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Smart, edge of your seat, horror movie from the writers of A Quiet Place. A nail-biting little gem of a film that never lets up from start to finish. Grant, Thatcher and East are all individually gripping in their own unique roles, making the whole thing entirely believable and therefore ever more harrowing.

Jesse Armstrong continues to explore the same worlds, characters and themes as he did with Succession, but with his latest project he takes these ideas to their absolute limits, pushing the narrative to the very extreme. It's bold and ballsy, but not as entertaining as you'd think.

The dialogue and the characters don't work half as well as they did with Succession and the story starts to get a little repetitive by the halfway point, but by the end it kind of won me over. It goes so hard that it nearly works by the end. Very clever and topical writing as always from Armstrong though.

A gutsy comedy that 'feels' scarily accurate in its depiction of tech billionaires and our sorry future, it was just missing some heart or someone/something to care about within the story.

I watching this one when I was far too young to be watching it, so it has nostalgic value for sure. The opening setup is iconic and there are some inventive deaths throughout, but the usual shortcomings of the storyline and the lore stop this from being anything other than an illogical horror movie with no one really to root for or care about.

It has charm and a uniqueness to it, but it doesn't quite work as a feature length, even though it has many endearing qualities. Glad to see the director went on to bigger and better things, but I wouldn't recommend this one. Too quirky for my liking.

With the release of the latest entry in the franchise, Bloodlines, I felt compelled to rewatch the first for a little bit of nostalgia.

The franchise kicks off with a fun intro to this quirky world and unique concept. The premise is pretty interesting and pretty much carries the whole film. There's also some good kills and a few intriguing twists amongst all the silly mayhem.

Unfortunately, the dialogue and the acting can be subpar at times and the premise doesn't really lead anywhere in the end. It all becomes a bit repetitive.

But I've heard good things about the new one. And for nostalgia sakes, I'll probably end up rewatching the first trilogy in time.

Oh man I loved this. Saw it with the family and it genuinely made me tear up multiple times. A total upgrade on the original in every way, except for the visuals (which is standard for Disney's entire live action filmography).

The script is probably the biggest upgrade, which finally allows the original story and characters to shine through all the quirkiness and randomness.

There are numerous script changes which all help to make the narrative more believable and logical, whilst trimming the fat. The aliens on earth are a joy, bringing to mind classic kids films of the 90s/00s.

It's a great cast on the whole and Stitch is downright adorable. The live action adaptation is a lot funnier and I just connected with this one on an emotional level so much more. A true surprise, that sured all my expectations.

This is going to be a real crowd-pleaser and I cannot wait to watch it again on Disney+. This and Pete's Dragon are the only live action adaptations that have made this whole venture seem worth it in my opinion.

I just don't get the love for this one. Maybe it's all about nostalgia and I just don't watching this or gelling with it as a kid.

It's beautifully crafted with stunning handdrawn animation. The alien world and the alien characters are fascinating works of art in themselves, as is the Disney-fied Hawaii.

But it is an odd film on the whole. One that combines genres and characters that just don't really work together. It always feels random and quirky and I can never really get into it.

I get the emotional aspects, but again, it never moves me personally. I'm actually looking forward to watching the live action adaptation though, I think it might actually work better and be a better fit for this odd tale.

Sinners is the kind of big, unapologetic blockbuster-horror movie that just doesn't get made anymore. It's a real crowd-pleaser from start to finish, without a single minute wasted. It's both timely and timeless. An instant classic that I'm eager to watch again and again.

Gorgeously shot, beautifully acted. The music is just outstanding, it's unlike anything you've heard before. The story is gripping and deeply moving. And it's got vampires in it!

There are numerous standout scenes throughout the film that are purely cinematic and highly emotive. It just keeps building and building, defying expectations with each new setup. A mashup of genres, ending in something fresh and entirely unique.

A rewarding popcorn movie with distinct themes, characters and ambition. Oh and it actually feels like an adult film for a change, unafraid to be sexual and just downright disgusting at times.

Horror fans rejoice, this truly is our moment.

Finished the bank holiday off with this average and at times irritating offering.

The voice cast is surprisingly weak and the film is inundated with crude attempts at modernising a classic British franchise. We get endless pop songs, down-with-the-kids dance sequences and a tirade of cringey quips from our unlikable lead. The film is littered with lazy joke after joke after joke, but some do work.

It's fast paced and loud, which means it takes a while to get used to, but there are glimmers of hope in there. Gleeson is fantastic, the slapstick humour works for the most part. And the story attempts at character arcs and pulls on your emotions enough to make it watchable.

But, by god, I bet Beatrix Potter is turning in her grave. Although the estate will not be!

Saw this one at the cinema this morning with my family for its 30th anniversary screening. And what a magical crowd-pleaser Babe is, a 90s classic that still holds up all these years later.

I have seen the movie a couple of times before, but had forgotten most of it, except some of the more iconic lines and of course that heartwarming ending.

The script is superb, tackling challenging topics with ease. The animatronics and the cinematography are equally as good. The characters are unique and iconic in their own ways. I love Ferdinand the duck! And of course our titular piggie.

An all-round magical family film that feels sorely missed in today's climate. Wholesome and yet not scared to tackle tough topics. And my son loved it!

One of my favourite films of the decade and my most rewatched Netflix Original. I could watch this over and over. It's a masterpiece.

An endlessly creative, awe-inspiringly innovative and super smart film about society, lockdown, celebrity culture, social media, and the modern world.

The songs are superb. It's one of my favourite albums of the decade too. Bo Burnham is just a genius. Give this man millions and just let him make whatever he wants next. I'm excited to see what else he can cook up.

The first half was quite intriguing and I thought that the sci-fi elements definitely showed potential, but this one just ran out of steam by the end. It doesn't make the most of its premise and is wildly unfocused.

The sex and the violence becomes very repetitive and it was just far too artsy overall for me. I didn't really get it to be honest.

ittedly, it takes quite a while to get going, but when it does finally kick into gear, Conclave is gripping. Beautifully framed cinematography, superb acting, with a riveting final third. A very welcomed surprise.

The three leads are stunning and the subject matter is hard-hitting, but I found the whole thing hard to stick with. It took a few watches to finish.

I think it was the fact it feels like a play and can be quite repetitive at times. It's dialogue heavy and feels claustrophobic, mainly sticking to the one location. Probably works better as a play to be honest.

That been said, Coon, Olsen and Lyonne are captivating, elevating the material and offering some of their best work yet. But would anyone have watched if they weren't involved?

Painfully long, meandering, frustrating and unsettling. It all makes for a tough watch, but there is still, somehow, greatness in there and so much to unpack.

Phoenix is outstanding and some of the themes that Aster explores are relatable and thought provoking. The depictions of anxiety and guilt really spoke to me. It's also beautifully shot and clearly painstakingly crafted.

The opening segment was nerve racking and stress-enducing, but nothing less than fascinating. After we leave the city, the film kind of falls apart though, meandering through storylines, settings and genres.

It brings to mind Kaufman and Aronofsky's Mother! which will give you an idea of how much you will love or hate it. But for me there was lots to ire and lots to hate, so it kind of ends as an average rating, but yeah, this is an odd yet innovative film on the whole.

Sometimes I wish there were more films out there like this that clock in at under 90 minutes, instead of all those bloated 3 hour plus ones. A succinct, tense and often funny little movie. And Sennott is just great in this indie gem from 2020. Excited to see what she does next.

Netflix just have to stream the play, they simply must! This was such a tease.

An exciting and stress-enducing behind the scenes look at the production of the Stranger Things prequel play. It's a fascinating insight that even teases Season 5 spoilers. It does feel like an ad for the final season in many ways, but rewarding nonetheless.

I need to rewatch the whole show now.

I don't know if I was just in the right frame of mind for this one or just overcome by my son's own love for it, but this just totally surprised me in a good way.

Extremely basic plotting, but man is it a magical story that really got to me. A heartwarming, feel-good family film that is effortlessly effective. Had me tearing up multiple times.

Loved the tone of this one too, it feels timeless and just unashamedly wholesome.

As predicted, Culkin gives an award-winning performance in this understated road trip dramedy from actor/writer/director Jesse Eisenberg.

Eisenberg does a great job of feeding information throughout the runtime, giving us a wider understanding of the cousins and their history as the story unfolds. It's a great character study, exploring many important themes.

The group at the centre of this film are extremely watchable too, providing some of the best moments. But Eisenberg and Culkin's chemistry is also top notch.

There's a lot of emotions in this, but I feel like overall the film was just missing a little something extra to make it outstanding. It kind of fizzles out by the end, intentionally perhaps, yet not quite delivering on it's earlier promises.

That said, this is assured filmmaking with some great acting involved, that brings rightful relevance back to its two leads. Hopefully they can make even better movies together or separately in the future. Eisenberg is a promising filmmaker and I'd love to see more of Culkin now too.

And I'm still pondering the ending some time later. It definitely gets you thinking.

An emotive, inspiring and surprisingly detailed documentary about one of the most talented of actors, who was tragically taken from this world far too soon.

The doc showcases his many talents, his infectious personality and his speedy rise to fame. He rightfully won an Academy award for his phenomenal performance as the Joker in The Dark Knight, but that was really just the start for Heath, he had so much more to give.

I've wanted to watch this one for a long time now, but just never got the chance to. Luckily, it's currently on Prime, so I was happy to finally give it a whirl.

Gattaca is beautifully shot, boasting an extremely clever script that packs a few major (unforeseen) twists. Loved the premise and the execution. It's an effective, thought-provoking slice of sci-fi.

I'm a sucker for 90s films too and this one perfectly sits within that era's aesthetic and tone. Man, I miss the look and feel of film and the way the industry used to be. They just don't make 'em like this anymore.

The story has its limitations, but it looks great and Tom Hanks is exceptional in the lead role. Whilst the ending is emotive and satisfying overall. I would happily watch a sequel/prequel. And I'm really excited to show my son this one in the near future. Definitely makes you think about life and family. Another underrated Apple Original gem.

Palmer feels like the sort of film that just doesn't seem to get made anymore, a smaller budget, original drama that doesn't rely on big gimmicks or high concepts. It's just simple yet effective character building, storytelling.

And it's a breath of fresh air. I really enjoyed it. It's impressive filmmaking, with a great cast. Timberlake and Allen are great together. And Allen makes for an adorable little kid.

The film gets a little too melodramatic towards the end, but I highly recommend this Apple original for a different, slower-paced viewing experience.

Another average Disney film, but one with a lot of charm. They really stick to a formula don't they?

Disney's latest strategy is to make endless sequels or live action remakes, and poor Moana is getting both in quick succession. The pointless sequel came out last year and the live action remake is reportedly coming this summer.

Moana 2 is a mixed bag overall. The animation is stunning, the characters are fun and there is real heart in the final third.

Unfortunately, the songs are really forgettable, we are really missing Lin-Manuel Miranda in this one. Whilst the story is just utterly convoluted and irrelevant, like an afterthought. There's no depth to the narrative whatsoever.

And that final end credits scene was a real eye-roll moment too.

It takes an age to get going and is clichéd as hell, but if you are patient there is lots to gain from this 2020 movie.

The main draw is of course the stellar trio of lead performances. Mackie is solid in the lead role, Jackson is clearly having a lot of fun here and Hoult balances his dual role rather well.

There's an important message at the centre of this and the film ends on a real high. You just need to get through the first third to get to the good stuff in the middle onwards and there is a slight dip before the finale.

Some serious pacing issues aside though, I was actually surprised by how much I liked this one in the end. Another underappreciated Apple original that is well worth a watch.

My wife is literally obsessed with this, so I knew the time would eventually come where I had to sit down and watch it, even though I really didn't want to. I'm not a massive musical fan and from the trailer alone I just knew this really wouldn't be my cup of tea.

I gave it a fair go, but it just bored me to tears. There's some great songs here, but the run time is just far too long and nothing grabbed me at all. There isn't anything particularly bad about it, it just didn't work for me, story wise or visually.

Defying Gravity is a banger though and Erivo deserves all of the praise.

Even for body horror this is pretty insane and out there. It's a real triumph of the genre, and on a technical level with the prosphetics and makeup. It almost feels like Fargeat has taken the subgenre to its absolute limits.

The Substance is horrifying, grotesque and down right disgusting. But also clever and topical. The script is exceptional, as is the delivery. If only the ending felt more satisfying.

That ending goes real hard and repulses. I genuinely just wanted it to be over, and yet it just keeps on going. A real twisted and upsetting horror movie. It will leave a sour taste in your mouth, but the build up is worth that dissatisfaction. And I suppose that is also the point.

Another Disney classic that hasn't aged too well. Man, what were they smoking back then?

Some timeless songs, iconic animation and memorable characters have made this the classic that it has become. That said, the script is really lacking and the film goes into fast-forward mode in the final third, speeding through many scenes and plot loop holes in a major hurry.

It's a really poor ending that kind of feels like a cop out overall. All the build up feels rushed when it really matters. Huge plot holes and easy answers make it into a rather unsatisfying finale.

It's an odd film overall. One that starts strong with a unique and clever premise. Pattinson(s) is superb throughout, it's easy to tell the distinction between clones and he is the charm and soul of the movie.

Unfortunately, the satire is a little too obvious at times, hammering home its message a little too bluntly. Yes, we get it, it's Trump. The humour is mixed and the tone switches many times. This leaves the film a little cold at times.

It may be better on a second viewing. There's a lot to take in on the first. The film is unpredictable, you never know where it's going and the creature designs and world building is magnificent.

Still unsure of this one though. Will have to watch it again in the near future. Similar in tone to Okja, but miles away from the excellence of Parasite. Starts empathetically, ends a little hollow.

The acting is excellent across the board, but Domingo and Maclin are on another level here. It's been a while since I've seen a film that feels so immersive and so real. The acting is flawless and the camera work seamlessly places you into the movie. It's a breath of fresh air really.

The story is heartening and raw. It's crazy that this is a true story and the end credits footage really hammers home the authenticity of it all.

And yet with all that in mind, I feel like it was just missing an extra emotional layer. I can't quite put my finger on it, but maybe I was expecting a more dramatic spin on redemption. The film was maybe too subtle for my taste.

Repetitive and clichéd overall. Some stunning visuals and a steady pace do however keep this one from becoming a total bore, but it's scarily average. No story or character development at all. Hard to root for anyone or anything.

Struggled through this one. I imagine it got a lot of praise at the time due to circumstance. People were desperate for that cinematic experience in 2020.

Just like Disney did with Hamilton, Apple deliver on an excellent recording of a hit stage show. Come From Away is a heartwarming and emotive true life story, brought to our living rooms in all it's glory.

I practically had a lump in my throat for nearly all of the runtime. Anything related to 9/11 just hits differently when you lived through it and were old enough to that horrifying day. And the subject matter is handled respectfully.

The production is professionally made, effortlessly mixing humour and heartache. The cast are great and the production is well shot. I'd say the only downside is that the songs aren't that memorable. I it I'm not a massive musical fan. But the story really elevates this one.

All in all a great watch. And I'd love to see more stage shows get the same treatment.

I mean it's just inoffensive entertainment at the end of the day.

Derrickson does a surprisingly good job at juggling multiple genres, tackling romance, action, sci-fi horror and espionage. Teller and Taylor-Joy have serious chemistry, which carries the entire film. The first section works well, establishing our two main leads and the rest is just watchable genre fair.

It is getting a little tiring watching films that are nearly completely shot on green screens though. I do miss the old special effects, but I understand the need for change.

This movie won't blow anyone's minds and it is literally everything you've seen before, but it works well enough and the central romance justifies the three stars.

As I feared, Paddington just isn't the same without Paul King or Sally Hawkins. But I think that the main issue is actually the change of location. Setting the third film mainly in Peru just never feels right. I think the joy of Paddington is in his interactions with unimpressed Brits in very mundane situations. In the jungle, there is very little opportunity for any of that.

We get the weakest villain by far (which is kind of a rehash of Hugh Grant's anyway), the story is really predictable and uninspired. The CGI is just off-putting.

Some of the franchise's humour is still here and Paddington is as adorable as ever, but the magic is well and truly lost. Really disappointing. Cute ending though.

Of course, the first two films are so good that this one just cannot compete, but it is still a watchable, heartwarming movie even with all of the negatives.

It's one of those films where literally all the best bits are in the trailer. That been said, the deaths are all gory delights that bring to mind the tongue-in-cheek humour of the Final Destination films. And there is a lot of fun to be had in that.

The Monkey has a good premise behind it, great visuals and a game cast. Unfortunately, the tone never quite sits right, bouncing between horror and comedy. That awkward juggling of tones matched with a needless narration and some freeze frame moments kind of pull you out of the movie.

It's a shame, as there is clearly a fun story behind the Stephen King novel and Perkins can create some great visuals. But the script doesn't always work and it is hard to care about the characters when there is so much death on display.

Like many sequels to highly successful, original films, the filmmakers behind Shrek 2 give audiences more of what made the first so likeable. We get even more fairy tale characters, more satire, a bigger soundtrack and clearly a bigger budget. This makes Shrek 2 a real crowd pleaser, but it also means we lose a little of its spark and originality from the first.

Everything that we loved from the first is back though. And yet the visuals are even better than in the first. The story is still just as funny and clever, and the soundtrack is great. It just feels like more of the same.

And hey, I'm not complaining, it makes for a great, fast-paced watch. But I still think the first is the best. Fight me!

I must've watched this a million times (probably 20, 30+ times at least) now and it never gets old. Extremely quotable, excellent voice work, a memorable soundtrack, endlessly inventive and effortlessly hilarious. Iconic characters and a smart, satirical screenplay. No wonder this franchise became such a hit. I just love it.

Revenge flicks hit hard because we live in a time filled with injustice. This particular revenge flick succeeds because it feels so believable. A truly captivating watch.

The build up is super tense and the action is expertly handled. The first half of this Netflix original is just epic. Once we have to offload the background, it loses a little steam and there's maybe too much corny dialogue. But then it's all redeemed in an action-packed finale.

Aaron Pierre is superb in the lead role. Whilst the direction from Saulnier is on-point. A nail-biting drama that deserves a higher rating on most platforms. Inspiring and highly entertaining.

I hate this new trend in animated 'kids' films where everything is super-stylised, overstuffed and overstimulating, but I suppose that is just going with the times. And I don't think you can really call this a kids film. These flaws aside, I can see why this is such a highly praised film though.

There's some great characters in this one, the animation can be breathtaking at times and everything comes together nicely by the end. There's also a great message in there, but no, this is not a kids film. Or not how they should be anyway.

First time watching this Disney classic. I found the animation to be stunning and Dumbo is very cute. Obviously of its time and hasn't aged particularly well, but it does have its moments.

Was not expecting a hallucination sequence, that felt like the best and worst part of the film all at once. A showcase for the animation and innovation of Disney, yet it doesn't fit with the family audience and drags a little.

It's a flawed feature, but one that was probably groundbreaking at the time. I'd happily watch a modern updating, but not in live action form.

Felt like a bit of a cash-in as it plays out very similarly to Rocket Man. Elton John made some great music and had a fascinating career, which makes this documentary still very watchable, but it feels like a retread overall. The John Lennon section was new to me though and a highlight of the film.

Some stunning songs performed beautifully. Very nostalgic, very special experience. Everything with Nathan Lane in it was superb. And Jeremy Irons was exceptional. Only one major downside aside (cough, cough North West) and a few lesser-known stage songs, this was a fun and heartwarming watch.

My son's obsessed!

Other than some dodgy CGI I just cannot understand why this was so hated. I found it to be tense and intriguing from start to finish. Bautista is exceptional and the whole thing keeps you guessing to the very end.

The animation hasn't aged particularly well, but it still has a certain charm to it. The characters and the humour are still top notch though. Loved this back in 2002 and it was great to watch it again with my son all these years later. Such a great family film.

A film about a serial killer, yet there's little to no tension for the majority of the film. Oddly paced and narratively sparse. I get the importance of the themes and the message, but I think it is poorly executed. It's watchable, for Kendrick alone, but a real missed opportunity overall.

Classic good versus evil story.

Gorgeous animation and some catchy tunes, but man is it an overwhelming film to try and watch. Just too much going on in every arena. Loud and fast paced would be an understatement. I've still never managed to watch it all in one go.

Definitely needs to be seen on the biggest screen possible. I much preferred watching this one in IMAX the first time around than on streaming, it's got to be said.

Unfortunately, the film lost a little of its magic on a second viewing too, possibly due to the smaller screen issue and the predictability that comes with repeated viewings, but it mostly still holds up regardless of these main points.

Romulus can be terrifying and tense with a cinematic edge that is befitting of the franchise. A great cast and great direction, just needed a stronger script.