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Letterboxd 2017 Year in Review

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This is it. The moment when all your ratings throughout the year elevate a select few films above all others. The moment when our half-million-strong global community’s ionate, unbridled enjoyment of movies coalesces into a list of the very best cinematic experiences of the year.

We’re proud of you. It’s a sublime selection of films, as diverse and clever and funny and entertaining as you are. Thanks for another wonderful year. You’re the reason Letterboxd exists.

And now, the envelope please. No, wrong envelope. Yes, that one. Here goes…

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The Categories

To be included, films must be: feature-length; watched by at least 500 ; and with a theatrical or streaming release in the US during 2017.

Highest Rated

The highest rated films overall, and by genre, based on 30 million ratings cast by Letterboxd in 2017. These are the films you ranked the best of the best. And the highest rated film is…

All results are as at 1 January 2018.

#1

Call Me by Your Name

Highest Rated Overall

Call Me by Your Name

Directed by Luca Guadagnino Viewings: 3M Average weighted rating: 3.9

Unequivocal sensory pleasure. Many will bask in Guadagnino’s sybaritic paintings of brief and intense sexual/emotional satisfaction—practically entirely made up of peeks and scans, caresses and grazes—and gentle familial dynamics, and while it’s an endless lake to swim in, its primary thrill for me was the depiction of meticulous surface: what bubbles up and blends into nature’s constitution. — SilentDawn

Call Me by Your Name

Nature has cunning ways of finding our weakest spot.

—Mr Perlman

#2

Lady Bird

Highest Rated Overall

Lady Bird

Directed by Greta Gerwig Viewings: 3.4M Average weighted rating: 3.8

Lady Bird is a film beyond itself. I wish it didn’t sound hyperbolic to write that this film is a manifestation of faith, the good kind, the whole kind, the kind I wanted but never found in a church or in prayer. But I felt that absolution, that deliverance, that salvation. There is something so whole about this film, even though it cruxes on the very moment when the world you’ve always known has been splintered into pieces. — Tay

Lady Bird

I hate California… I want to go to the east coast. I want to go where culture is, like New York. Or at least Connecticut or New Hampshire.

—Christine Mherson

#3

Phantom Thread

Highest Rated Overall

Phantom Thread

Directed by Paul Thomas Anderson Viewings: 643K Average weighted rating: 4.1

Every square inch of this film is meticulously constructed to such an extent that you’re just waiting for something to disrupt it. At times, it’s somehow dull and beautiful in equal measure, probably because each tiny, repetitive movement is shrouded in mystery but is simultaneously dangling at some type of palpable precipice. The bare-bones setup allows Anderson to slowly but surely tinker with expectations … as he works in and out of gothic romance, dark comedy, and imioned drama. — Kevin Y

Phantom Thread

Kiss me, my girl, before I’m sick.

—Reynolds Woodcock

Highest Rated Overall — Next Ten

Here are the next ten highest rated films by our in 2017. See the full list.

  1. Coco
  2. Blade Runner 2049
  3. The Florida Project
  4. Get Out
  5. The Shape of Water
  6. Dunkirk
  7. Logan
  8. Good Time
  9. My Life as a Zucchini
  10. Baby Driver
The Shape of Water

This may very well be the most sensitive asset ever to be housed in this facility.

—Fleming

Highest Rated Action

Dunkirk

Directed by Christopher Nolan Viewings: 2.3M Average weighted rating: 3.8

Nolan fascinates over the hysteria behind the promise of certain death and his intelligence produces a scepticism for male gallantry that is undercut solely by the heroism of his closing chapter. While streams of men crumple with their hands above their heads, Dunkirk crafts heroes out of scarce individuals whose experience goes entirely unmatched by those thrown into the belly of the beast. — removed

  1. Dunkirk
  2. Logan
  3. Baby Driver
  4. Star Wars: The Last Jedi
  5. Wind River
Dunkirk

Wars are not won by evacuation.

—Tommy

Highest Rated Animation

Coco

Directed by Lee Unkrich Viewings: 3.4M Average weighted rating: 4.1

A beautiful tribute to one of the most deeply rooted traditions in Mexico made with great respect and sensitivity, Coco is a story about the importance of family and its role in the shaping of individuals, as well as a story about oblivion, death and the particular way in which it is perceived and part of the Mexican idiosyncrasy. … Vibrant colours and great attention to detail. — Enfant du Siècle

  1. Coco
  2. My Life as a Zucchini
  3. A Silent Voice: The Movie
  4. In This Corner of the World
  5. The Breadwinner
Coco

I have to sing. It’s not just in me… It is me.

—Ernesto de la Cruz

Highest Rated Horror

Get Out

Directed by Jordan Peele Viewings: 4.5M Average weighted rating: 4.1

Sharp, intelligent satire seamlessly woven into a hilarious and scary surface narrative. Peele’s insights on contemporary race relations are eerily realistic … even as the stakes inevitably escalate to absurdism. Fulfills what is arguably the most valuable function of horror; that being its ability to embrace the hideous, disdainful parts of society and have a sort of deranged laugh at it. — jared_s

  1. Get Out
  2. The Killing of a Sacred Deer
  3. It
  4. Raw
  5. mother!
Get Out

I mean, I told you not to go in that house.

—Rod Williams

Highest Rated Sci-Fi

Blade Runner 2049

Directed by Denis Villeneuve Viewings: 2.4M Average weighted rating: 4.1

Every impeccably composed shot—a surreal six-handed love scene; a shimmering hologram of Elvis, hip-swiveling into eternity; a ‘newborn’ replicant, slick with amniotic goo—feels like such a ravishing visual feast. I could have sat through three hours of this thing with the sound off, just staring at the works of art on the screen. … A credit to Roger Deakins, who should finally get his goddamn Oscar. — Nima Jamali

  1. Blade Runner 2049
  2. Logan
  3. Star Wars: The Last Jedi
  4. Thor: Ragnarok
  5. War for the Planet of the Apes
Blade Runner 2049

I had your job once. I was good at it.

—Rick Deckard

Highest Rated Documentary

LA 92

Directed by Daniel Lindsay Viewings: 23K Average weighted rating: 4.2

A condensed, collage paste-up of the events surrounding the Rodney King verdict, the 24-hour news cycle condensed and deepened with research. … Powerful and evocative. — rsvp1985to2022

  1. LA 92
  2. The Work
  3. Faces Places
  4. Ex Libris: The New York Public Library
  5. Jane
  6. Bright Lights: Starring Carrie Fisher and Debbie Reynolds
  7. The Farthest
  8. Icarus

Highest Rated Foreign Language

The Salesman

Directed by Asghar Farhadi Viewings: 73K Average weighted rating: 3.8

The immense power of this movie is Farhadi’s courage and wisdom to question the hard belief in his culture that shame is the deserved consequence and most effective deterrent for crime. — Glen Grunau

  1. The Salesman
  2. Loveless
  3. A Bride for Rip Van Winkle
  4. A Taxi Driver
  5. Sieranevada
  6. Nise: The Heart of Madness
  7. The Woman Who Left
  8. After the Storm
  9. Endless Poetry
  10. A Fantastic Woman
Logan Lucky

I know everything there is to know about computers, okay? All the Twitters, I know ’em.

—Fish Bang
Baby Driver

The moment you catch feelings is the moment you catch a bullet.

—Bats
Logan

Nature made me a freak. Man made me a weapon. And God made it last too long.

—Logan
Wonder Woman

The sword doesn’t go with the outfit.

—Etta Candy
It

Hiya Georgie. What a nice boat. Do you want it back?

—Pennywise
Star Wars: The Last Jedi

Let the past die. Kill it, if you have to. That’s the only way to become what you are meant to be.

—Kylo Ren

The Year in Numbers

51.33m

Films Marked Watched

30m

Ratings

9.89m

Diary Entries

2.59m

Reviews

710k

Comments

423k

Lists

More Numbers

During 2017 we logged 18,085,620 hours watching films

And we wrote 201,714,273 words about them!

Of all films watched, 21.5% were 2017 releases

And 0.85% had the word ‘Wonder’ in the title!

My Life as a Zucchini

Sometimes we cry when we’re happy. Isn’t that right?

—Courgette

Popular favorable reviews

davidehrlich

Dunkirk

By davidehrlich

[Nolan’s] unshakeable of Britain’s darkest hour—and the miraculous dawn that followed—dissolves Hitler’s army into a primarily existential threat. The opening text refers to them as just “the enemy”. They are as vague and violent as the dream projections in Inception, less of a literal force than a deadly abstraction that lives under our skin, feeds on our fears, and erodes our shared purpose.
matt lynch

Star Wars: The Last Jedi

By matt lynch

Reminds you of what this sort of thing can be with an actual director behind it instead of merely a gang of well-meaning producers. Johnson deploys a few basic narrative and visual tricks that haven't really popped up in a Star Wars film before, along with his usual precise frames and tight technical craft, and a particular attention to emotional continuity. There’s also a welcome preoccupation with collateral damage, both physical and psychic.
mia lee vicino

Lady Bird

By mia lee vicino

Eighteen is a messy age. You think you’re an adult. (You aren’t.) You think you know better than everyone else. (You don’t.) You think every decision you make will impact your life forever. (It won’t.) … Lady Bird will take you right back to being on that fragile cusp of adulthood. I’m in that headspace while writing this. Which is why I’m about to make this review about me, like any eighteen-year-old would.
Evan

It

By Evan

The more I think about It, the more I love it. There are so many moments, lines, and characters. This is what you get when the team behind a movie truly cares about the source material. You can just tell everyone involved put their heart and soul into this project and it paid off to the highest degree. I truly believe this movie is destined to be a horror classic.

Popular unfavorable reviews

Jak-Luke Sharp

Star Wars: The Last Jedi

By Jak-Luke Sharp

A bitterly disappointing, flat, tiresome, and ultimately disastrous attempt at wanting to stand out against the norm. The tone is completely, utterly wrong for such a massively important episode in a franchise that needs to go darker and embrace it. It has no clue of what it wants to be, aside from being “different”, so it thinks it’s doing something right.
Melissa Tamminga

Three Billboards Outside Ebbing, Missouri

By Melissa Tamminga

Utterly baffling. It feels so deeply confident and so terribly, terribly wrong. It feels like the leftovers from an abandoned TV series, a hodgepodge of half-begun storylines and half-sketched characters, each of whom belong in different settings. It also feels a bit like someone wanted to try to tackle every hot button issue he could think of … but didn’t actually bother to do any research on any of the issues or talk to any of the people such issues affect.
Eli Hayes

mother!

By Eli Hayes

I prefer my allegorical films not to spell out said themes so blatantly, to the point where every metaphor is so overt and undisguised—lacking subtext and completely composed of surface text—that we’re left unable to ponder what the horrific content before us might mean. The symbols beneath the … physical horror that emerges [are] void of all potential commentative nature, presenting nothing but the next smack for shock, the next bang!, the next drop of blood, the next hollow hurting of the human heart.
SilentDawn

It Comes at Night

By SilentDawn

Two sides of the Hollywood distribution coin: It Comes at Night is anticipated (and marketed) as an antidote to the plodding monotony of typical summer fare, only to reveal itself as a lame, counter-intuitive example of the inherent flaws of the modern low-budget art-house picture. The film is Romero without the implications of exploitation, Kubrick without [the] formal satisfaction of its displays of dread, Carpenter without any genuine exploration of its ensemble.
Gonzo

Wonder Woman

By Gonzo

While the marketing and the actual film, is—on the surface—all about female empowerment, there lingers an underlying feeling that the lack of mingling and interconnection is a sign of the studio’s lack of faith in the character as a solo draw.
The Big Sick

So, if I yelled out, like, “you’re amazing in bed”, that’d be a heckle?

—Emily Gordon

Letterboxd Crew’s Favorite Reviews

Tasha Robinson

Call Me by Your Name

By Tasha Robinson

Sign me up as the apostate that just doesn’t appreciate this one, that doesn’t really understand why a long, rambling, sleepy movie about a disconnected, disaffected, insanely rich and privileged teenager moping around until he gets laid is so moving to people. There are better romances, better gay coming-of-age movies, better summer-fling stories, … I will fight the world on this one.
Oob

Geostorm

By Oob

Back in 1994 I had a huge crush on a cheerleader at my high school named Ginger Jordan. The odds were decidedly not in my favor; I was a pudgy, oily-skinned, Zucker-Abrahams-Zucker-obsessed sophomore, while Ginger was a senior, one of the most popular students at the school, and only a few months away from heading off to college at UGA.
DBC

Jim & Andy: The Great Beyond

By DBC

Taken together, those observations offer a troubling possibility for this documentary: that we are watching the chronicling of an actor’s peak moment, where at the height of their Hollywood success they were able to abandon their identity and take on the dream performance of becoming their childhood hero, a task that killed who they were and made them realize success wasn’t everything they thought it would be.
Ruth Scouller

Crocodile Dundee

By Ruth Scouller

Unpacking a film like Crocodile Dundee three decades on is not for everyone. Many who once lined around the corner to see it have probably decried it long ago. Paul Hogan’s aim was mass appeal, an Australian comedy on the world stage, and that means the culture clash humour is predictably broad, base and dated, replete in good-hearted Ockerisms, like a victory lap for the initial local film industry kick-start provided by earlier low-budget Ocker DIY hits.
Willow Maclay

Lady Bird

By Willow Maclay

The incredible realization that the catholic priest football coach moonlighting as a theater director is in fact played by the same man who wanted his normal coffee, but was instead turned onto the majesties of a green tea latte on Twin Peaks. Both lives improved by trying something different and finding a new thing that they love. What a year it was for Bob Stephenson.
Jared

Good Time

By Jared

The Safdies have continually impressed with their ability to realistically sketch flawed protagonists of disreputable behavior in economically-depressed and socially-maligned circumstances. … Through their gritty indie aesthetic they’ve created a humdinger of a crime thriller with a tightly plotted narrative that, like its single-minded protagonist, threatens to careen out of control at any moment save for wit, invention, and, wholly unexpected, love.
Sally Jane Black

Mudbound

By Sally Jane Black

This film starts in the mud. Its every frame is filled with browns and tans and blacks and muddy greens. This film is farmland and fields, puddles and ponds. This film is elemental, a story of who owns who can own who should own the very earth itself. It has no answers except in the negative (the one who takes without giving, the vile white conqueror-thief should not does not truly own it). It shows the black Americans as rightful owners, despite their forced indigeneity. It shows the land giving power, freedom, in its own way. It shows the complex relationship between patriarchy and white supremacy, and it implies the parasitic nature of capitalism. It’s a portrait of America.
Rob Weychert

The Florida Project

By Rob Weychert

Other poverty porn arguments are more vague, but I guess the idea is either that The Florida Project’s darker moments cynically elicit sympathy via maudlin class warfare clichés, or that its lighter moments somehow trivialize the plight of the poor. I’m with the zeitgeist on this one. The Florida Project encapsulates the beauty of childhood and the weight of poverty, and offers a unique, funny, devastating, visually stunning window into how they coexist.
Tay

Brigsby Bear

By Tay

Maybe my taste dictates that I might’ve wanted this to be darker, or to be more psychologically inquisitive and investigative, but this is really just… a lovely and thoughtful and charming movie. Its plot may be unexpected, its narrative may be a bit too expected, but ultimately it culminates [in] something that really is just kind. I will take kindness any day, and I will take championing art and creation any day, too, over just about anything else.
Doug Dillaman

Alien: Covenant

By Doug Dillaman

Rewatching Alien recently, I realised so much of the magic of it was finding out things in real time with the characters. Very little is explained in exposition; instead, it’s learned in discovery. Now imagine dedicating yourself to making four films that play against the greatest strength of your own film. If you can complete that particular piece of mental gymnastics, you’re part of the way to understanding Alien Convenant.
kai

Thor: Ragnarok

By kai

Marvel: Hey can you make a Thor sequel? Definitely don’t include anything about, like, imperialism or post-colonial indigenous identity‬. ‪Taika Waititi: Heh heh‬. ‪Marvel: What? ‪Taika Waititi: What?‬
Frank Chimero

Sing Street

By Frank Chimero

I resent the cruel things this movie says about Phil Collins.
Jumanji: Welcome to the Jungle

I got a backpack on! You don’t get in water with a backpack, everybody knows that.

—Moose Finbar

Intermission

We’re into hour three of the awards ceremony and you’re still with us! Maybe take a short tea break and share a link with your film-loving besties? They’ll want to know all this good stuff. 😍

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Countdown

David Ehrlich’s 25 Best

IndieWire’s with this tag.

Play video Play video

Countdown

Jonas Callegari’s 25 Best

We also loved with this tag.

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A Ghost Story

[Eats pie in silence for four minutes.]

—M

In Memoriam

John Hurt

Hurt saw himself as a character actor, much like one of his heroes Alec Guinness. His iration for Guinness, who was well known for vanishing completely into a character, perhaps explains why in so many of his performances Hurt is almost unrecognizable. … And then there was the voice, an extraordinarily rich and versatile tool, used most famously in the mid-to-late ’80s when Hurt provided the doom-laden narration for the earliest UK television campaign against Aids, accompanied by apocalyptic images of icebergs and falling monoliths. —Robert Sellers

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A tribute to John Hurt by Inkwell Arts Media

Associated Press

In Memoriam

Bill Paxton

[Ours] was a friendship of laughter, adventure, love of cinema, and mutual respect. Bill wrote beautiful heartfelt and thoughtful letters, an anachronism in this age of digital shorthand. He took good care of his relationships with people, always caring and present for others. He was a good man, a great actor, and a creative dynamo. … The world is a lesser place for his ing, and I will profoundly miss him. —James Cameron

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A tribute to Bill Paxton by Newman Films

Richard Shotwell / Invision / AP

In Memoriam

Roger Moore

Though Moore was rarely regarded as the best or most definitive Bond, his inimitable humor and panache made him many viewers’ favorite. His tally of seven films equalled that of Connery, though Moore occupied the role for a longer consecutive period. He was eloquent on the distinction between their portrayals. “Sean played Bond as a killer and I played Bond as a lover,” he said. —Ryan Gilbey

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A tribute to Roger Moore by Mojo Risin

Associated Press

In Memoriam

George A. Romero

Universal screened Shaun of the Dead for him while he was on vacation. … Later that night, George called us in London. I standing in my flat in Islington when I got the call from him and he couldn’t have been warmer and kinder about the movie. I him saying that it was ‘an absolute blast’. That indeed became the sole poster quote for the movie in the US. I frequently think back to this moment of standing in my house as the moment my life truly changed and the world got smaller. —Edgar Wright

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ing Romero by Dread Central (NSFW)

The Meyerowitz Stories (New and Selected)

It’s called flirting when you’re young. I’m not sure what it’s called when you’re over 70.

—Harold Meyerowitz

Trends

A Wonder-ful Year

As Khoi Vinh notes, it’s been a wonder-ful year at the cinema.

  1. Wonder Woman
  2. Wonder
  3. Professor Marston and the Wonder Women
  4. Wonder Wheel
  5. Wonderstruck
mother!

You give, and you give, and you give. It’s just never enough.

—Woman

Women Directors

The highest rated and most popular films by women directors, including our second-highest rated film for the year overall.

Alongside Greta Gerwig, three other women directors feature in our documentaries: Agnès Varda, Alexis Bloom, Emer Reynolds, Amanda Lipitz, Ceyda Torun, Mélanie Laurent and Sabaah Folayan.

Two years ago, NY Times critic Manohla Dargis called the lack of female film directors “immoral, maybe illegal”. Now, she’s asking “is it time for quotas?”.

Highest Rated — Women Directors

Lady Bird

Directed by Greta Gerwig Viewings: 3.4M Average weighted rating: 3.8

We can reach to the ends of our minds and pull out the most convoluted and revolutionary ideas to make movies out of, or to write books about in order to feel like we’re doing something new. But sometimes a film doesn’t need to be far away from reality to amaze us. Sometimes covering the visceral parts of our lives can give us the same shock, anticipation, emotion. — issy 🥝

  1. Lady Bird
  2. Faces Places
  3. A Silent Voice: The Movie
  4. Bright Lights: Starring Carrie Fisher and Debbie Reynolds
  5. The Farthest
The Killing of a Sacred Deer

If you’re going to dig a hole in the yard, better make it a big one.

—Martin

#metoo

The Silence Breakers

Following twelve months of sexual harassment revelations—many involving Hollywood power brokers—Time magazine named The Silence Breakers as its person of the year for 2017. Editor-in-chief Edward Felsenthal explains why in this editorial.

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Spider-Man: Homecoming

If you’re nothing without the suit, then you shouldn’t have it.

—Tony Stark

The Mosts

And finally, the actors, directors and films that took your fancy (or otherwise) the most in 2017, and some that might in 2018.

All results are as at 1 January 2018.

Most Watched Actor

Samuel L. Jackson

  1. Ryan Gosling

  2. Adam Driver

  3. J.K. Simmons

  4. Warwick Davis

  5. Harrison Ford

  6. Domhnall Gleeson

  7. Andy Serkis

  8. John Goodman

  9. Willem Dafoe

Most Watched Actress

Scarlett Johansson

  1. Robin Wright

  2. Amy Adams

  3. Carrie Fisher

  4. Laura Dern

  5. Callie Hernandez

  6. Cate Blanchett

  7. Gal Gadot

  8. Emma Stone

  9. Tilda Swinton

Most Watched Director

Denis Villeneuve

  1. Christopher Nolan

  2. Ridley Scott

  3. Edgar Wright

  4. Damien Chazelle

  5. Martin Scorsese

  6. Steven Spielberg

  7. Rian Johnson

  8. Taika Waititi

  9. James Gunn

The Beguiled

We can show ’em some really Southern hospitality.

—Alicia

Most Obsessively Rewatched

La La Land

Directed by Damien Chazelle Viewings: 4.5M Average weighted rating: 4.1

They say third time’s a charm, and in this case that might be true. I needed three viewings of La La Land to fully come to with it. The more I think about the film, the more it comes together both purely as an experience and in its themes. It’s ambitious, and it actually delivers on those ambitions with a spectacular finale that perfectly rounds it off on both those prior levels. — removed

  1. La La Land
  2. Baby Driver
  3. Star Wars: The Last Jedi
  4. Dunkirk
  5. Rogue One: A Star Wars Story

Most Divisive

The Shack

Directed by Stuart Hazeldine Viewings: 41K Average weighted rating: 2.7

May offer some fine performances but its incoherent plot, lack of authenticity, underdeveloped characters, … grating melodrama, and terrible pacing make it painful to watch. — Dawson Joyce

  1. The Shack
  2. The Book of Henry
  3. We Are the Flesh
  4. Fifty Shades Darker
  5. mother!
  6. Kidnap
  7. A Dog's Purpose
  8. Resident Evil: The Final Chapter
  9. Transformers: The Last Knight
  10. Song to Song

Most Loved to Hate

The Book of Henry

Directed by Colin Trevorrow Viewings: 51K Average weighted rating: 2.6

The Book of Henry is such a fascinating failure of a film. Its problems are innumerable, but in Colin Trevorrow’s defense, I guess it could all [be] attributed to Gregg Hurwitz’s cuckoo screenplay. Still, you have to question what made Trevorrow read this thing and think, “That’s my next masterpiece”. … Worth checking out unless you have anything better to do. — Steven Cohen

  1. The Book of Henry
  2. The Bye Bye Man
  3. The Emoji Movie
  4. Transformers: The Last Knight
  5. Fifty Shades Darker

Lowest Rated Overall

The Emoji Movie

Directed by Tony Leondis Viewings: 390K Average weighted rating: 1.3

Honestly, I can’t even get mad about it—this is exactly the kind of crass, formulaic, commercialized nonsense we as a nation deserve. — Alan Gunn

  1. The Emoji Movie
  2. The Bye Bye Man
  3. 9/11
  4. Rings
  5. Temple
  6. You Get Me
  7. The Last Face
  8. Diary of a Wimpy Kid: The Long Haul
  9. The Snowman
  10. Boo 2! A Madea Halloween
The Disaster Artist

No, no! Very necessary. I need to show my ass to sell this picture.

—Tommy Wiseau

Q & A

Sean Baker

Sean Baker (pictured left in green tee), director of our sixth-highest rated film of 2017, took time to answer your questions about tracks his film-watching at Letterboxd.

The Florida Project

I can always tell when adults are about to cry.

—Moonee

Most Anticipated in 2018

Avengers: Infinity War

Directed by Anthony Russo

  1. Avengers: Infinity War
  2. Black Panther
  3. Incredibles 2
  4. Annihilation
  5. Isle of Dogs
  6. Ready Player One
  7. The Death & Life of John F. Donovan
  8. Deadpool 2
  9. Solo: A Star Wars Story
  10. Aquaman

See the full list for 2018 and beyond…

Ones to Watch

Night is Short, Walk on Girl

Directed by Masaaki Yuasa Viewings: 78K Average weighted rating: 4.2

  1. Night Is Short, Walk On Girl
  2. A Bride for Rip Van Winkle
  3. Nise: The Heart of Madness
  4. A Date for Mad Mary
  5. Foxtrot
  6. Ethel & Ernest
  7. The Breadwinner
  8. In Between
  9. Heartstone
  10. Sami Blood

A 93-minute ode to youth and its boundless potential. — Bem

Good Time

Are you feeling this? Are you feeling as good as I’m feeling right now?

—Connie Nikas

Roll credits!

Thanks to everyone who contributed—you make it all worthwhile. ♥

See the full lists for each category, read the news post and please share this page to Twitter, Facebook, infinity and beyond!

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