Can a movie really be all that bad if a member of its cast has been in a Derek Jarman film? Well, yes, the answer is yes, it's pretty irredeemable, but there are some decent low budget practical effects and Emily Booth is having a blast so what the hell.

I'm not sold on the notion of this as being some sort of misunderstood avant-garde masterpiece, or the director's enigmatic anonymity as being indicative of some greater conceptual/performative intent; I am willing to take his one interview at face value that his inspirations are movies like The Sixth Sense and not, say, Wavelength. Which isn't to say I don't find it to be a pretty unique and compelling piece of outsider art, at its absolute best invoking a vibe best described as "demoscene murderdrone".

The camera is the scalpel.