Yes, it’s prescient. Whatever. I’m starting to think that “prescience” in art is mostly meaningless. Ghost in the Shell: Stand Alone Complex’s second season was released in 2004/2005 and its themes were timely then. It’s timely now. It’s not prescient, it’s our perpetual present. Fear and hatred of refugees, immigrants, of outsiders, of others, is deeply conservative. It’s always present, but manages to be pushed deep down in the public consciousness in times of prosperity. All’s quiet, liberals get to…
