I watched this last night and I still feel queasy.
Benji Albert
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2025
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Post-franchise Ryan Coogler is dangerous. Such a strong use of genre. How many lives are behind us, lost to time like those old blues recordings? Vampire lore is so fun, I love to see people make their own version of the rules. The vampires that have to be let in are maybe my favourite. I could talk about this movie for hours. MBJ. Delroy Lindo. Ludwig fucking Goransson. The “music from the past and future” scene. MBJ “I just gotta take care of something” at the end. Man… 🤯
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2025
Liked Watched
Post-franchise Ryan Coogler is dangerous. Such a strong use of genre. How many lives are behind us, lost to time like those old blues recordings? Vampire lore is so fun, I love to see people make their own version of the rules. The vampires that have to be let in are maybe my favourite. I could talk about this movie for hours. MBJ. Delroy Lindo. Ludwig fucking Goransson. The “music from the past and future” scene. MBJ “I just gotta take care of something” at the end. Man… 🤯
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2022
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Wells does such a good job of creating the tone of longing and distant memory that every frame feels incredibly fragile, like it will disintegrate if you look away. A collection of fleeting moments between father and daughter, without the trappings of cinematic tropes/genre expectations and instead resonating on a more human level. You don’t need to know any more about the characters, because all that matters is Sophie singing Losing My Religion at the Karaoke bar and Calum crying…
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2022
Liked Watched
Wells does such a good job of creating the tone of longing and distant memory that every frame feels incredibly fragile, like it will disintegrate if you look away. A collection of fleeting moments between father and daughter, without the trappings of cinematic tropes/genre expectations and instead resonating on a more human level. You don’t need to know any more about the characters, because all that matters is Sophie singing Losing My Religion at the Karaoke bar and Calum crying…
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