Screenwriter in South Pasadena

2025
two incredible stunt sequences encased in leaden, convoluted, textureless dreck. really miss when these things were about spycraft and when every scene wasn’t an endless explanation of literally everything that was happening. we’re reminded of the astronomically high stakes every ten minutes to the point of exhaustion.
I find it very telling that a big, heavy plot point hinges on the US potentially bombing one of its own major cities, then making a point that they’d have to choose one,…