider-Man: Into the Spider-Verse
5. Roma
6. The Favourite
7. Birds of age
8. If Beale Street Could Talk
9. A Star Is Born
10. Hannah Gadsby: Nanette

...plus 22 more. View the full list on Letterboxd.

• The Jazz Singer
• The Love Parade
• Hallelujah
• Applause
• Under the Roofs of Paris
• Le Million
• À Nous la Liberté
• Love Me Tonight
• 42nd Street
• Duck Soup

...plus 44 more. View the full list on Letterboxd.

What do fantasy, science-fiction and horror all have in common? The unreal. The make-believe. They all involve things that don't exist in our world, and any creators working in these genres use their imaginations to fill their stories.

• The Cabinet of Dr. Caligari
• The Golem: How He Came Into the World
• The Phantom Carriage
• Nosferatu
• Dr. Mabuse, the Gambler
• Häxan
• The Thief of Bagdad
• The Phantom of the Opera
• Faust
• Metropolis

...plus 147 more. View the full list on Letterboxd.

Ordered Chronologically

• Rain Man
• Born on the Fourth of July
• Jerry Maguire
• Eyes Wide Shut
• Magnolia

Ordered Chronologically

• Snow White and the Seven Dwarfs
• The Wizard of Oz
• The Red Shoes
• Singin' in the Rain
• West Side Story
• The Umbrellas of Cherbourg
• The Sound of Music
• Pierrot le Fou
• The Lion King
• La La Land

Ordered Chronologically

• Superman
• Oldboy
• Batman Begins
• A History of Violence
• Persepolis
• The Dark Knight
• The Avengers
• The Dark Knight Rises
• Blue Is the Warmest Color
• Wonder Woman

Ordered Chronologically

• Forbidden Planet
• 2001: A Space Odyssey
• Solaris
• Star Wars
• Alien
• The Empire Strikes Back
• Return of the Jedi
• Aliens
• WALL·E
• Avatar

...plus 3 more. View the full list on Letterboxd.

Listed in Chronological Order

• The 39 Steps
• The Lady Vanishes
• Notorious
• North by Northwest
• Goldfinger
• The Manchurian Candidate
• Munich
• The Lives of Others
• Argo
• Zero Dark Thirty

• 12 Angry Men
• A Man for All Seasons
• Anatomy of a Murder
• Judgment at Nuremberg
• Kramer vs. Kramer
• M
• The ion of Joan of Arc
• Paths of Glory
• Reversal of Fortune
• To Kill a Mockingbird

...plus 1 more. View the full list on Letterboxd.

• A Brighter Summer Day
• All About My Mother
• American Beauty
• The Big Lebowski
• Boogie Nights
• The Celebration
• Close-Up
• Fargo
• GoodFellas
• L.A. Confidential

...plus 10 more. View the full list on Letterboxd.

• 12 Years a Slave
• 4 Months, 3 Weeks and 2 Days
• A Prophet
• A Separation
• Amour
• Boyhood
• Brokeback Mountain
• City of God
• Crouching Tiger, Hidden Dragon
• The Dark Knight

...plus 15 more. View the full list on Letterboxd.

1. Mad Max: Fury Road
2. WALL·E
3. Under the Skin
4. Avatar
5. Inception
6. Gravity
7. Arrival
8. Melancholia
9. Her
10. Interstellar

1. Goldfinger
2. From Russia with Love
3. Skyfall
4. The Spy Who Loved Me
5. Dr. No
6. Casino Royale
7. On Her Majesty's Secret Service
8. Octopussy
9. Thunderball
10. Diamonds Are Forever

...plus 16 more. View the full list on Letterboxd.

• The Cabinet of Dr. Caligari
• The Golem: How He Came Into the World
• The Phantom Carriage
• Häxan
• Nosferatu
• The Phantom of the Opera
• Faust
• Dracula
• Frankenstein
• Freaks

...plus 30 more. View the full list on Letterboxd.

Not A Complete Listing of all Films. Just the ones I could think of.

• Who's Afraid of Virginia Woolf?
• What Ever Happened to Baby Jane?
• They Shoot Horses, Don't They?
• What's Up, Doc?
• Went the Day Well?
• Will Success Spoil Rock Hunter?
• What Time Is It There?
• Shall We Dance?
• Whose Life Is It Anyway?
• Why Worry?

...plus 32 more. View the full list on Letterboxd.